This Wound Is a World

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Billy-Ray Belcourt

BOOK PREVIEW—We've provided a sample of the full-text here for review purposes.

“i am one of those hopeless romantics who wants every blowjob to be transformative.” Billy-Ray Belcourt’s debut poetry collection, This Wound Is a World, is “a prayer against breaking,” writes trans Anishinaabe and Métis poet Gwen Benaway. “By way of an expansive poetic grace, Belcourt merges a soft beauty with the hardness of colonization to shape a love song that dances Indigenous bodies back into being. This book is what we’ve been waiting for.”

Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a hole in the sky / to world inside.” Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay.” Presented here with several additional poems, this prize-winning collection pursues fresh directions for queer and decolonial theory as it opens uncharted paths for Indigenous poetry in North America. It is theory that sings, poetry that marshals experience in the service of a larger critique of the coloniality of the present and the tyranny of sexual and racial norms.

Metadata

  • rights
    Poems featured here have previously been published in Assaracus: A Journal of Gay Poetry, Decolonization, Red Rising Magazine, mâmawi-äcimowak, SAD Mag, Yellow Medicine Review, The Malahat Review, PRISM International, and The New Quarterly.

    Originally published in 2017 by Frontenac House

    First University of Minnesota Press edition, 2019

    Copyright 2017, 2019 by Billy-Ray Belcourt
  • publisher
    University of Minnesota Press
  • publisher place
    Minneapolis, MN
  • restrictions
    All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher.
  • rights holder
    Billy-Ray Belcourt