Bibliography

• Akiwenzie-Damm, Kateri. “Preface: We Remain, Forever.” Skins: Contemporary Indigenous Writing, edited and compiled by Kateri Akiwenzie-Damm and Josie Douglas, vi–ix. Alice Springs, Australia: Jukurrpa Books, 2000.
• Akwesasne Notes. Trail of Broken Treaties: B.I.A. I’m Not Your Indian Anymore. Rooseveltown, N.Y.: Akwesasne Notes, 1973.
• Allen, Chadwick. “Blood (and) Memory.” American Literature 71, no. 1 (March 1999): 93–116.
• Allen, Chadwick. Blood Narrative: Indigenous Identity in American Indian and Maori Literary and Activist Texts. Durham, N.C.: Duke University Press, 2002.
• Allen, Chadwick. “N. Scott Momaday: Becoming the Bear.” Cambridge Companion to Native American Literature, edited by Kenneth Roemer and Joy Porter, 207–19. Cambridge: Cambridge University Press, 2005.
• Allen, Chadwick. “Unspeaking the Settler: ‘The Indian Today’ in International Perspective.” American Studies 46, nos. 3–4 (Fall/Winter 2005): 39–57.
• Allen, Chadwick. “Engaging the Politics and Pleasures of Indigenous Aesthetics.” Western American Literature 41, no. 2 (Summer 2006): 146–75.
• Allen, Chadwick. “Rere Kē/Moving Differently: Indigenizing Methodologies for Comparative Indigenous Literary Studies.” Studies in American Indian Literatures 19, no. 4 (Winter 2007): 1–26. Also in special issue, Journal of New Zealand Literature 24, no. 2 (2007): 44–72.
• Allen, Chadwick. “Serpentine Figures, Sinuous Relations: Thematic Geometry in Allison Hedge Coke’s Blood Run.” American Literature 82, no. 4 (December 2010): 807–34.
• Allen, Chadwick. “A Transnational Native American Studies? Why Not Studies that are Trans-Indigenous?” Journal of Transnational American Studies 4, no. 1 (2012).
• American Revolution Bicentennial Administration. The Bicentennial of the United States of America: A Final Report to the People. 5 vols. Washington, D.C.: Government Printing, 1977.
• Apess, Willam. On Our Own Ground: The Complete Writings of William Apess, A Pequot. Edited by Barry O’Connell. Amherst: University of Massachusetts Press, 1992.
• Aptheker, Herbert. The Negro Today. New York: Marzani and Munsell, 1962.
• Aptheker, Herbert. Soul of the Republic: The Negro Today. New York: Marzani and Munsell, 1964.
• Attwood, Bain, and Andrew Markus, eds. The Struggle for Aboriginal Rights: A Documentary History. Sydney, Australia: Allen & Unwin, 1999.
• Beckett, Jeremy R., ed. Past and Present: The Construction of Aboriginality. 1988. Reprint, Canberra, Australia: Aboriginal Studies Press, 1994.
• Berkhofer, Robert F., Jr. The White Man’s Indian: Images of the American Indian from Columbus to the Present. New York: Random House, 1978.
• Berlo, Janet Catherine. “Artists, Ethnographers, and Historians: Plains Indian Graphic Arts in the Nineteenth Century—and Beyond.” In Transforming Images: The Art of Silver Horn and His Successors, by Robert G. Donnelley, 27–45. Chicago: University of Chicago Press, 2000.
• Berlo, Janet Catherine. “‘It’s Up To You—’: Individuality, Community and Cosmopolitanism in Navajo Weaving.” In Weaving Is Life: Navajo Weavings from the Edwin L. & Ruth E. Kennedy Southwest Native American Collection, edited by Jennifer McLerran, 34–47. Athens, Ohio: Kennedy Museum of Art, Ohio University / Seattle: University of Washington Press, 2006.
• Berlo, Janet C., and Ruth B. Phillips. Native North American Art. Oxford History of Art. New York: Oxford University Press, 1998.
• Best, Elsdon. The Maori Canoe: An Account of Various Types of Vessels Used by the Maori of New Zealand in Former Times, with Some Description of Those of the Isles of the Pacific, and a Brief Account of the Peopling of New Zealand. Wellington, New Zealand: Board of Maori Ethnological Research, for the Dominion Museum, 1925. Reprint, Wellington: Government Printer, 1976. Reprint, Wellington: Te Papa Press, 2005.
• Binney, Judith. “Maori Oral Traditions, Pakeha Written Texts: Two Forms of Telling History.” New Zealand Journal of History 21, no. 1 (1987): 16–28.
• Blish, Helen H. A Pictographic History of the Oglala Sioux. Ledger art by Amos Bad Heart Bull. Lincoln: University of Nebraska Press, 1967.
• Blue Cloud, Peter. Elderberry Flute Song: Contemporary Coyote Tales. Buffalo, N.Y.: White Pine Press, 1982.
• Bonar, Eulalie H., ed. Woven by the Grandmothers: Nineteenth-Century Navajo Textiles from the National Museum of the American Indian. Washington, D.C.: Smithsonian Institution Press, 1996.
• Booklist. Unsigned review of Indians’ Summer, by Nasnaga. June 15, 1975.
• Boyd, Maurice. Kiowa Voices. With Lynn Pauahty. 2 vols. Fort Worth: Texas Christian University Press, 1981–83.
• Brooks, Lisa. The Common Pot: The Recovery of Native Space in the Northeast. Minneapolis: University of Minnesota Press, 2008.
• Buck, Sir Peter (Te Rangi Hiroa). Vikings of the Sunrise. Philadelphia: J. B. Lippincott Company, 1938.
• Buck, Sir Peter (Te Rangi Hiroa). The Coming of the Maori. Wellington, New Zealand: Maori Purposes Fund Board, Whitcombe and Tombs, 1949.
• Burke, Christina E. “Waniyetu Wówapi: An Introduction to the Lakota Winter Count Tradition.” In The Year the Stars Fell: Lakota Winter Counts at the Smithsonian, edited by Candace S. Greene and Russell Thornton, 1–11. Lincoln: University of Nebraska Press, 2007.
• Burnum Burnum. “The Burnum Burnum Declaration.” Anthology of Australian Aboriginal Literature, edited by Anita Heiss and Peter Minter, 124–25. Montreal: McGill-Queen’s University Press, 2008.
• Burnum Burnum. Burnum Burnum’s Aboriginal Australia: A Traveller’s Guide. Edited by David Stewart. North Ryde, Australia: Angus and Robertson, 1988.
• Cajete, Gregory. Native Science: Natural Laws of Interdependence. With a foreword by Leroy Little Bear. Santa Fe, N.Mex.: Clear Light, 2000.
• Callahan, S. Alice. Wynema, A Child of the Forest. 1891. Reprint, Lincoln: University of Nebraska Press, 1997.
• Calloway, Colin G. The Shawnees and the War for America. New York: Penguin Books, 2007.
• Carlsen, G. Robert, Tony Manna, and Jan Yoder. Review of Indians’ Summer, by Nasnaga. English Journal 65, no. 1 (January 1976): 96.
• Carter, Jacq. “Comparatively Speaking, There Is No Struggle.” In Whetu Moana: Contemporary Polynesian Poems in English, edited by Albert Wendt, Reina Whaitiri, and Robert Sullivan, 40–41. Auckland, New Zealand: Auckland University Press, 2003.
• CH. Review of Indians’ Summer, by Nasnaga. New Republic March 29, 1975, 33.
• Chaudhuri, Joy, ed. Indians and 1976: Native Americans Look at the American Revolution Bicentennial Observance. Tucson: University of Arizona Amerind Club, 1973.
• Chief Eagle, Dallas. Winter Count. 1967. Reprint, Lincoln: University of Nebraska Press, 2003.
• Clark, D. Anthony Tyeeme, and Norman R. Yetman. “‘To Feel the Drumming Earth Come Upward’: Indigenizing the American Studies Discipline, Field, Movement.” American Studies 46, nos. 3–4 (Fall/Winter 2005): 7–21.
• Condliffe, J. B. Te Rangi Hiroa: The Life of Sir Peter Buck. Christchurch, New Zealand: Whitcombe & Tombs, 1971.
• Cooper, Karen Coody. Spirited Encounters: American Indians Protest Museum Policies and Practices. Lanham, Md.: AltaMira Press, 2008.
• Cox, James H. Muting White Noise: Native American and European Novel Traditions. Norman: University of Oklahoma Press, 2006.
• Dale, E. E. Review of They Came Here First: The Epic of the American Indian, by D’Arcy McNickle. The Americas 7, no. 3 (January 1951): 382–84.
• Deloria, Ella Cara. Waterlily. Lincoln: University of Nebraska Press, 1988.
• Deloria, Vine, Jr. Custer Died for Your Sins: An Indian Manifesto. New York: Collier-Macmillan, 1969.
• Deloria, Vine, Jr. God Is Red. New York: Grosset and Dunlap, 1973.
• Deloria, Vine, Jr. Behind the Trail of Broken Treaties: An Indian Declaration of Independence. New York: Delta, 1974.
• Deloria, Vine, Jr. “The Next Three Years: A Time for Change.” The Indian Historian 7, no. 2 (Spring 1974): 25–27.
• Deloria, Vine, Jr. “1976: The Desperate Need for Understanding.” Cross Talk 3, no. 4 (December 1974-February 1975): part 8.
• Deloria, Vine, Jr. “Why Indians Aren’t Celebrating the Bicentennial.” In Spirit and Reason: The Vine Deloria, Jr. Reader, edited by Barbara Deloria, Kristen Foehner, and Sam Scinta, 199–205. Golden, Colo.: Fulcrum, 1999.
• Deloria, Vine, Jr. “A Last Word from the First Americans.” New York Times Magazine, July 4, 1976, 80.
• Deloria, Vine, Jr. “We Pledge Allegiance: A Conversation with Vine Deloria, Jr.” Journal of Current Social Issues 13, no. 1 (Winter 1976): 12–17.
• Deloria, Vine, Jr. “The American Revolution and the American Indian: Problems in the Recovery of a Usable Past.” In Spirit and Reason: The Vine Deloria, Jr. Reader, edited by Barbara Deloria, Kristen Foehner, and Sam Scinta, 206–22. Golden, Colo.: Fulcrum, 1999.
• DeLoughrey, Elizabeth M. Routes and Roots: Navigating Caribbean and Pacific Island Literatures. Honolulu: University of Hawai’i Press, 2007.
• Department of Citizenship and Immigration, Indian Affairs Branch. The Indian in Transition: The Indian Today. Ottawa, ON: Queen’s Printer, 1962.
• Department of Maori Affairs. The Maori Today. 3rd ed. Wellington, New Zealand: Government Printer, 1964.
• Donnelley, Robert G. Transforming Images: The Art of Silver Horn and His Successors. With contributions from Janet Catherine Berlo and Candace S. Greene. Chicago: University of Chicago Press, 2000.
• Dorian, Edith, and W. N. Wilson. Hokahey! American Indians Then and Now. New York: McGraw-Hill, 1957.
• Dudoit, D. Māhealani. “Carving a Hawaiian Aesthetic.” ‘Ōiwi: A Native Hawaiian Journal 1 (1998): 20–26.
• Duffek, Karen, and Charlotte Townsend-Gault, eds. Bill Reid and Beyond: Expanding on Modern Native Art. Vancouver, Canada: Douglas & McIntyre / Seattle: University of Washington Press, 2004.
• Dunstan, William. “Canadian Indians Today.” Canadian Geographical Journal 67, no. 6 (December 1963): 182–93.
• Dutton, Bertha Pauline. Navajo Weaving Today. Rev. ed. Santa Fe: Museum of New Mexico Press, 1975.
• Dutton, Bertha Pauline. New Mexico’s Indians of Today. Santa Fe: Tourist Division of the New Mexico Department of Development, 1964.
• Eastman, Charles A. (Ohiyesa). The Indian To-day: The Past and Future of the First American. Garden City, N.Y.: Doubleday, Page, and Company, 1915. Reprint, New York: AMS Press, 1975.
• Elliott, Emory, Louis Freitas Caton, and Jeffrey Rhyne, eds. Aesthetics in a Multicultural Age. New York: Oxford University Press, 2002.
• Evans, Jeff. Nga Waka o Nehera: The First Voyaging Canoes. Auckland, New Zealand: Reed Publishing, 1997.
• Evers, Lawrence J. Review of Indians’ Summer, by Nasnaga. American Indian Quarterly 1, no. 4 (Winter 1974–1975): 294–95.
• Evers, Lawrence J. “Words and Place: A Reading of House Made of Dawn.” In Critical Perspectives on Native American Fiction, edited by Richard F. Fleck, 114–33. Washington, D.C.: Three Continents Press, 1993.
• Fenton, William N. Review of They Came Here First: The Epic of the American Indian, by D’Arcy McNickle. American Anthropologist 52, no. 4 (October/December 1950): 546–47.
• Finney, Ben. “Myth, Experiment, and the Reinvention of Polynesian Voyaging.” American Anthropologist 93, no. 2 (June 1991): 383–404.
• Firth, Raymond. Review of The Coming of the Maori, by Sir Peter Buck. Man 51 (August 1951): 112–13.
• Foley, Gary. “The Australian Labor Party and the Native Title Act.” In Sovereign Subjects: Indigenous Sovereignty Matters, edited by Aileen Moreton-Robinson, 118–39. Crows Nest, New South Wales: Allen & Unwin, 2007.
• Forbes, Jack. Aztecas del Norte: The Chicanos of Aztlan. Greenwich, Conn.: Fawcett, 1973.
• Forbes, Jack. “It’s Time to Throw Off the White Man’s Names.” Akwesasne Notes 4, no. 2 (March 1972): 31.
• Forrest, Peter. “Tudawali, Robert (1929?—1967).” In Australian Dictionary of Biography, 16:419–20. Melbourne: Melbourne University Press, 2002.
• Freling, Anne. Review of Indians’ Summer, by Nasnaga. Library Journal 100, no. 9 (May 1975): 882.
• Gansworth, Eric. Nickel Eclipse: Iroquois Moon. East Lansing: Michigan State University Press, 2000.
• Gansworth, Eric. A Half-Life of Cardio-Pulmonary Function: Poems and Paintings. Syracuse, N.Y.: Syracuse University Press, 2008.
• Gatty, Harold. The Raft Book: Lore of the Sea and Sky. New York: G. Grady Press, 1943.
• Gentry, Carole M., and Donald A. Grinde Jr., eds. The Unheard Voices: American Indian Responses to the Columbian Quincentenary 1492–1992. National Conference Proceedings Series 3. Los Angeles: American Indian Studies Center, University of California, 1994.
• Gilbert, Kevin, ed. Inside Black Australia: An Anthology of Aboriginal Poetry. New York: Penguin, 1988.
• Glancy, Diane. Flutie. Wakefield, R.I.: Moyer Bell, 1998.
• Glick, Paula Brown, and Jeremy Beckett. “Marie Reay, 1922–2004.” Australian Journal of Anthropology 16, no. 3 (December 2005): 394–96.
• Glotzhober, Robert C., and Bradley T. Lepper. Serpent Mound: Ohio’s Enigmatic Effigy Mound. Columbus: Ohio Historical Society, 1994.
• Gonzalez, Ray, ed. Without Discovery: A Native Response to Columbus. Seattle: Broken Moon Press, 1992.
• Grace, Patricia. Potiki. 1986. Reprint, Honolulu: University of Hawai’i Press, 1995.
• Grace, Patricia. Baby No-Eyes. Honolulu: University of Hawai’i Press, 1999.
• Green, Joseph C. Review of They Came Here First: The Epic of the American Indian, by D’Arcy McNickle. The American Historical Review 55, no. 4 (July 1950): 947–48.
• Greene, Candace S. “Changing Times, Changing Views: Silver Horn as a Bridge to Nineteenth- and Twentieth-Century Kiowa Art.” In Transforming Images: The Art of Silver Horn and His Successors, by Robert G. Donnelley, 15–25. Chicago: University of Chicago Press, 2000.
• Greene, Candace S. Silver Horn: Master Illustrator of the Kiowas. Norman: University of Oklahoma Press, 2002.
• Greene, Candace S. “Calendars from Other Plains Tribes.” In The Year the Stars Fell: Lakota Winter Counts at the Smithsonian, edited by Candace S. Greene and Russell Thornton, 299–316. Lincoln: University of Nebraska Press, 2007.
• Greene, Candace S., and Russell Thornton, eds. The Year the Stars Fell: Lakota Winter Counts at the Smithsonian. Lincoln: University of Nebraska Press, 2007.
• Gridley, Marion E., ed. and comp. Indians of Today. Chicago: Lakeside Press, 1936.
• Gridley, Marion E.. Indians of Today. 2nd ed. Chicago: Millar Publishing, 1947.
• Gridley, Marion E.. Indians of Today. 3rd ed. Chicago: Towertown Press, 1960.
• Gridley, Marion E.. Indians of Today. 4th ed. Chicago: I.C.F.P., 1971.
• Griffin-Pierce, Trudy. Earth Is My Mother, Sky Is My Father: Space, Time, and Astronomy in Navajo Sandpainting. Albuquerque: University of New Mexico Press, 1992.
• Guardian. “Australia’s Apology in Full.” February 12, 2008. http://www.guardian.co.uk/world/2008/feb/12/australia.aborigines.
• Habib, Rowley (Rore Hapipi). “When I of Fish Eat.” Te Ao Hou 40 (September 1962): 4.
• Habib, Rowley (Rore Hapipi). The Raw Men: Selected Poems 1954–2004. Vol. 1. Taupo, New Zealand: O-A-Tia Publishers, 2006.
• Harlan, Judith. American Indians Today: Issues and Conflicts. An Impact Book. New York: Franklin Watts, 1987.
• Harris, Helen L. “The Bi-Centennial Celebration and the Native American.” Indian Historian 7, no. 4 (Fall 1974): 5–8.
• Hau’ofa, Epeli. “Our Sea of Islands.” In We Are the Ocean: Selected Works, 27–40. Honolulu: University of Hawai’i Press, 2008.
• Hedge Coke, Allison Adelle. Blood Run: Free Verse Play. Cambridge, UK: Salt Publishing, 2006.
• Hedge Coke, Allison Adelle, ed. Introduction to Sing: Poetry from the Indigenous Americas, 1–19. Tucson: University of Arizona Press, 2011.
• Heiss, Anita, and Peter Minter, eds. Anthology of Australian Aboriginal Literature. Montreal: McGill-Queen’s University Press, 2008.
• Henderson, Jennifer, and Pauline Wakeham, eds. “Aboriginal Redress.” Special issue, English Studies in Canada 35, no. 1 (March 2009).
• Holm, Bill. Northwest Coast Indian Art: An Analysis of Form. Seattle: University of Washington Press, 1965.
• Holm, Bill, and William Reid. Form and Freedom: A Dialogue on Northwest Coast Indian Art. Houston, Tex.: Institute for the Arts, Rice University, 1975.
• Holm, Bill, and William Reid. Indian Art of the Northwest Coast: A Dialogue on Craftsmanship and Aesthetics. Seattle: University of Washington Press, 1976.
• Holt, John Dominis. On Being Hawaiian. Honolulu: Star-Bulletin Printing, 1964.
• Holt, John Dominis. On Being Hawaiian. 2nd ed. With a new introduction. Honolulu: Topgallant Publishing, 1974.
• Ho’omanawanui, Ku’ualoha. “He Lei Ho’oheno no nā Kau a Kau: Language, Performance, and Form in Hawaiian Poetry.” The Contemporary Pacific 17, no. 1 (2005): 29–81.
• Howe, Craig. “Keep Your Thoughts above the Trees: Ideas on Developing and Presenting Tribal Histories.” In Clearing a Path: Theorizing the Past in Native American Studies, edited by Nancy Shoemaker, 161–79. New York: Routledge, 2002.
• Howe, LeAnne. Shell Shaker. San Francisco: Aunt Lute Books, 2001.
• Howe, LeAnne. Miko Kings: An Indian Baseball Story. San Francisco: Aunt Lute Books, 2007.
• Huhndorf, Shari M. Going Native: Indians in the American Cultural Imagination. Ithaca, N.Y.: Cornell University Press, 2001.
• Ihimaera, Witi. “The Whale.” In Pounamu, Pounamu, 115–22. Auckland, New Zealand: Heinemann, 1972.
• Ihimaera, Witi. “Te Tohorā.” In Pounamu, Pounamu, Māori edition, translated by Jean Wikiriwhi, 121–28. Auckland, New Zealand: Heinemann, 1986.
• Ihimaera, Witi. The Whale Rider. Illustrated by John Hovell. Auckland, New Zealand: Heinemann, 1987.
• Ihimaera, Witi. Te Kaieke Tohorā. Translated by Timoti Karetu. Illustrated by John Hovell. Auckland, New Zealand: Reed Publishing, 1995.
• Ihimaera, Witi. “The Whale.” In Pounamu, Pounamu, thirtieth-anniversary edition, 152–62. Auckland, New Zealand: Heinemann, 2003.
• Ihimaera, Witi. The Whale Rider. Orlando, Fla.: Harcourt, 2003.
• Ihimaera, Witi. The Whale Rider. Twentieth-anniversary edition. Auckland, New Zealand: Reed Books, 2007.
• Ihimaera, Witi. “A One-Man Cultural Revolution?” Interview by Jehan Casinader. Mana 87 (April/May 2009): 70–71.
• Jahnke, Robert. “Voices beyond the Pae.” In Double Vision: Art Histories and Colonial Histories in the Pacific, edited by Nicholas Thomas and Diane Losche, 193–209. Cambridge: Cambridge University Press, 1999.
• Jahnke, Robert. “Māori Art towards the Millennium.” In State of the Māori Nation: Twenty-first Century Issues in Aotearoa, edited by Malcolm Mulholland and contributors, 41–51. Auckland, New Zealand: Reed, 2006.
• Johansen, J. Prytz. The Maori and His Religion in Its Non-ritualistic Aspects. Copenhagen: Munksgaard, 1954.
• Johnson, E. Pauline. The Moccasin Maker. 1913. Reprint, Tucson: University of Arizona Press, 1987.
• Johnston, Tim. “Australia to Apologize to Aborigines for Past Mistreatment.” New York Times, January 31, 2008.
• Kelsey, Penelope Myrtle. Tribal Theory in Native American Literature: Dakota and Haudenosaunee Writing and Indigenous Worldviews. Lincoln: University of Nebraska Press, 2008.
• Kent, Kate Peck. The Story of Navaho Weaving. Phoenix: Heard Museum, 1961.
• King, Thomas. Green Grass, Running Water. New York: Bantam, 1993.
• King, Thomas. The Truth About Stories: A Native Narrative. Minneapolis: University of Minnesota Press, 2003.
• Kirk, Ruth. David, Young Chief of the Quileutes: An American Indian Today. New York: Harcourt, Brace and World, 1967.
• Krupat, Arnold. All That Remains: Varieties of Indigenous Expression. Lincoln: University of Nebraska Press, 2009.
• Langton, Marcia. “Aboriginal Art and Film: The Politics of Representation.” In Blacklines: Contemporary Critical Writing by Indigenous Australians, edited by Michelle Grossman, 109–24. Melbourne, Australia: Melbourne University Press, 2003.
• Larsen, Dean L. American Indians Today. Provo, Utah: Division of Continuing Education, Brigham Young University, 1965.
• Larson, Charles R. American Indian Fiction. Albuquerque: University of New Mexico Press, 1978.
• León-Portilla, Miguel, ed. “Indians in the Hemisphere Today: Guide to the Indian Population.” Translated by Virginia B. García. In “Indianist Yearbook,” no. 22, supplement, America Indigena (1962).
• Lepper, Bradley T. “Tracking Ohio’s Great Hopewell Road.” Archaeology, November/December 1995, 52–56.
• Lepper, Bradley T. The Newark Earthworks: A Wonder of the Ancient World. Columbus: Ohio Historical Society, 2002.
• Levine, Stuart, and Nancy O. Lurie, eds. “The Indian Today.” Special issue, Midcontinent American Studies Journal 6, no. 2 (Fall 1965).
• Levine, Stuart, and Nancy O. Lurie. The American Indian Today. Deland, Fla.: Everett Edwards, 1968. Reprint, Baltimore, Md.: Penguin Books, 1970, 1972.
• Lewis, David. We, the Navigators: The Ancient Art of Landfinding in the Pacific. 2nd ed. Honolulu: University of Hawai’iPress, 1994. First published in 1972 by University of Hawai’iPress.
• Lincoln, Kenneth. Native American Renaissance. Berkeley: University of California Press, 1983.
• Linton, Ralph. Review of The Coming of the Maori, by Sir Peter Buck. American Anthropologist 52, no. 3 (July–September 1950): 397–98.
• Lonetree, Amy. “Museums as Sites of Decolonization: Truth Telling in National and Tribal Museums.” In Contesting Knowledge: Museums and Indigenous Perspectives, edited by Susan Sleeper-Smith, 322–37. Lincoln: University of Nebraska Press, 2009.
• Lopenzina, Drew. “What to the American Indian Is the Fourth of July? Moving beyond Abolitionist Rhetoric in William Apess’s Eulogy on King Philip.” American Literature 82, no. 4 (December 2010): 673–99.
• Loram, C. T., and T. F. McIlwraith, eds. The North American Indian Today. Toronto, Canada: University of Toronto Press, 1943.
• Losch, Naomi. “Blood Quantum.” In Whetu Moana: Contemporary Polynesian Poems in English, edited by Albert Wendt, Reina Whaitiri, and Robert Sullivan, 120. Auckland, New Zealand: Auckland University Press, 2003.
• Leuthold, Steven. Indigenous Aesthetics: Native Art, Media, and Identity. Austin: University of Texas Press, 1998.
• Marsden, Peter. H. “From Waka to Whakapapa, Or: Carving Your Own Canoe. The Verse of Robert Sullivan.” New Zealand Electronic Poetry Centre. Last Modified May 11, 2001. www.nzepc.auckland.ac.nz/authors/Sullivan/marsden.asp.
• Martinez, David. “Along the Horizon a World Appears: George Morrison and the Pursuit of an American Indian Esthetic.” In American Indian Thought: Philosophical Essays, edited by Anne Waters, 256–62. Oxford, UK: Blackwell, 2004.
• McLerran, Jennifer. “Textile as Cultural Text: Contemporary Navajo Weaving as Autoethnographic Practice.” In Weaving Is Life: Navajo Weavings from the Edwin L. & Ruth E. Kennedy Southwest Native American Collection, edited by Jennifer McLerran, 8–33. Athens, Ohio: Kennedy Museum of Art, Ohio University/Seattle: University of Washington Press, 2006.
• M’Closkey, Kathy M. Swept under the Rug: A Hidden History of Navajo Weaving. Albuquerque: University of New Mexico Press, 2002.
• McNickle, D’Arcy. “The American Indian Today.” Missouri Archaeologist 5, no. 2 (September 1939): 1–10.
• McNickle, D’Arcy. They Came Here First: The Epic of the American Indian. The Peoples of America Series. Philadelphia: J. B. Lippincott Company, 1949.
• McNickle, D’Arcy. “The Indian Tests the Mainstream.” Nation, September 26, 1966, 275–79.
• McNickle, D’Arcy. Native American Tribalism: Indian Survivals and Renewals. Institute of Race Relations / New York: Oxford University Press, 1973.
• McNickle, D’Arcy. They Came Here First: The Epic of the American Indian. Rev. ed. New York: Harper and Row, 1975.
• Mead, Sidney Moko. “Nga Timunga Me Nga Paringa O Te Mana Maori: The Ebb and Flow of Mana Maori and the Changing Context of Maori Art.” In Te Maori: Maori Art from New Zealand Collections, edited by Sidney Moko Mead, 20–36. New York: Abrams, 1984.
• Mead, Sidney Moko. “Te Tupu Te Toi Whakairo Ki Aotearoa: Becoming Maori Art.” In Te Maori: Maori Art from New Zealand Collections, edited by Sidney Moko Mead, 63–75. New York: Abrams, 1984.
• Megill, William J. “Editor’s Note-Book.” Canadian Geographical Journal 67, no. 6 (December 1963): v.
• Mignolo, Walter D. Local Histories/Global Designs: Coloniality, Subaltern Knowledges, and Border Thinking. Princeton, N.J.: Princeton University Press, 2000.
• Mignolo, Walter D., and Freya Schiwy. “Double Translation: Transculturation and the Colonial Difference.” In Translation and Ethnography: The Anthropological Challenge of Intercultural Understanding, edited by Trullio Maranhao and Bernhard Streck, 3–29. Tucson: University of Arizona Press, 2003.
• Milliken, Robert. “Obituary: Burnum Burnum.” London Independent, August 20, 1997.
• Momaday, N. Scott. House Made of Dawn. New York: Harper and Row, 1968.
• Momaday, N. Scott. “The Man Made of Words.” In Indian Voices: The First Convocation of American Indian Scholars, 49–84. San Francisco: Indian Historian Press, 1970.
• Momaday, N. Scott. “The Gourd Dancer.” In The Gourd Dancer, 35–37. New York: Harper and Row, 1976.
• Momaday, N. Scott. The Names: A Memoir. New York: Harper and Row, 1976.
• Momaday, N. Scott. “Carnegie, Oklahoma, 1919.” In In the Presence of the Sun: Stories and Poems, 1961–1991, 136. New York: St. Martin’s, 1992.
• Momaday, N. Scott. Foreword to Earth Is My Mother, Sky Is My Father: Space, Time and Astronomy in Navajo Sandpainting, by Trudy Griffin-Pierce, xv–xvii. Albuquerque: University of New Mexico Press, 1992.
• Momaday, N. Scott. “Sacred Places.” In The Man Made of Words: Essays, Stories, Passages, 113–117. New York: St. Martin’s, 1997.
• Morrissey, Philip. “Restoring a Future to a Past.” Kunapipi 10, nos. 1–2 (1988): 10–15.
• Mullard, Chris. Aborigines in Australia Today. Woden, ACT, Australia: National Aborigine Forum, 1974. Reprint, ACT: Australian National University, Centre for Continuing Education, 1976.
• Naranjo-Morse, Nora. Mud Woman: Poems from the Clay. Tucson: University of Arizona Press, 1992.
• Narogin, Mudrooroo (Colin Johnson). “Paperbark.” In “Aboriginal Culture Today,” edited by Anna Rutherford. Special issue, Kunapipi 10, nos. 1–2 (1988): 36–49.
• Nasnaga (Roger Russell). Indians’ Summer. New York: Harper and Row, 1975.
• Nasnaga (Roger Russell). “Two Paths to Eternity.” Antaeus 25/26 (Spring/Summer 1977): 83–92.
• Nasnaga (Roger Russell). Faces beneath the Grass. Centerville, Ohio: n.e.i. productions, 1979.
• Nasnaga (Roger Russell). Warriors. Dayton, Ohio: Nas’Naga Enterprises, 1979.
• National Museum of the American Indian. Essays on Native Modernism: Complexity and Contradiction in American Indian Art. NMAI Editions. Washington, D.C.: Smithsonian, 2006.
• Navajo Nation. “Navajo Nation Bids Farewell to Preeminent Educator Dr. Robert A. Roessel, Jr., First Diné College President.” Press release. February 18, 2006. http://www.navajo-nsn.gov/images/pdf%20releases/George%20Hardeen/feb06/Navajo%20Nation%20loses%20renowned%20educator%20for%20Feb%20%2018.pdf.
• Neihardt, John G. Black Elk Speaks: Being the Life of a Holy Man of the Oglala Sioux. 1932. Reprint, Lincoln: University of Nebraska Press, 1961.
• Nelson, Anne. Nga Waka Maori: Maori Canoes. Auckland, New Zealand: MacMillan, 1991.
• Ngata, H. M. English–Maori Dictionary. Wellington, New Zealand: Learning Media, 1993.
• Nicholas, Darcy. “Introduction: Breath of the Land.” In Manawa—Pacific Heartbeat: A Celebration of Contemporary Maori and Northwest Coast Art, edited by Nigel Reading and Gary Wyatt, 7–25. Seattle: University of Washington Press, 2006.
• Nicolar, Joseph. The Life and Traditions of the Red Man. 1893. Modern edition, edited, annotated, and with an introduction by Annette Kolodny. Durham, N.C.: Duke University Press, 2007.
• Norst, Marlene J. Burnum Burnum: A Warrior for Peace. East Roseville, Australia: Kangaroo Press, 1999.
• O’Connor, Mark. “Aboriginal Literature Becomes a Force.” In “Aboriginal Culture Today,” edited by Anna Rutherford. Special issue, Kunapipi 10, nos. 1–2 (1988): 246–53.
• Office of Native American Programs, American Revolution Bicentennial Administration. Annual Report. Denver, Colo.: Government Printer, 1975.
• Orbell, Margaret. The Illustrated Encyclopedia of Maori Myth and Legend. Christchurch, New Zealand: Canterbury University Press, 1995.
• Orbell, Margaret. A Concise Encyclopedia of Māori Myth and Legend. Christchurch, New Zealand: Canterbury University Press, 1998.
• Ortiz, Simon J., ed. Beyond the Reach of Time and Change: Native American Reflections on the Frank A. Rinehart Photograph Collection. Tucson: University of Arizona Press, 2004.
• Ortiz, Simon J. from Sand Creek. Tucson: University of Arizona Press, 1981.
• Oskison, John Milton. The Singing Bird: A Cherokee Novel. Edited by Timothy B. Powell and Melinda Smith Mullikin. Norman: University of Oklahoma Press, 2007.
• Owens, Louis. “N. Scott Momaday.” In Conversations with N. Scott Momaday, edited by Matthias Schubnell, 178–91. Jackson: University of Mississippi Press, 1997.
• Owens, Louis. Other Destinies: Understanding the American Indian Novel. Norman: University of Oklahoma Press, 1992.
• Palmer, Gus, Jr. Telling Stories the Kiowa Way. Tucson: University of Arizona Press, 2003.
• Parker, Dorothy R. Singing an Indian Song: A Biography of D’Arcy McNickle. Lincoln: University of Nebraska Press, 1992.
• Parker, Robert Dale. The Invention of Native American Literature. Ithaca, N.Y.: Cornell University Press, 2003.
• Parker, Robert Dale, ed. Changing Is Not Vanishing: A Collection of American Indian Poetry to 1930. Philadelphia: University of Pennsylvania Press, 2010.
• Penney, David. “Native Art.” In American Indian Nations: Yesterday, Today, and Tomorrow, edited by George Horse Capture, Duane Champagne, and Chandler C. Jackson, 51–58. Lanham, Md.: AltaMira Press, 2007.
• Perez, Craig Santos. Review of Star Waka, by Robert Sullivan. Octopus Magazine 9. www.octopusmagazine.com/issue09/perez.htm.
• Press, Robert M. Review of Indians’ Summer, by Nasnaga. Christian Science Monitor, March 26, 1975.
• Raymer, Robert G. Review of They Came Here First: The Epic of the American Indian, by D’Arcy McNickle. The Pacific Historical Review 19, no. 1 (February 1950): 59–60.
• Reading, Nigel, and Gary Wyatt. Manawa—Pacific Heartbeat: A Celebration of Contemporary Maori and Northwest Coast Art. With an introduction by Darcy Nicholas. Seattle: University of Washington Press, 2006.
• Reay, Marie, ed. Aborigines Now: New Perspective in the Study of Aboriginal Communities. Sydney, Australia: Angus and Robertson, 1964.
• Reid, Bill. Solitary Raven: The Selected Writings of Bill Reid. Edited and with an introduction by Robert Bringhurst. Vancouver, Canada: Douglas & McIntyre / Seattle: University of Washington Press, 2000.
• Revard, Carter. “Discovery of the New World.” In Voices of the Rainbow: Contemporary Poetry by American Indians, edited by Kenneth Rosen, 99–101. New York: Viking Press, 1975.
• Revard, Carter. “Discovery of the New World.” In Ponca War Dancers, 43–44. Norman, Okla.: Point Riders Press, 1980.
• Revard, Carter. “Herbs of Healing: American Values in American Indian Literature.” In Speak to Me Words: Essays on Contemporary American Indian Poetry, edited by Dean Rader and Janice Gould, 173–92. Tucson: University of Arizona Press, 2003.
• Revard, Carter. “Discovery of the New World.” In How the Songs Come Down: New and Selected Poems, 97–98. Cambridge, UK: Salt Publishing, 2005.
• Rickard, Jolene. “Sovereignty: A Line in the Sand.” In “Strong Hearts: Native American Visions and Voices.” Special issue, Aperture 139 (Summer 1995): 51–54.
• Roemer, Kenneth M. “Ancient Children at Play—Lyric, Petroglyphic, and Ceremonial.” In Critical Perspectives on Native American Fiction, edited by Richard F. Fleck, 99–113. Washington, D.C.: Three Continents Press, 1993.
• Robinson, Dorothy F. Navajo Indians Today. San Antonio, Tex.: Naylor, 1966.
• Robinson, Dorothy F. Navajo Indians Today. Revised and expanded edition. San Antonio, Tex.: Naylor, 1969.
• Romain, William F. Mysteries of the Hopewell: Astronomers, Geometers, and Magicians of the Eastern Woodlands. Akron, Ohio: University of Akron Press, 2000.
• Romain, William F., and Jarrod Burks. “LiDAR Assessment of the Newark Earthworks.” Ohio Archaeological Council website. Last modified February 7, 2008. http://www.ohioarchaeology.org/joomla/index.php?option=com_content&task=view&id=232&Itemid=32.
• Romain, William F., and Jarrod Burks. “LiDAR Analyses of Prehistoric Earthworks in Ross County, Ohio.” Ohio Archaeological Council website. Last modified March 3, 2008. http://www.ohioarchaeology.org/joomla/index.php?option=com_content&task=view&id=233&Itemid=32.
• Rosaldo, Renato. Culture and Truth: The Remaking of Social Analysis. Boston: Beacon Press, 1989.
• Rose, Wendy. Long Division: A Tribal History. New York: Strawberry Press, 1976.
• Rose, Wendy. Lost Copper. Banning, Calif.: Malki Museum Press, 1980.
• Rose, Wendy. The Halfbreed Chronicles & Other Poems. Albuquerque, N.Mex.: West End Press, 1985.
• Rosen, Kenneth, ed. Voices of the Rainbow: Contemporary Poetry by American Indians. New York: Viking Press, 1975.
• Rudd, Kevin. “Apology to Australia’s Indigenous Peoples.” Australian Government website. February 13, 2008. http://australia.gov.au/about-australia/our-country/our-people/apology-to-australias-indigenous-peoples.
• Ruppert, James. Mediation in Contemporary Native American Fiction. Norman: University of Oklahoma Press, 1995.
• Rutherford, Anna, ed. “Aboriginal Culture Today.” Special issue, Kunapipi 10, nos. 1–2 (1988).
• Said, Edward W. Orientalism. New York: Vintage, 1978.
• Salmond, Anne. “Nga Huarahi O Te Ao Maori: Pathways in the Maori World.” In Te Maori: Maori Art from New Zealand Collections, edited by Sidney Moko Mead, 109–37. New York: Abrams, 1984.
• Sarris, Greg. Keeping Slug Woman Alive: A Holistic Approach to American Indian Texts. Berkeley: University of California Press, 1993.
• Scarberry-Garcia, Susan. Landmarks of Healing: A Study of “House Made of Dawn.” Albuquerque: University of New Mexico Press, 1990.
• Schubnell, Matthias. N. Scott Momaday: The Cultural and Literary Background. Norman: University of Oklahoma Press, 1985.
• Schwimmer, Erik, ed. The Maori People in the Nineteen-Sixties: A Symposium. With the cooperation of John Forster, William Parker, and James E. Ritchie. Auckland, New Zealand: Blackwood and Janet Paul, 1968.
• Sciascia, Piri. “Ka Pu Te Ruha, Ka Hao Te Rangatahi: As the Old Net Piles Up on Shore, the New Net Goes Fishing.” In Te Maori: Maori Art from New Zealand Collections, edited by Sidney Moko Mead, 156–66. New York: Abrams, 1984.
• Silko, Leslie Marmon. Ceremony. 1977. Reprint, New York: Penguin, 1986.
• Simmen, Edward, ed. Pain and Promise: The Chicano Today. New York: New American Library, 1972.
• Simmons, J. L., and Barry Winograd. It’s Happening: A Portrait of the Youth Scene Today. Santa Barbara, Calif.: Marc-Laird Publications, 1966.
• Simpson, George E., and J. Milton Yinger, eds. “American Indians and American Life.” Special issue, Annals of the American Academy of Political and Social Sciences, no. 311 (May 1957).
• Smith, Linda Tuhiwai. Decolonizing Methodologies: Research and Indigenous Peoples. Dunedin, New Zealand: University of Otago Press / New York: Zed Books, 1999.
• Smith, Martin (Cruz). The Indians Won. New York: Belmont Books, 1970.
• Smith, Paul Chaat, and Robert Allen Warrior. Like a Hurricane: The Indian Movement from Alcatraz to Wounded Knee. New York: New Press, 1996.
• Sullivan, Robert. Star Waka. Auckland, New Zealand: Auckland University Press, 1999.
• Sullivan, Robert. Voice Carried My Family. Auckland, New Zealand: Auckland University Press, 2005.
• Sullivan, Robert. “A Poetics of Culture: Others’ and Ours, Separate and Commingled.” Landfall, no. 211 (April 2006): 9–18.
• Szabo, Joyce M. “Native American Art History: Questions of the Canon.” In Essays on Native Modernism: Complexity and Contradiction in American Indian Art, 69–87. Washington, D.C.: National Museum of the American Indian, 2006.
• Tapsell, Paul. Pukaki: A Comet Returns. Auckland, New Zealand: Reed, 2000.
• Tate, Charles. “The Bicentennial.” Indian Historian 7, no. 4 (Fall 1974): 35.
• Taylor, Apirana. “Sad Joke on a Marae.” In Eyes of the Ruru, 15. Wellington, New Zealand: Voice, 1979.
• Taylor, Diana. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham, N.C.: Duke University Press, 2003.
• Te Awekotuku, Ngahuia. Mana Wahine Maori: Selected Writings on Maori Women’s Art, Culture, and Politics. Auckland, New Zealand: New Women’s Press, 1991.
• Te Punga Somerville, Alice. “The Lingering War Captain: Maori Texts, Indigenous Contexts.” Journal of New Zealand Literature 24, no. 2 (2007): 20–43.
• Teuton, Sean. Red Land, Red Power: Grounding Knowledge in the American Indian Novel. Durham, N.C.: Duke University Press, 2008.
• Thomas, Wesley. “Shil Yool T’ool: Personification of Navajo Weaving.” In Woven by the Grandmothers, edited by Eulalie H. Bonar, 33–42. Washington, D.C.: Smithsonian, 1996.
• Thompson, Hildegard. Getting to Know American Indians Today. Illustrated by Shannon Stirnweis. New York: Coward-McCann, 1965.
• Torrence, Gaylord. The American Indian Parfleche: A Tradition of Abstract Painting. Seattle: University of Washington Press, 1994.
• Trask, Haunani-Kay. From a Native Daughter: Colonialism and Sovereignty in Hawai’i. Rev. ed. Honolulu: University of Hawai’iPress, 1999.
• Tremblay, Gail. Indian Singing in 20th Century America. Corvallis, Ore.: Calyx Books, 1990.
• Tremblay, Gail. “Speaking in a Language of Vital Signs.” In Joe Feddersen: Vital Signs, 35–51. Seattle: University of Washington Press, 2008.
• Turnbull, David. “Pacific Navigation: An Alternative Scientific Tradition.” In Masons, Tricksters and Cartographers: Comparative Studies in the Sociology of Scientific and Indigenous Knowledge, 131–60. Amsterdam: Harwood Academic Publishers, 2000.
• Underhill, Ruth M. Review of They Came Here First, by D’Arcy McNickle. Western Folklore 10, no. 2 (April 1951): 190–91.
• Upper Hutt Posse. “Tangata Whenua.” On Movement in Demand. Tangata Records, 1995, compact disc.
• Upper Hutt Posse. “Tangata Whenua.” On Te Reo Māori Remixes. Kia Kaha, 2002, compact disc.
• Valandra, Edward C. “National Coexistence Is Our Bull Durham: Revisiting ‘The Indian Today.’” American Studies 46, nos. 3–4 (Fall/Winter 2005): 59–76.
• Virginia Quarterly Review. Unsigned review of Indians’ Summer, by Nasnaga. 51 (Summer 1975): 124.
• Vizenor, Gerald. Manifest Manners: Postindian Warriors of Survivance. Hanover, Conn.: Wesleyan University Press, 1994.
• Vizenor, Gerald. Fugitive Poses: Native American Indian Scenes of Absence and Presence. Lincoln: University of Nebraska Press, 2000.
• Vizenor, Gerald. “Aesthetics of Survivance: Literary Theory and Practice.” In Survivance: Narratives of Native Presence, edited by Gerald Vizenor, 1–23. Lincoln: University of Nebraska Press, 2008.
• Walters, Harry. “The Navajo Concept of Art.” In Woven by the Grandmothers, edited by Eulalie H. Bonar, 29–31. Washington, D.C.: Smithsonian, 1996.
• Warren, Robert Penn. “The Negro Now.” Look, March 23, 1965, 23–31.
• Warren, Robert Penn. Who Speaks for the Negro? New York: Random House, 1965.
• Warrior, Robert Allen. Tribal Secrets: Recovering American Indian Intellectual Traditions. Minneapolis: University of Minnesota Press, 1995.
• Warrior, Robert Allen. The People and the Word: Reading Native Nonfiction. Minneapolis: University of Minnesota Press, 2005.
• Warrior, Robert Allen. “Organizing Native American and Indigenous Studies.” PMLA 123, no. 5 (October 2008): 1683–91.
• Welch, James. Fools Crow. New York: Penguin, 1986.
• Wilson, Norma. “Nesting in the Ruins.” In English Postcoloniality: Literatures from around the World, edited by Radhika Mohanram and Gita Rajan, 179–87. Westport, Conn.: Greenwood Press, 1996.
• Wilson, Waziyatawin Angela, and Michael Yellowbird, eds. For Indigenous Eyes Only: A Decolonization Handbook. Santa Fe, N. Mex.: School of American Research Press, 2005.
• Witherspoon, Gary. Language and Art in the Navajo Universe. Ann Arbor: University of Michigan Press, 1977.
• Witherspoon, Gary. “The Semiotical Geometry of Navajo Weaving.” In Art in Small-Scale Societies: Contemporary Readings, edited by Richard L. Anderson and Karen L. Field, 317–31. Englewood Cliffs, N.J.: Prentice Hall, 1993.
• Witherspoon, Gary. “Cultural Motifs in Navajo Weaving.” In North American Indian Anthropology: Essays on Society and Culture, edited by Raymond J. DeMallie and Alfonso Ortiz, 355–76. Norman: University of Oklahoma Press, 1994.
• Witherspoon, Gary, and Glen Peterson. Dynamic Symmetry and Holistic Asymmetry in Navajo and Western Art and Cosmology. New York: Peter Lang, 1995.
• Womack, Craig. Red on Red: Native American Literary Separatism. Minneapolis: University of Minnesota Press, 1999.
• Wong, Hertha Dawn. Sending My Heart Back across the Years: Tradition and Innovation in Native American Autobiography. New York: Oxford University Press, 1992.
• Worth, Sol, and John Adair. Through Navajo Eyes: An Exploration in Film Communication and Anthropology. 1972. Rev. ed, with foreword and afterword by Richard Chalfen. Albuquerque: University of New Mexico Press, 1997.
• Wroe, Nicholas. “Crime Pays.” Guardian, March 26, 2005. http://www.guardian.co.uk/books/2005/mar/26/featuresreviews.guardianreview15.
• Yinger, J. Milton, and George Eaton Simpson, eds. “American Indians Today.” Special issue, Annals of the American Academy of Political and Social Sciences, no. 436 (March 1978).
• Yothu Yindi. “Treaty.” On Tribal Voice. Mushroom Records, 1992, compact disc.