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Livestreaming: Bibliography

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“Bibliography” in “Livestreaming”

Bibliography

  1. Abbate, Janet. 1999. “Cold War and White Heat: The Origins and Meanings of Packet Switching.” In The Social Shaping of Technology, ed. Donald MacKenzie and Judy Wajcman, 351–71. Buckingham, UK: Open University Press.
  2. Ahmed, Sara. 2012. On Being Included: Racism and Diversity in Institutional Life. Durham, N.C.: Duke University Press.
  3. Alexander, Leslie, and Michelle Alexander. 2021. “Fear.” In The 1619 Project: A New Origin Story, ed. Nikole Hannah-Jones and New York Times Company, 97–121. New York: One World.
  4. Auslander, Philip. 2008a. “Live and Technologically Mediated Performance.” In Cambridge Companion to Performance Studies, 107–19. Cambridge: Cambridge University Press.
  5. Auslander, Philip. 2008b. Liveness: Performance in a Mediatized Culture. London: Routledge.
  6. Auslander, Philip. 2012. “Digital Liveness: A Historico-Philosophical Perspective.” PAJ: A Journal of Performance and Art 102: 3–11.
  7. Austin, J. L. 1979. “Performative Utterances.” In Philosophical Papers, 233–52. Oxford: Oxford University Press.
  8. Baran, Paul. 1964. “On Distributed Communications.” Memorandum RM-3420-PR. Santa Monica, CA: RAND Corporation.
  9. Benjamin, Ruha. 2019. Race after Technology: Abolitionist Tools for the New Jim Code. Newark, UK: Polity Press.
  10. Benjamin, Ruha. 2022. Viral Justice: How We Grow the World We Want. Princeton, N.J.: Princeton University Press.
  11. Bishop, Claire. 2012. Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso.
  12. brown, adrienne maree. 2017. Emergent Strategy: Shaping Change, Changing Worlds. Chico, Calif.: AK Press.
  13. brown, adrienne maree. 2020. We Will Not Cancel Us: And Other Dreams of Transformative Justice. Chico, Calif.: AK Press.
  14. Browne, Simone. 2015. Dark Matters: On the Surveillance of Blackness. Durham, N.C.: Duke University Press.
  15. Burgess, Jean. 2021. “Platform Studies.” In Creator Culture: An Introduction to Global Social Media Entertainment, ed. Stuart Cunningham and David Craig. New York: New York University Press.
  16. Burgin, Victor. 2000. “Jenni’s Room: Exhibitionism and Solitude.” Critical Inquiry 27, no. 1 (Autumn): 77–89.
  17. Burnham, Jack. 1968. “Systems Esthetics.” Artforum 7, no. 1 (September): 30–35.
  18. Chabot, Pascal. 2014. The Philosophy of Simondon: Between Technology and Individuation. Trans. Aliza Krefetz and Graeme Kirkpatrick. London: Bloomsbury.
  19. Citton, Yves. 2017. The Ecology of Attention. Cambridge: Polity.
  20. Combes, Muriel. 2013. Gilbert Simondon and the Philosophy of the Transindividual. Trans. Thomas LaMarre. Technologies of Lived Abstraction. Cambridge, Mass.: MIT Press.
  21. Costanza-Chock, Sasha. 2012. “Mic Check! Media Cultures and the Occupy Movement.” Social Movement Studies 11, no. 3–4 (August): 375–85. https://doi.org/10.1080/14742837.2012.710746.
  22. De Boever, Arne, Alex Murray, Jon Roffe, and Ashley Woodward, eds. 2012. Gilbert Simondon: Being and Technology. Edinburgh: Edinburgh University Press.
  23. Dean, Aria. 2016. “Closing the Loop.” The New Inquiry (blog). March 1, 2016. https://thenewinquiry.com/closing-the-loop/.
  24. Dean, Jodi. 2010. Blog Theory: Feedback and Capture in the Circuits of Drive. Cambridge: Polity.
  25. Dixon, Steve. 2015. Digital Performance: A History of New Media in Theater. Cambridge, Mass.: MIT Press.
  26. Evans, Ayana. n.d. “Quarantine Performance | Solo Actions.” Ayana M. Evans. Accessed March 8, 2022. https://www.ayanaevans.com/3rd-gallery?pgid=iv6t336z-35f60925-1b1f-4db3-bed5-64bf155e5724.
  27. Fitzpatrick, Noel. 2021. “The Neganthropocene: Introduction.” In Aesthetics, Digital Studies, and Bernard Stiegler, edited by Noel Fitzpatrick, Néill O’Dwyer, and Mick O’Hara, 123–25. London: Bloomsbury.
  28. Flanagan, Matthew. 2008. “Towards an Aesthetic of Slow in Contemporary Cinema.” 16:9 6, no. 29 (November). http://www.16-9.dk/2008-11/side11_inenglish.htm.
  29. Gaskins, Nettrice. 2019. “Techno-Vernacular Creativity and Innovation across the African Diaspora and Global South.” In Captivating Technology: Race, Carceral Technoscience, and Liberatory Imagination in Everyday Life, ed. Ruha Benjamin, 252–74. Durham, N.C.: Duke University Press.
  30. Gaskins, Nettrice. 2021. Techno-Vernacular Creativity and Innovation: Culturally Relevant Making inside and outside of the Classroom. Cambridge, Mass.: MIT Press.
  31. Goffman, Erving. 1959. The Presentation of Self in Everyday Life. New York: Anchor Books.
  32. Gosse, Johanna, and Timothy Stott, eds. 2021. Nervous Systems: Art, Systems, and Politics since the 1960s. Durham, N.C.: Duke University Press.
  33. Gregory, Sam. 2015. “Ubiquitous Witnesses: Who Creates the Evidence and the Live(d) Experience of Human Rights Violations?” Information, Communication & Society 18, no. 11 (August): 1378–92. https://doi.org/10.1080/1369118X.2015.1070891.
  34. Grosz, Elizabeth. 2012. “Identity and Individuation: Some Feminist Reflections.” In Gilbert Simondon: Being and Technology, ed. Arne De Boever, Alex Murray, Jon Roffe, and Ashley Woodward, trans. Arne De Boever, 37–56. Edinburgh: Edinburgh University Press.
  35. Guarriello, Nicholas-Brie. 2019. “Never Give up, Never Surrender: Game Live Streaming, Neoliberal Work, and Personalized Media Economies.” New Media & Society 21, no. 8 (March): 1750–69. https://doi.org/10.1177/1461444819831653.
  36. Hamad, Ruby. 2020. White Tears/Brown Scars: How White Feminism Betrays Women of Color. New York: Catapult.
  37. Hartman, Saidiya. 1997. Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America. Race and American Culture. New York: Oxford University Press.
  38. Hartman, Saidiya. 2007. Lose Your Mother: A Journey along the Atlantic Slave Route. New York: Farrar, Straus, and Giroux.
  39. Hayles, N. Katherine. 2007. “Hyper and Deep Attention: The Generational Divide in Cognitive Modes.” Profession 189 (December): 187–99.
  40. Hsieh, Tehching, and Adrian Heathfield. 2015. Out of Now: The Lifeworks of Tehching Hsieh. Cambridge, Mass.: MIT Press.
  41. Hui, Yuk. 2016. On the Existence of Digital Objects. Minneapolis: University of Minnesota Press.
  42. Hui, Yuk. 2021. Art and Cosmotechnics. Minneapolis: E-flux.
  43. Hunter, Lindsay Brandon. 2019. “Live Streaming and the Perils of Proximity.” International Journal of Performance Arts and Digital Media 15, no. 3: 283–94. https://doi.org/10.1080/14794713.2019.1671697.
  44. Hunter, Lindsay Brandon. 2021. Playing Real: Mimesis, Media, and Mischief. Evanston, Ill.: Northwestern University Press.
  45. Jackson, Sarah J., Moya Bailey, and Brooke Foucault Welles. 2020. #hashtagactivism: Networks of Race and Gender Justice. Cambridge, Mass.: MIT Press.
  46. Kane, Carolyn L. 2019. High-Tech Trash: Glitch, Noise, and Aesthetic Failure. Oakland, Calif.: University of California Press.
  47. Kant, Immanuel. 2000. Critique of the Power of Judgment. Cambridge: Cambridge University Press.
  48. Kavada, Anastasia, and Emiliano Treré. 2020. “Live Democracy and Its Tensions: Making Sense of Livestreaming in the 15M and Occupy.” Information, Communication & Society 23, no. 12: 1787–1804. https://doi.org/10.1080/1369118X.2019.1637448.
  49. Knight, Brooke A. 2000. “Watch Me! Webcams and the Public Exposure of Private Lives.” Art Journal 59, no. 4: 21. https://doi.org/10.2307/778117.
  50. Krotoski, Aleks, dir. 2016. “Jennifer.” The Digital Human. https://www.bbc.co.uk/programmes/b07z414z.
  51. Kumanyika, Chenjerai. 2017. “Livestreaming in the Black Lives Matter Network.” In DIY Utopia: Cultural Imagination and the Remaking of the Possible, ed. Amber Day, 169–88. Blue Ridge Summit, Penn.: Lexington Books.
  52. Leonard, Marion. 2017. Gender in the Music Industry: Rock, Discourse, and Girl Power. London: Routledge.
  53. Loveless, Natalie S. 2013. “The Materiality of Duration: Between Ice Time and Water Time.” Performance Research 18, no. 6: 129–36.
  54. Lynch, Kathleen. 2022. Care and Capitalism: Why Affective Equality Matters for Social Justice. Medford: Polity Press.
  55. Machhi, Jatin, Jonathan Herskovitz, Ahmed M. Senan, Debashis Dutta, Barnali Nath, Maxim D. Oleynikov, Wilson R. Blomberg, Douglas D. Meigs, Mahmudul Hasan, Milankumar Patel, Peter Kline, Raymond Chuen-Chung Chang, Linda Chang, Howard E. Gendelman, and Bhavesh D. Kevadiya. 2020. “The Natural History, Pathobiology, and Clinical Manifestations of SARS-CoV-2 Infections.” Journal of Neuroimmune Pharmacology, 15 (July): 359–86. https://doi.org/10.1007/s11481-020-09944-5.
  56. Maguire, Emma. 2018. Girls, Autobiography, Media: Gender and Self-Mediation in Digital Economies. Cham, Switz.: Palgrave Macmillan.
  57. Martini, Michele. 2018. “Online Distant Witnessing and Live-Streaming Activism: Emerging Differences in the Activation of Networked Publics.” New Media & Society 20, no. 11: 4035–55. https://doi.org/10.1177/1461444818766703.
  58. Massumi, Brian. 2012. “‘Technical Mentality’ Revisted: Brian Massumi on Gilbert Simondon.” In Gilbert Simondon: Being and Technology, ed. Arne De Boever, Alex Murray, Jon Roffe, and Ashley Woodward, trans. Arne De Boever, 19–36. Edinburgh: Edinburgh University Press.
  59. Masura, Nadja. 2020. Digital Theatre: The Making and Meaning of Live Mediated Performance, US & UK 1990–2020. Palgrave Studies in Performance and Technology. Cham, Switz.: Palgrave Macmillan.
  60. McIlwain, Charlton D. 2020. Black Software: The Internet and Racial Justice, from the AfroNet to Black Lives Matter. New York: Oxford University Press.
  61. Mckenzie, Mia. 2015. “How to Tell the Difference Between Real Solidarity and ‘Ally Theater.’” Black Girl Dangerous (blog). November 4, 2015. https://www.blackgirldangerous.com/2015/11/ally-theater/.
  62. Michaud, Yves. 2012. “The Aesthetics of Gilbert Simondon: Anticipation of the Contemporary Aesthetic Experience.” In Gilbert Simondon: Being and Technology, ed. Arne De Boever, Alex Murray, Jon Roffe, and Ashley Woodward, trans. Justin Clemens, 121–32. Edinburgh: Edinburgh University Press.
  63. Miller, Daniel, and Jolynna Sinanan. 2014. Webcam. Cambridge: Polity.
  64. Nevin, Matthew. 2020. “Matt’s Chats—How One Irish Gallery Took the Conversation Online.” RTE Culture. June 9, 2020. https://www.rte.ie/culture/2020/0602/1144925-matts-chats-how-one-irish-gallery-took-the-conversation-online/.
  65. Noble, Safiya Umoja. 2018. “Critical Surveillance Literacy in Social Media: Interrogating Black Death and Dying Online.” Black Camera 9, no. 2: 147. https://doi.org/10.2979/blackcamera.9.2.10.
  66. O’Dwyer, Néill. 2021. Digital Scenography: Thirty Years of Experimentation and Innovation in Performance and Interactive Media. Performance + Design. London: Bloomsbury Methuen Drama.
  67. Puig de la Bellacasa, María. 2017. Matters of Care: Speculative Ethics in More than Human Worlds. Minneapolis: University of Minnesota Press.
  68. Putnam, EL. 2022. The Maternal, Digital Subjectivity, and the Aesthetics of Interruption. New York: Bloomsbury Academic.
  69. Rancière, Jacques. 2014. The Politics of Aesthetics: The Distribution of the Sensible. London: Bloomsbury.
  70. Rancière, Jacques. 2016. “Béla Tarr: The Poetics and the Politics of Fiction.” In Slow Cinema, ed. Tiago De Luca and Nuno Barradas Jorge, 245–60. Traditions in World Cinema. Edinburgh: Edinburgh University Press.
  71. Rancière, Jacques. 2019. Aisthesis: Scenes from the Aesthetic Regime of Art. Trans. Zakir Paul. London: Verso.
  72. Rodney, Seph. 2020. “What It Takes to Raise a Black Woman Up.” The New York Times, June 19, 2020. https://www.nytimes.com/2020/06/19/arts/design/ayana-evans-black-women.html.
  73. Russell, Legacy. 2020. Glitch Feminism: A Manifesto. London: Verso.
  74. Salter, Chris. 2010. Entangled: Technology and the Transformation of Performance. Cambridge, Mass.: MIT Press.
  75. Senft, Theresa M. 2008. Camgirls: Celebrity and Community in the Age of Social Networks. Digital Formations 4. New York: Lang.
  76. shakur, fayemi. 2018. “A Performance Artist’s Tests of Endurance Honor the Black Female Body.” Hyperallergic. June 21, 2018. http://hyperallergic.com/448242/ayana-evans-medium-tings-performance/.
  77. Shannon, Claude. 1948. “A Mathematical Theory of Communication.” The Bell System Technical Journal 27, no. 3: 379–423.
  78. Sharpe, Christina Elizabeth. 2016. In the Wake: On Blackness and Being. Durham, N.C.: Duke University Press.
  79. Simondon, Gilbert. 2012. “On Techno-Aesthetics.” Trans. Arne De Boever. Parrhesia 14: 1–8.
  80. Simondon, Gilbert. 2014. Imagination et invention: 1965–1966. Ed. Nathalie Simondon and Jean-Yves Chateau. Paris: PUF.
  81. Simondon, Gilbert. 2016. On the Mode of Existence of Technical Objects. Minneapolis: Univocal Pub.
  82. Simondon, Gilbert. 2020. Individuation in Light of Notions of Form and Information. Trans. Taylor Adkins. Minneapolis: University of Minnesota Press.
  83. Simondon, Gilbert. 2022. Imagination and Invention. Trans. Joe Hughes and Christophe Wall-Romana. Minneapolis: University of Minnesota Press.
  84. Sontag, Susan. 2003. Regarding the Pain of Others. New York: Picador.
  85. Stiegler, Bernard. 2014. Symbolic Misery: The Hyperindustrial Epoch. Trans. Barnaby Norman. Malden, Mass.: Polity Press.
  86. Suchman, Lucille Alice. 2007. Human-Machine Reconfigurations: Plans and Situated Actions. Cambridge: Cambridge University Press.
  87. Sutherland, Tonia. 2017. “Making a Killing: On Race, Ritual, and (Re)Membering in Digital Culture.” Preservation, Digital Technology & Culture 46, no. 1: 32–40. https://doi.org/10.1515/pdtc-2017-0025.
  88. Taylor, T. L. 2018. Watch Me Play: Twitch and the Rise of Game Live Streaming. Princeton Studies in Culture and Technology. Princeton: Princeton University Press.
  89. Thorburn, Elise Danielle. 2014. “Social Media, Subjectivity, and Surveillance: Moving on From Occupy, the Rise of Live Streaming Video.” Communication and Critical/Cultural Studies 11, no. 1: 52–63. https://doi.org/10.1080/14791420.2013.827356.
  90. Tran, Christine H. 2021. “Stream(Age) Queens: Zoom-Bombs, Glitter Bombs & Other Doctoral Fairy Tales.” Communication, Culture, and Critique 14, no. 2: 356–60. https://doi.org/10.1093/ccc/tcab028.
  91. Wark, McKenzie. 2019. Capital Is Dead. London: Verso.
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  93. White, Michele. 2003. “Too Close to See: Men, Women, and Webcams.” New Media & Society 5, no. 1: 7–28. https://doi.org/10.1177/1461444803005001901.
  94. White, Michele. 2006. The Body and the Screen: Theories of Internet Spectatorship. Cambridge, Mass.: MIT Press.
  95. Woodcock, Jamie, and Mark R. Johnson. 2019. “The Affective Labor and Performance of Live Streaming on Twitch.Tv.” Television & New Media 20, no. 8: 813–23. https://doi.org/10.1177/1527476419851077.
  96. Wu, Tim. 2016. The Attention Merchants: The Epic Scramble to Get Inside Our Heads. New York: Vintage Books.
  97. Zhang, Ge, and Larissa Hjorth. 2019. “Live-Streaming, Games, and Politics of Gender Performance: The Case of Nüzhubo in China.” Convergence: The International Journal of Research into New Media Technologies 25, no. 5–6: 807–25. https://doi.org/10.1177/1354856517738160.
  98. Zuboff, Shoshana. 2019. The Age of Surveillance Capitalism: The Fight for a Human Future at the New Frontier of Power. New York: PublicAffairs.
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Livestreaming: An Aesthetics and Ethics of Technical Encounter by EL Putnam is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
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