Skip to main content

In Visible Archives: Bibliography

In Visible Archives
Bibliography
    • Notifications
    • Privacy

“Bibliography” in “In Visible Archives”

Bibliography

  1. Abate, Michelle Ann, Karly Marie Grice, and Christine N. Stamper, eds. “Lesbian Content and Queer Female Characters in Comics.” Special issue, Journal of Lesbian Studies 22, no. 4 (2018).

  2. Abelove, Henry, Michèle Aina Barale, and David M. Halperin, eds. The Lesbian and Gay Studies Reader. New York: Routledge, 1993.

  3. “About the Journal GLQ: A Journal of Lesbian and Gay Studies.” Duke University Press. Accessed January 11, 2021. https://read.dukeupress.edu/glq/pages/About.

  4. Adair, Cassius, and Lisa Nakamura. “The Digital Afterlives of This Bridge Called My Back: Woman of Color Feminism, Digital Labor, and Networked Pedagogy.” American Literature 89, no. 2 (June 2017): 255–78.

  5. Adkins, Lisa, and Maryanne Dever, eds. “Archives and New Modes of Feminist Research.” Special issue, Australian Feminist Studies 32, nos. 91/92 (2017).

  6. Alarcón, Norma. “The Theoretical Subject(s) of This Bridge Called My Back and Anglo-American Feminism.” In Criticism in the Borderlands: Studies in Chicano Literature, Culture, and Ideology, edited by Héctor Calderón and José David Saldívar, 28–39. Durham, N.C.: Duke University Press, 1991.

  7. Aldama, Frederick Luis. “Roberta Gregory.” In Your Brain on Latino Comics: From Gus Arriola to Los Bros Hernandez, 166–70. Austin: University of Texas Press, 2009.

  8. Alderfer, Hannah, Meryl Altman, Kate Ellis, Beth Jaker, Marybeth Nelson, Esther Newton, Ann Snitow, and Carole S. Vance, eds. Diary of a Conference on Sexuality. New York: Faculty Press, 1982. Box 5, Folder 10, Barnard Archives and Special Collections, Barnard Library, Barnard College.

  9. Alderfer, Hannah, Beth Jaker, and Marybeth Nelson. “Designers’ Statement.” In Caught Looking: Feminism, Pornography and Censorship, edited by Kate Ellis, Beth Jaker, Nan D. Hunter, Barbara O’Dair, and Abby Tallmer, 5. East Haven, Conn.: Long River Books, 1986.

  10. Alexander, Darsie. “Nan Goldin.” In Slideshow, 107–8. University Park: Penn State University Press, 2005.

  11. Allan, Catherine, Judy Irola, Allie Light, and Joan Musante, dirs. Self-Health. San Francisco: San Francisco Women’s Health Center, 1974.

  12. Als, Hilton. “Nan Goldin’s Life in Progress.” New Yorker, June 27, 2016. https://www.newyorker.com/magazine/2016/07/04/nan-goldins-the-ballad-of-sexual-dependency.

  13. Altman, Lawrence K. “Rare Cancer Seen in 41 Homosexuals.” New York Times, July 3, 1981. http://www.nytimes.com/1981/07/03/us/rare-cancer-seen-in-41-homosexuals.html.

  14. “American Booksellers Association, Inc. v. Hudnut.” CaseBriefs. Accessed January 11, 2021. https://www.casebriefs.com/blog/law/constitutional-law/constitutional-law-keyed-to-cohen/governmental-control-of-the-content-of-expression/american-booksellers-association-inc-v-hudnut/.

  15. Anzaldúa, Gloria E. Borderlands / La Frontera, The New Mestiza: Third Edition. San Francisco: Aunt Lute Books, 2007.

  16. Anzaldúa, Gloria E. Borderlands / La Frontera, The New Mestiza: The Critical Edition. San Francisco: Aunt Lute Books, 2021.

  17. Anzaldúa, Gloria E. “Bridge, Drawbridge, Sandbar, or Island: Lesbians-of-Color Hacienda Alianzas.” In The Gloria Anzaldúa Reader, edited by AnaLouise Keating, 140–56. Durham, N.C.: Duke University Press, 2009.

  18. Anzaldúa, Gloria E. “Counsels from the Firing . . . Past, Present, Future: Foreword to the Third Edition, 2001.” In This Bridge Called My Back: Writings by Radical Women of Color, edited by Cherríe Moraga and Gloria E. Anzaldúa, 4th ed., 261–66. Albany: SUNY Press, 2015.

  19. Anzaldúa, Gloria E. “En Rapport, in Opposition: Cobrando cuentas a las nuestras.” Sinister Wisdom, no. 33 (Fall 1987): 11–17.

  20. Anzaldúa, Gloria E. “En Rapport, in Opposition: Cobrando cuentas a las nuestras.” In Making Face, Making Soul / Haciendo Caras: Creative and Critical Perspectives by Feminists of Color, edited by Gloria E. Anzaldúa, 142–48. San Francisco: Aunt Lute Books, 1990.

  21. Anzaldúa, Gloria E. “Gay Fiction, East and West, Prof Teele, Spring 1977: February 27, 1977,” February 27, 1977. Box 230, Folder 6: Gay Fiction, East and West, Prof Teele, Spring 1977, Collection on Gloria Evangelina Anzaldúa, Nettie Lee Benson Latin American Collection, University of Texas Libraries, University of Texas at Austin.

  22. Anzaldúa, Gloria E. “Gay Fiction, East and West, Prof Teele, Spring 1977: March 8, 1977,” March 8, 1977. Box 230, Folder 6: Gay Fiction, East and West, Prof Teele, Spring 1977, Collection on Gloria Evangelina Anzaldúa, Nettie Lee Benson Latin American Collection, University of Texas Libraries, University of Texas at Austin.

  23. Anzaldúa, Gloria E. The Gloria Anzaldúa Reader. Edited by AnaLouise Keating. Durham, N.C.: Duke University Press, 2009.

  24. Anzaldúa, Gloria E. “Haciendo Caras, Una Entrada.” In Making Face, Making Soul / Haciendo Caras: Creative and Critical Perspectives by Feminists of Color, edited by Gloria E. Anzaldúa, xv–xxviii. San Francisco: Aunt Lute Books, 1990.

  25. Anzaldúa, Gloria E. Interviews/Entrevistas. Edited by AnaLouise Keating. New York: Routledge, 2000.

  26. Anzaldúa, Gloria E. Light in the Dark / Luz En Lo Oscuro: Rewriting Identity, Spirituality, Reality. Edited by AnaLouise Keating. Durham, N.C.: Duke University Press, 2015.

  27. Anzaldúa, Gloria E, ed. Making Face, Making Soul / Haciendo Caras: Creative and Critical Perspectives by Feminists of Color. San Francisco: Aunt Lute Books, 1990.

  28. Anzaldúa, Gloria E. “Notebook and Journal on La Mujer Xicana: September 16, 1976,” September 16, 1976. Box 104, Folder 2: Notebook and Journal on La Mujer Xicana, 1976, Collection on Gloria Evangelina Anzaldúa, Nettie Lee Benson Latin American Collection, University of Texas Libraries, University of Texas at Austin.

  29. Anzaldúa, Gloria E. “Preface: (Un)natural Bridges, (Un)safe Spaces.” In this bridge we call home: radical visions for transformation, edited by Gloria E. Anzaldúa and AnaLouise Keating, 1–5. New York: Routledge, 2002.

  30. Anzaldúa, Gloria E. “Speaking in Tongues: A Letter to Third World Women Writers.” In This Bridge Called My Back: Writings by Radical Women of Color, edited by Cherríe Moraga and Gloria E. Anzaldúa, 4th ed., 163–72. Albany: SUNY Press, 2015.

  31. Anzaldúa, Gloria E. “Transparency: Artista Activista,” n.d. Box 131, Folder 14: Transparencies for Gigs, n.d., Collection on Gloria Evangelina Anzaldúa, Nettie Lee Benson Latin American Collection, University of Texas Libraries, University of Texas at Austin.

  32. Anzaldúa, Gloria E. “Transparency: Mestizas Partake,” n.d. Box 131, Folder 15: Transparencies for Gigs, n.d., Collection on Gloria Evangelina Anzaldúa, Nettie Lee Benson Latin American Collection, University of Texas Libraries, University of Texas at Austin.

  33. Anzaldúa, Gloria E. “Transparency: Model: Just a Representation,” n.d. Box 131, Folder 15: Transparencies for Gigs, n.d., Collection on Gloria Evangelina Anzaldúa, Nettie Lee Benson Latin American Collection, University of Texas Libraries, University of Texas at Austin.

  34. Anzaldúa, Gloria E. “Transparency: Nos/Otras Disrupts,” n.d. Box 131, Folder 15: Transparencies for Gigs, n.d., Collection on Gloria Evangelina Anzaldúa, Nettie Lee Benson Latin American Collection, University of Texas Libraries, University of Texas at Austin.

  35. Anzaldúa, Gloria E. “Transparency: Nos/Otras Somos Mestizas Todas,” n.d. Box 131, Folder 15: Transparencies for Gigs, n.d., Collection on Gloria Evangelina Anzaldúa, Nettie Lee Benson Latin American Collection, University of Texas Libraries, University of Texas at Austin.

  36. Anzaldúa, Gloria E. “Transparency: The Politics of Writing & Reading (to, for, about) the Other,” n.d. Box 131, Folder 16: Transparencies for Gigs, n.d., Collection on Gloria Evangelina Anzaldúa, Nettie Lee Benson Latin American Collection, University of Texas Libraries, University of Texas at Austin.

  37. Anzaldúa, Gloria E. “Transparency: Under the Sky of Feminism,” n.d. Box 131, Folder 15: Transparencies for Gigs, n.d., Collection on Gloria Evangelina Anzaldúa, Nettie Lee Benson Latin American Collection, University of Texas Libraries, University of Texas at Austin.

  38. Anzaldúa, Gloria E. “Transparency: White Frame of Reference,” n.d. Box 131, Folder 15: Transparencies for Gigs, n.d., Collection on Gloria Evangelina Anzaldúa, Nettie Lee Benson Latin American Collection, University of Texas Libraries, University of Texas at Austin.

  39. Anzaldúa, Gloria, and Cherríe Moraga. “Bring Bridge Back!” WomaNews, October 1983. Newsprint Collection, WomaNews. Lesbian Herstory Archives.

  40. Anzaldúa, Gloria E., and Karin Ikas. “Interview with Gloria Anzaldúa.” In Borderlands / La Frontera: The New Mestiza, Third Edition, by Gloria E. Anzaldúa, 227–46. San Francisco: Aunt Lute Books, 2007.

  41. Anzaldúa, Gloria E., and AnaLouise Keating, eds. this bridge we call home: radical visions for transformation. New York: Routledge, 2002.

  42. Anzaldúa, Gloria E., and Hector A. Torres. “The Author Never Existed.” In Conversations with Contemporary Chicana and Chicano Writers, by Hector A. Torres, 115–45. Albuquerque: University of New Mexico Press, 2007.

  43. “Artists Checklist: Witnesses: Against Our Vanishing,” 1989. MSS 291, Box 31, Folder 4, Artists Space Archive, Fales Library and Special Collections, New York University Libraries.

  44. Ault, Julie, ed. Show and Tell: A Chronicle of Group Material. London: Four Corners Books, 2010.

  45. Avena, Thomas, and Nan Goldin. “Interview with Nan Goldin.” In Life Sentences: Writers, Artists, and AIDS, edited by Thomas Avena, 148–60. San Francisco: Mercury House, 1994.

  46. Avery, Tara Madison, and Jeanne Thornton, eds. We’re Still Here: An All-Trans Comics Anthology. Dana Point, Calif.: Stacked Deck Press, 2018.

  47. Barry, Lynda. Blabber Blabber Blabber: Volume 1 of Everything. Montreal: Drawn and Quarterly, 2011.

  48. Barry, Lynda. NAKED LADIES! NAKED LADIES! NAKED LADIES! Seattle: Real Comet Press, 1984.

  49. Barry, Lynda. One Hundred Demons. Seattle: Sasquatch Books, 2005.

  50. Barry, Lynda. Picture This: The Near-Sighted Monkey Book. Montreal: Drawn and Quarterly, 2010.

  51. Barry, Lynda. Syllabus: Notes from an Accidental Professor. Montreal: Drawn and Quarterly, 2014.

  52. Barry, Lynda. What It Is. Montreal: Drawn and Quarterly, 2008.

  53. Barthes, Roland. Camera Lucida: Reflections on Photography. Translated by Richard Howard. New York: Hill and Wang, 1981.

  54. Baumann, Jason. “Introduction.” In The Stonewall Reader, edited by Jason Baumann, xiii–xxi. New York: Penguin Classics, 2019.

  55. Beaty, Bart. Comics versus Art. Toronto: University of Toronto Press, 2012.

  56. Bechdel, Alison. “Advertisement: Get Yourself a WomaNews T-Shirt!” WomaNews, April 1984. Newsprint Collection, WomaNews, Lesbian Herstory Archives.

  57. Bechdel, Alison. “Advertisement: WomaNews 5th Anniversary! Variety Show!” WomaNews, November 1984. Newsprint Collection, WomaNews, Lesbian Herstory Archives.

  58. Bechdel, Alison. “Advertisement: WomaNews 5th Anniversary! Variety Show!” WomaNews, December 1984/January 1985. Newsprint Collection, WomaNews, Lesbian Herstory Archives.

  59. Bechdel, Alison. “Advertisement: WomaNews Workshops.” WomaNews, March 1984. Newsprint Collection, WomaNews, Lesbian Herstory Archives.

  60. Bechdel, Alison. Are You My Mother? A Comic Drama. New York: Houghton Mifflin Harcourt, 2012.

  61. Bechdel, Alison. “Cartoonist’s Introduction.” In The Essential “Dykes to Watch Out For,” vii–xviii. New York: Houghton Mifflin Harcourt, 2008.

  62. Bechdel, Alison. Dykes to Watch Out For. Ithaca, N.Y.: Firebrand Books, 1986.

  63. Bechdel, Alison. “Dykes to Watch Out For 1994 Calendar,” 1994. Box 66, Folder 17: DTWOF 1994 Calendar: Review Copies (1993–1994), Firebrand Books records, #7670, Division of Rare and Manuscript Collections, Cornell University Library.

  64. Bechdel, Alison. “Dykes to Watch Out For: Groves of Academe.” Valley Women’s Voice, July 1988. Newsprint Collection, Valley Women’s Voice. Lesbian Herstory Archives.

  65. Bechdel, Alison. “Dykes to Watch Out For: One Enchanted Evening.” off our backs 17, no. 2 (1987): 27.

  66. Bechdel, Alison. “Dykes to Watch Out For, Plate No. 19: Twyla Is Appalled to Learn That Irene Is a Morning Person.” WomaNews, August 1983. Newsprint Collection, WomaNews. Lesbian Herstory Archives.

  67. Bechdel, Alison. The Essential “Dykes to Watch Out For.” New York: Houghton Mifflin Harcourt, 2008.

  68. Bechdel, Alison. “From the Archives.” Dykes to Watch Out For (blog), March 12, 2008. http://dykestowatchoutfor.com/from-the-archives.

  69. Bechdel, Alison. Fun Home: A Family Tragicomic. New York: Mariner Books, 2006.

  70. Bechdel, Alison. The Indelible Alison Bechdel: Confessions, Comix, and Miscellaneous “Dykes to Watch Out For.” Ithaca, N.Y.: Firebrand Books, 1998.

  71. Bechdel, Alison. “Ithaca: Archival Kisses, Drunken Birds, Firebrand.” Dykes to Watch Out For (blog), April 13, 2008. http://dykestowatchoutfor.com/catching-up.

  72. Bechdel, Alison. “Letters Page Caricature Graphic: Chainsmoking Letter-Writer.” WomaNews, February 1984. Newsprint Collection, WomaNews, Lesbian Herstory Archives.

  73. Bechdel, Alison. “Letters Page Caricature Graphic: Contortionist Letter-Writer.” WomaNews, November 1983. Newsprint Collection, WomaNews, Lesbian Herstory Archives.

  74. Bechdel, Alison. “Letters Page Caricature Graphic: Intent, Typewriting Female.” WomaNews, December 1983/January 1984. Newsprint Collection, WomaNews, Lesbian Herstory Archives.

  75. Bechdel, Alison. “Letters Page Caricature Graphic: M&M Letter-Writer.” WomaNews, July/August 1984. Newsprint Collection, WomaNews, Lesbian Herstory Archives.

  76. Bechdel, Alison. “Letters Page Caricature Graphic: Pen-Biting Agitated Female.” WomaNews, October 1983. Newsprint Collection, WomaNews, Lesbian Herstory Archives.

  77. Bechdel, Alison. “Letters Page Caricature Graphic: Pensive Letter-Writer.” WomaNews, April 1984. Newsprint Collection, WomaNews, Lesbian Herstory Archives.

  78. Bechdel, Alison. “Literary Dykes to Watch Out For: A Heloise C. Bland Lecture.” WomaNews, September 1984. Newsprint Collection, WomaNews, Lesbian Herstory Archives.

  79. Bechdel, Alison. “Literary Dykes to Watch Out For: A Heloise C. Bland Lecture.” In Dykes to Watch Out For, 36–37. Ithaca, N.Y.: Firebrand Books, 1986.

  80. Bechdel, Alison. “The Memoirist’s Lament.” YouTube, July 16, 2008. https://youtu.be/cCuSglq5IAc.

  81. Bechdel, Alison. “Mo’ Mo.” Dykes to Watch Out For (blog), March 1, 2006. https://dykestowatchoutfor.com/mo-mo/.

  82. Bechdel, Alison. More “Dykes to Watch Out For.” Ithaca, N.Y.: Firebrand Books, 1988.

  83. Bechdel, Alison. “Postcards from the Edge.” Dykes to Watch Out For (blog), April 13, 2017. https://dykestowatchoutfor.com/postcards-from-the-edge/.

  84. Bechdel, Alison. “Questions for Syndicate,” 1993. SSC-MS-00633, Alison Bechdel Papers, Sophia Smith Collection, Smith College Special Collections.

  85. Bechdel, Alison. “Same as It Ever Was, Only Much Worse.” Dykes to Watch Out For (blog), November 23, 2016. https://dykestowatchoutfor.com/same-as-it-ever-was-only-much-worse/.

  86. Bechdel, Alison. The Secret to Superhuman Strength. Boston: Mariner Books, 2021.

  87. Bechdel, Alison. “The United States: March 2006,” March 2006. Alison Bechdel Papers, Sophia Smith Collection, SSC-MS-00633, Smith College Special Collections.

  88. Bechdel, Alison. “What Is Real? A Short Disquisition.” Dykes to Watch Out For (blog), August 25, 2006. https://dykestowatchoutfor.com/what-is-real-a-short-disquisition/.

  89. Beineke, Colin. “On Comicity.” INKS: The Journal of the Comics Studies Society 1, no. 2 (Summer 2017): 226–53.

  90. Beins, Agatha. Liberation in Print: Feminist Periodicals and Social Movement Identity. Athens: University of Georgia Press, 2017.

  91. Beins, Agatha. “A Publishing Assemblage: Building Book History Methodology through Feminist Periodicals.” American Periodicals 28, no. 2 (2018): 105–22.

  92. Beins, Agatha, and Julie R. Enszer. “‘We Couldn’t Get Them Printed,’ So We Learned to Print: Ain’t I a Woman? and the Iowa City Women’s Press.” Frontiers: A Journal of Women Studies 34, no. 2 (2013): 186–221.

  93. Beirne, Rebecca. “Image, Sex, and Politics: Cultural, Political, and Theoretical Contexts.” In Lesbians in Television and Text after the Millennium, 21–60. New York: Palgrave Macmillan, 2008.

  94. Beirne, Rebecca. Lesbians in Television and Text after the Millennium. New York: Palgrave Macmillan, 2008.

  95. Bengal, Rebecca. “A Conversation with Nan Goldin on the 30th Anniversary of The Ballad of Sexual Dependency.” Vogue, October 26, 2015. http://www.vogue.com/13364942/nan-goldin-interview-ballad-of-sexual-dependency-30th-anniversary/.

  96. Benjamin, Meredith. “‘An Archive of Accounts’: This Bridge Called My Back in Feminist Movement.” Tulsa Studies in Women’s Literature 40, no. 1 (Spring 2021): 45–68.

  97. Bessette, Jean. Retroactivism in the Lesbian Archives: Composing Pasts and Futures. Carbondale: Southern Illinois University Press, 2017.

  98. Bethel, Lorraine, and Barbara Smith, eds. Conditions Five: The Black Women’s Issue. Brooklyn: Conditions, 1979.

  99. Blackwell, Maylei. ¡Chicana Power! Contested Histories of Feminism in the Chicano Movement. Austin: University of Texas Press, 2011.

  100. Blackwell, Maylei. “Engendering Print Cultures and Chicana Feminist Counterpublics in the Chicano Movement.” In ¡Chicana Power! Contested Histories of Feminism in the Chicano Movement, 133–59. Austin: University of Texas Press, 2011.

  101. Blackwell, Maylei, and Gloria E. Anzaldúa. “Many Roads, One Path: A Testimonio of Gloria E. Anzaldúa.” In Chicana Movidas: New Narratives of Activism and Feminism in the Movement Era, edited by Dionne Espinoza, María Eugenia Cotera, and Maylei Blackwell, 110–19. Austin: University of Texas Press, 2018.

  102. Bly, Lyz, and Kelly Wooten, eds. Make Your Own History: Documenting Feminist and Queer Activism in the 21st Century. Los Angeles: Litwin Books, 2012.

  103. Bors, Matt, ed. Be Gay, Do Comics! Queer History, Memoir, and Satire from “The Nib”. San Diego: IDW Publishing, 2020.

  104. Bost, Suzanne. “Messy Archives and Materials That Matter: Making Knowledge with the Gloria Evangelina Anzaldúa Papers.” PMLA 130, no. 3 (2015): 615–30.

  105. Bost, Suzanne. Shared Selves: Latinx Memoir and Ethical Alternatives to Humanism. Urbana: University of Illinois Press, 2019.

  106. Bowen, Diana Isabel. “Gloria Anzaldúa: From Borderlands to Nepantla.” Oxford Research Encyclopedia of Communication, November 20, 2018. https://doi.org/10.1093/acrefore/9780190228613.013.606.

  107. Bracewell, Lorna Norman. “Beyond Barnard: Liberalism, Antipornography Feminism, and the Sex Wars.” Signs: Journal of Women in Culture and Society 42, no. 1 (2016): 23–48.

  108. Bronstein, Carolyn. Battling Pornography: The American Feminist Anti-Pornography Movement, 1976–1986. Cambridge: Cambridge University Press, 2011.

  109. Butler, Judith. “Politics, Pleasure, Pain: The Controversy Continues; Diary of a Conference on Sexuality.” Gay Community News 10, no. 20 (December 4, 1982): 1.

  110. Cade, Cathy. “Gloria Anzaldúa.” In “On Language” special issue, edited by Akiba Ona’da-Sikwoia, Sinister Wisdom, no. 56 (Summer/Fall 1995): 25.

  111. Cade, Cathy. “Gloria Anzaldúa in Front of Her Drawings Presenting Her Book: Borderlands at the Montréal Feminist Book Fair, 1988.” Box 20, Folder 11, Sinister Wisdom, 1983–1998, Collection on Gloria Evangelina Anzaldúa, Nettie Lee Benson Latin American Collection, University of Texas Libraries, University of Texas at Austin.

  112. Cade, Cathy. A Lesbian Photo Album: The Lives of Seven Lesbian Feminists. Oakland, Calif.: Waterwomen Books, 1987.

  113. Camper, Jennifer, ed. Juicy Mother: Celebration. New York: Soft Skull Press, 2005.

  114. Camper, Jennifer, ed. Juicy Mother 2: How They Met. San Francisco: Manic D Press, 2007.

  115. Camper, Jennifer. Rude Girls and Dangerous Women. Bala Cynwyd, Penn.: Laugh Lines Press, 1994.

  116. Cantú, Norma. “Comparative Perspectives Symposium: Gloria E. Anzaldúa, an International Perspective.” Signs: Journal of Women in Culture and Society 37, no. 1 (Autumn 2011): 1–5.

  117. Cantú, Norma E., Christina L. Gutiérrez, Norma Alarcón, and Rita E. Urquijo-Ruiz, eds. El Mundo Zurdo: Selected Works from the Meetings of the Society for the Study of Gloria Anzaldúa, 2007 and 2009. San Francisco: Aunt Lute Books, 2010.

  118. carrington, andré m. Speculative Blackness: The Future of Race in Science Fiction. Minneapolis: University of Minnesota Press, 2016.

  119. Caruana, Stephanie. “Great Yogurt Conspiracy.” off our backs 3, no. 5 (January 1973): 7.

  120. Caswell, Michelle. “‘The Archive’ Is Not an Archives: Acknowledging the Intellectual Contributions of Archival Studies.” Reconstruction 16, no. 1 (2016). http://reconstruction.digitalodu.com/Issues/161/Caswell.shtml.

  121. Caswell, Michelle, Ricardo Punzalan, and T-Kay Sangwand. “Critical Archival Studies: An Introduction.” Journal of Critical Library and Information Studies 1, no. 2 (2017): 1–8.

  122. Christensen, Charles “Zan,” ed. Anything That Loves. Seattle: Northwest Press, 2013.

  123. Chute, Hillary L. “Alison Bechdel.” In Outside the Box: Interviews with Contemporary Cartoonists, 155–75. Chicago: University of Chicago Press, 2014.

  124. Chute, Hillary L. “Animating an Archive: Repetition and Regeneration in Alison Bechdel’s Fun Home.” In Graphic Women: Life Narrative and Contemporary Comics, 175–217. New York: Columbia University Press, 2010.

  125. Chute, Hillary L. Graphic Women: Life Narrative and Contemporary Comics. New York: Columbia University Press, 2010.

  126. Chute, Hillary L. “Introduction: Women, Comics, and the Risk of Representation.” In Graphic Women: Life Narrative and Contemporary Comics, 1–28. New York: Columbia University Press, 2010.

  127. Chute, Hillary L. “Why Queer?” In Why Comics? From Underground to Everywhere, 349–88. New York: Harper, 2017.

  128. Cifor, Marika. Viral Cultures: Activist Archiving in the Age of AIDS. Minneapolis: University of Minnesota Press, 2022.

  129. Cifor, Marika, and Stacy Wood. “Critical Feminism in the Archives.” Journal of Critical Library and Information Studies 1, no. 2 (2017): 1–27.

  130. Cixous, Hélène. “The Laugh of the Medusa.” Translated by Keith Cohen and Paula Cohen. Signs: Journal of Women in Culture and Society 1, no. 4 (July 1976): 875–93.

  131. Coalition for a Feminist Sexuality and Against Sadomasochism. “We Protest,” April 1982. Box 5, Folder 10, Barnard Center for Research on Women records, 1962–2019, Barnard Archives and Special Collections, Barnard Library, Barnard College.

  132. Combahee River Collective. “The Combahee River Collective Statement.” In Home Girls: A Black Feminist Anthology, edited by Barbara Smith, 272–82. New York: Kitchen Table: Women of Color Press, 1983.

  133. Cook, Roy T. “Underground and Alternative Comics.” In The Routledge Companion to Comics, edited by Frank Bramlett, Roy T. Cook, and Aaron Meskin, 34–43. New York: Routledge, 2016.

  134. Corbman, Rachel. “The Scholars and the Feminists: The Barnard Sex Conference and the History of the Institutionalization of Feminism.” Feminist Formations 27, no. 3 (Winter 2015): 49–80.

  135. Corinne, Tee. “Comics by Women.” Country Women, no. 29 (June 1978): 25–27.

  136. Costa, Guido, and Nan Goldin. Nan Goldin. Phaidon 55s. New York: Phaidon Press, 2001.

  137. Cotera, María. “‘Invisibility Is an Unnatural Disaster’: Feminist Archival Praxis after the Digital Turn.” South Atlantic Quarterly 114, no. 4 (October 2015): 781–801.

  138. Cotera, María. “Nuestra Autohistoria: Toward a Chicana Digital Praxis.” American Quarterly 70, no. 3 (September 2018): 483–504.

  139. Cotera, María. “Unpacking Our Mothers’ Libraries: Practices of Chicana Memory before and after the Digital Turn.” In Chicana Movidas: New Narratives of Activism and Feminism in the Movement Era, edited by Dionne Espinoza, María Eugenia Cotera, and Maylei Blackwell, 299–316. Austin: University of Texas Press, 2018.

  140. Cotera, María, Maylei Blackwell, and Dionne Espinoza. “Introduction: Movements, Movimientos, and Movidas.” In Chicana Movidas: New Narratives of Activism and Feminism in the Movement Era, edited by Dionne Espinoza, María Eugenia Cotera, and Maylei Blackwell, 1–30. Austin: University of Texas Press, 2018.

  141. Cotera, Martha P. The Chicana Feminist. Austin: Information Systems Development, 1977.

  142. Cotera, Martha P. Diosa y Hembra: The History and Heritage of Chicanas in the U.S. Austin: Information Systems Development, 1976.

  143. Coulthard, Edmund, and Nan Goldin, dirs. I’ll Be Your Mirror. London: BBC, 1996.

  144. Crenshaw, Kimberlé. “Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory, and Antiracist Politics.” University of Chicago Legal Forum 140 (1989): 139–67.

  145. Cruse, Howard, ed. Gay Comix #1. Princeton, Wis.: Kitchen Sink Press, 1980.

  146. Cruse, Howard, ed. Gay Comix #2. Princeton, Wis.: Kitchen Sink Press, 1981.

  147. Cruse, Howard, Robert Triptow, and Andy Mangels, eds. Gay Comix #1–25. Princeton, Wis.: Kitchen Sink Press; San Francisco: Bob Ross, 1980–98.

  148. Cuevas, T. Jackie, Larissa M. Mercado-López, and Sonia Saldívar-Hull, eds. El Mundo Zurdo 4: Selected Works From the 2013 Meeting of the Society for the Study of Gloria Anzaldúa. San Francisco: Aunt Lute Books, 2015.

  149. Cvetkovich, Ann. An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures. Durham, N.C.: Duke University Press, 2003.

  150. Cvetkovich, Ann. “Drawing the Archive in Alison Bechdel’s Fun Home.” WSQ: Women’s Studies Quarterly 36, nos. 1/2 (Spring/Summer 2008): 111–28.

  151. Darms, Lisa, ed. The Riot Grrrl Collection. New York: Feminist Press at CUNY, 2013.

  152. Davies, Diana. “Lavender Menace Members Hold Signs Reading ‘The Women’s Movement Is a Lesbian Plot,’” May 1970. Manuscripts and Archives Division, New York Public Library Digital Collections. http://digitalcollections.nypl.org/items/510d47e3-57fc-a3d9-e040-e00a18064a99.

  153. Dean, Alison. “Intimacy at Work: Nan Goldin and Rineke Dijkstra.” History of Photography 39, no. 2 (2015): 177–93.

  154. DeCrescenzo, Teresa. “Alison Bechdel Celebrates 20 Years of Queer Comic Genius.” Lesbian News 29, no. 2 (September 2003): 24–25.

  155. de Lauretis, Teresa. “Imaging.” In Alice Doesn’t: Feminism, Semiotics, Cinema, 37–69. Bloomington: Indiana University Press, 1984.

  156. de Lauretis, Teresa. “Queer Theory: Lesbian and Gay Sexualities: An Introduction.” Differences 3, no. 2 (Summer 1991): iii–xviii.

  157. Deparle, Jason. “111 Held in St. Patrick’s AIDS Protest.” New York Times, December 11, 1989. https://www.nytimes.com/1989/12/11/nyregion/111-held-in-st-patrick-s-aids-protest.html.

  158. Derrida, Jacques. Archive Fever: A Freudian Impression. Translated by Eric Prenowitz. Chicago: University of Chicago Press, 1995.

  159. DiVeglia, Angela L. “Accessibility, Accountability, and Activism: Models for LGBT Archives.” In Make Your Own History: Documenting Feminist and Queer Activism in the 21st Century, edited by Lyz Bly and Kelly Wooten, 69–88. Los Angeles: Litwin Books, 2012.

  160. Dodge, Chris, and Alison Bechdel. “Interview with Alison Bechdel: Writer and Lesbian Cartoonist.” In Alison Bechdel: Conversations, edited by Rachel R. Martin. 3–15. Jackson: University Press of Mississippi, 2018.

  161. Dubin, Steven C. “AIDS: Bearing Witness.” In Arresting Images: Impolitic Art and Uncivil Actions, 197–225. London: Routledge, 1992.

  162. Dueben, Alex. “An Oral History of Wimmen’s Comix Part 2.” The Comics Journal (blog), April 6, 2016. http://www.tcj.com/an-oral-history-of-wimmens-comix-part-2/.

  163. Duggan, Lisa. “Censorship in the Name of Feminism.” In Caught Looking: Feminism, Pornography and Censorship, edited by Kate Ellis, Beth Jaker, Nan D. Hunter, Barbara O’Dair, and Abby Tallmer, 62–69. East Haven, Conn.: Long River Books, 1986.

  164. Duggan, Lisa, and Nan D. Hunter. Sex Wars: Sexual Dissent and Political Culture. New York: Routledge, 2006.

  165. Echols, Alice. “Retrospective: Tangled Up in Pleasure and Danger.” Signs: Journal of Women in Culture and Society 42, no. 1 (September 2016): 11–22.

  166. Eckardt, Stephanie. “The Photographer Nan Goldin Has Finally Joined Instagram, the App She’s Been Credited with Creating.” W Magazine, December 21, 2017. https://www.wmagazine.com/story/nan-goldin-joins-instagram/.

  167. The Editors. “Editors’ Note: Ballads.” Aperture, no. 239 (Spring 2020): 20–21.

  168. Eichhorn, Kate. “Archival Genres: Gathering Texts and Reading Spaces.” Invisible Culture, no. 12 (Spring 2008). https://www.rochester.edu/in_visible_culture/Issue_12/eichhorn/.

  169. Eichhorn, Kate. The Archival Turn in Feminism: Outrage in Order. Philadelphia: Temple University Press, 2013.

  170. Eisner, Will. Comics and Sequential Art. Tamarac, Fla.: Poorhouse Press, 1985.

  171. Ellis, Kate, Beth Jaker, Nan D. Hunter, Barbara O’Dair, and Abby Tallmer, eds. Caught Looking: Feminism, Pornography and Censorship. East Haven, Conn.: Long River Books, 1986.

  172. Ellis, Kate, Beth Jaker, Nan D. Hunter, Barbara O’Dair, and Abby Tallmer, eds. Caught Looking: Feminism, Pornography and Censorship. 2nd ed. Seattle: Real Comet Press, 1988.

  173. Ellis, Kate, Beth Jaker, Nan D. Hunter, Barbara O’Dair, and Abby Tallmer, eds. Caught Looking: Feminism, Pornography and Censorship. 3rd ed. East Haven, Conn.: Long River Books, 1992.

  174. Ellis, Kate, Beth Jaker, Nan D. Hunter, Barbara O’Dair, and Abby Tallmer, eds. Caught Looking: Feminism, Pornography and Censorship. 4th ed. East Haven, Conn.: Long River Books, 1995.

  175. Ellis, Kate, Barbara O’Dair, and Abby Tallmer. “Introduction.” In Caught Looking: Feminism, Pornography and Censorship, edited by Kate Ellis, Beth Jaker, Nan D. Hunter, Barbara O’Dair, and Abby Tallmer, 4, 6, 8. East Haven, Conn.: Long River Books, 1986.

  176. Enszer, Julie R. “‘Fighting to Create and Maintain Our Own Black Women’s Culture’: Conditions Magazine, 1977–1990.” American Periodicals 25, no. 2 (2015): 160–76.

  177. Enszer, Julie R. “Lesbian Books Are No Longer Just for Lesbians: Legacies of Lesbian Print Culture.” Continuum: Journal of Media and Cultural Studies 32, no. 1 (2017): 62–72.

  178. Enszer, Julie R. “Night Heron Press and Lesbian Print Culture in North Carolina, 1976–1983.” Southern Cultures 21, no. 2 (Summer 2015): 43–56.

  179. Espinoza, Dionne, María Eugenia Cotera, and Maylei Blackwell, eds. Chicana Movidas: New Narratives of Activism and Feminism in the Movement Era. Austin: University of Texas Press, 2018.

  180. Ewing, Leslie. “Longtime Pacific Center Executive Director Leslie Ewing Announces Retirement.” San Francisco Bay Times, April 18, 2019. http://sfbaytimes.com/longtime-pacific-center-executive-director-leslie-ewing-announces-retirement/.

  181. Farmer, Joyce, Lyn Chevli, Mary Fleener, and Samantha Meier, eds. Tits & Clits, 1972–1987. Seattle: Fantagraphics Books, 2023.

  182. Farmer, Joyce, and Mary Fleener, eds. Tits & Clits #7. San Francisco: Last Gasp, 1987.

  183. Fawaz, Ramzi. The New Mutants: Superheroes and the Radical Imagination of American Comics. New York: NYU Press, 2016.

  184. Fawaz, Ramzi. “A Queer Sequence: Comics as a Disruptive Medium.” PMLA 134, no. 3 (2019): 588–94.

  185. Fawaz, Ramzi. “Stripped to the Bone: Sequencing Queerness in the Comic Strip Work of Joe Brainard and David Wojnarowicz.” ASAP/Journal 2, no. 2 (May 2017): 335–67.

  186. “Flyer: Witnesses: Against Our Vanishing Readings in Conjunction with ACT UP,” November 28, 1989. MSS 291, Box 31, Folder 7, Artists Space Archive, Fales Library and Special Collections, New York University Libraries.

  187. Foss, Sonja K., and Cindy L. Griffin. “Beyond Persuasion: A Proposal for an Invitational Rhetoric.” Communication Monographs 62 (March 1995): 2–18.

  188. Foss, Sonja K., and Cindy L. Griffin, eds. Inviting Understanding: A Portrait of Invitational Rhetoric. Lanham, Md.: Rowman & Littlefield, 2020.

  189. France, David, dir. How to Survive a Plague. New York: MPI Media Group, 2013.

  190. Franklin, Cynthia G. “Another 1981: From This Bridge Called My Back to Making Face, Making Soul / Haciendo Caras.” In Writing Women’s Communities: The Politics and Poetics of Contemporary Multi-Genre Anthologies, 31–55. Madison: University of Wisconsin Press, 1997.

  191. Fuchs, Elinor. “Staging the Obscene Body.” TDR: The Drama Review 33, no. 1 (Spring 1989): 33–58.

  192. Gallo, Marcia M. Different Daughters: A History of the Daughters of Bilitis and the Rise of the Lesbian Rights Movement. Emeryville, Calif.: Seal Press, 2007.

  193. Galvan, Margaret. “Adjacent Genealogies, Alternate Geographies: the Outliers of Underground Comix, and World War 3 Illustrated.” In “The Counterpublics of Underground Comix,” edited by Margaret Galvan and Leah Misemer, special issue, INKS: The Journal of the Comics Studies Society 3, no. 1 (2019): 92–113.

  194. Galvan, Margaret. “Archiving Grassroots Comics: The Radicality of Networks and Lesbian Community.” Archive Journal, no. 5 (Fall 2015). http://www.archivejournal.net/issue/5/archives-remixed/archiving-grassroots-comics-the-radicality-of-networks-and-lesbian-community/.

  195. Galvan, Margaret. “Archiving Wimmen: Collectives, Networks, and Comix.” Australian Feminist Studies 32, nos. 91/92 (April 2017): 22–40.

  196. Galvan, Margaret. “Finding Feminist Comics Histories in Grassroots Periodicals.” American Periodicals 32, no. 2 (2022): 121–27.

  197. Galvan, Margaret. “From Julie Doucet to Gabrielle Bell: Feminist Genealogies of Comics Anthologies.” In The Comics of Julie Doucet and Gabrielle Bell: A Place inside Yourself, edited by Tahneer Oksman and Seamus O’Malley, 3–22. Jackson: University Press of Mississippi, 2019.

  198. Galvan, Margaret. “Making Space: Jennifer Camper, LGBTQ Anthologies, and Queer Comics Communities.” In “Lesbians and Comics,” edited by Michelle Ann Abate, Karly Marie Grice, and Christine N. Stamper, special issue, Journal of Lesbian Studies 22, no. 4 (2018): 373–89.

  199. Galvan, Margaret. “Resource: Open-Access Digitized Grassroots Media.” Margaret Galvan—Archives. Comics. Feminisms. Queer Theory. Digital Humanities, September 14, 2020. http://margaretgalvan.org/archives/open-access-digitized-grassroots-media/.

  200. Galvan, Margaret. “Servants to What Cause: Illustrating Queer Movement Culture through Grassroots Periodicals.” In The Comics of Alison Bechdel: From the Outside In, edited by Janine Utell, 214–29. Jackson: University Press of Mississippi, 2020.

  201. Gardiner, Judith Kegan. “Queering Genre: Alison Bechdel’s Fun Home: A Family Tragicomic and The Essential ‘Dykes to Watch Out For.’” Contemporary Women’s Writing 5, no. 3 (November 2011): 188–207.

  202. Gebbie, Melinda, and Dot Bucher, eds. Wimmen’s Comix #7. San Francisco: Last Gasp, 1976.

  203. Goldin, Nan. “Afterword.” In The Ballad of Sexual Dependency, by Nan Goldin, edited by Marvin Heiferman, Mark Holborn, and Suzanne Fletcher, 145–46. New York: Aperture Foundation, 1996.

  204. Goldin, Nan. “Afterword.” In The Ballad of Sexual Dependency, by Nan Goldin, edited by Marvin Heiferman, Mark Holborn, and Suzanne Fletcher, 145–46. New York: Aperture Foundation, 2012.

  205. Goldin, Nan. “Afterword.” In The Ballad of Sexual Dependency, by Nan Goldin, edited by Marvin Heiferman, Mark Holborn, and Suzanne Fletcher, 145–47. New York: Aperture Foundation, 2021.

  206. Goldin, Nan. The Ballad of Sexual Dependency. Edited by Marvin Heiferman, Mark Holborn, and Suzanne Fletcher. New York: Aperture Foundation, 1986.

  207. Goldin, Nan. The Ballad of Sexual Dependency. Edited by Marvin Heiferman, Mark Holborn, and Suzanne Fletcher. 2nd ed. New York: Aperture Foundation, 1996.

  208. Goldin, Nan. Couples and Loneliness. Edited by Taka Kawachi and Nan Goldin. Kyoto: Korinsha Press, 1998.

  209. Goldin, Nan. “‘Nan Goldin on Cookie Mueller’ (2001).” AMERICAN SUBURB X (blog), April 10, 2012. http://www.americansuburbx.com/2012/04/theory-nan-goldin-on-cookie-mueller.html.

  210. Goldin, Nan. The Other Side. Expanded ed. Göttingen, Germany: Steidl, 2019.

  211. Goldin, Nan, and David Armstrong. A Double Life. New York: Scalo, 1994.

  212. Goldsby, Jacqueline, and Meredith L. McGill, eds. “Black Bibliography: Traditions and Futures.” Special issue, Papers of the Bibliographical Society of America 116, no. 2 (2022).

  213. Gomez, Betsy. “She Changed Comics: Roberta Gregory Interview.” Comic Book Legal Defense Fund (blog), March 29, 2017. http://cbldf.org/2017/03/she-changed-comics-roberta-gregory-interview/.

  214. Greenwood, Eve, Alex Assan, and Spire Eaton, eds. When I Was Me: Moments of Gender Euphoria. Edinburgh: Quindrie Press, 2021.

  215. Gregory, Roberta. Dynamite Damsels. Long Beach, Calif.: self-published, 1976.

  216. Gregory, Roberta. “A Modern Romance.” In Wimmen’s Comix #4, edited by Shelby Sampson, n.d. San Francisco: Last Gasp, 1974.

  217. Groeneveld, Elizabeth. “Letters to the Editor as ‘Archives of Feeling’: On Our Backs Magazine and the Sex Wars.” American Periodicals 28, no. 2 (2018): 153–67.

  218. Groeneveld, Elizabeth. Making Feminist Media: Third-Wave Magazines on the Cusp of the Digital Age. Waterloo, Ont.: Wilfrid Laurier University Press, 2016.

  219. Groeneveld, Elizabeth, and Samantha C. Thrift, eds. “Thinking beyond Backlash: Remediating 1980s Activism.” Special issue, Continuum: Journal of Media and Cultural Studies 32, no. 1 (2017).

  220. Hall, Justin. “No Straight Lines.” In No Straight Lines: Four Decades of Queer Comics, edited by Justin Hall, n.p. Seattle: Fantagraphics Books, 2013.

  221. Hall, Justin, ed. No Straight Lines: Four Decades of Queer Comics. Seattle: Fantagraphics Books, 2013.

  222. Halsall, Alison, and Jonathan Warren, eds. The LGBTQ+ Comics Studies Reader. Jackson: University Press of Mississippi, 2022.

  223. Harker, Jaime. The Lesbian South: Southern Feminists, the Women in Print Movement, and the Queer Literary Canon. Chapel Hill: University of North Carolina Press, 2018.

  224. Harker, Jaime, and Cecilia Konchar Farr, eds. This Book Is an Action: Feminist Print Culture and Activist Aesthetics. Urbana: University of Illinois Press, 2015.

  225. Heifler, Sydney. “Teen Age Temptations: How Romance Comic Books Condemned Precocity.” Prized Writing, 2015–2016, 2016, 97–111.

  226. Heresies Collective. “Editorial.” Heresies #7: Women Working Together 2, no. 3 (Spring 1979): 3–5.

  227. Heresies Collective, ed. “Heresies #12: Sex Issue.” Heresies #12 3, no. 4 (1981).

  228. Herrera Rodríguez, Celia. “A Sacred Thing That Takes Us Home: Curatorial Statement.” In This Bridge Called My Back: Writings by Radical Women of Color, edited by Cherríe Moraga and Gloria Anzaldúa, 3rd ed., 279–87. Berkeley, Calif.: Third Woman Press, 2002.

  229. Hesford, Victoria. Feeling Women’s Liberation. Durham, N.C.: Duke University Press, 2013.

  230. Hilty, Joan. “Joan Hilty Letter to Alison Bechdel,” September 14, 1993. Alison Bechdel Papers, Sophia Smith Collection, SSC-MS-00633, Smith College Special Collections.

  231. Hogan, Kristen. The Feminist Bookstore Movement: Lesbian Antiracism and Feminist Accountability. Durham, N.C.: Duke University Press, 2016.

  232. Holert, Tom. “Nan Goldin Talks to Tom Holert.” Artforum 41, no. 7 (March 2003): 232–33, 274–75.

  233. House, Penny, Liza Cowan, and Roberta Gregory. “Criticism, Feedback and Changes.” In “Ethnic Lesbians,” special issue, Dyke A Quarterly, no. 5 (Fall 1977): 4–5.

  234. Howard, Yetta. Ugly Differences: Queer Female Sexuality in the Underground. Urbana: University of Illinois Press, 2018.

  235. Hubbard, Jim. United in Anger: A History of ACT UP. San Francisco: United in Anger, Inc., 2012.

  236. Hubert, Craig. “Behind the Camera: A Portrait of Nan Goldin.” Blouin Artinfo, October 3, 2014.

  237. Hunter, Nan D. “Contextualizing the Sexuality Debates: A Chronology.” In Sex Wars: Sexual Dissent and Political Culture, by Lisa Duggan and Nan D. Hunter, 16–29. New York: Routledge, 2006.

  238. Hunter, Nan D. “The Pornography Debate in Context: A Chronology of Sexuality, Media and Violence Issues in Feminism.” In Caught Looking: Feminism, Pornography and Censorship, edited by Kate Ellis, Beth Jaker, Nan D. Hunter, Barbara O’Dair, and Abby Tallmer, 26–29. East Haven, Conn.: Long River Books, 1986.

  239. Hunter, Nan D., and Sylvia A. Law. “Brief Amici Curiae of Feminist Anti-Censorship Taskforce, et al., in American Booksellers Association v. Hudnut.” University of Michigan Journal of Law Reform 21, nos. 1/2 (1988): 69–136.

  240. “Interviews with Women Comic Artists: Aline Kominsky.” Cultural Correspondence, no. 9 (Spring 1979): 15–18.

  241. “Interviews with Women Comic Artists: Lee Marrs.” Cultural Correspondence, no. 9 (Spring 1979): 22–26.

  242. “Introduction to the Third Edition.” In Borderlands / La Frontera: The New Mestiza, Third Edition, by Gloria E. Anzaldúa, n.p. San Francisco: Aunt Lute Books, 2007.

  243. Jesanis, Renie, Kyri Lorenz, and Steph Rose Glass, eds. Being True: LGBTQ+ Comics from the Boston Roundtable. Cambridge, Mass.: Boston Comics Roundtable, 2018.

  244. “John Simon Guggenheim Foundation: Alison Bechdel.” John Simon Guggenheim Memorial Foundation, 2012. https://www.gf.org/fellows/all-fellows/alison-bechdel/.

  245. Jordan, Tessa, and Michelle Meagher, eds. “Feminist Periodical Studies.” Special issue, American Periodicals 28, no. 2 (2018).

  246. Joy, Phillip, Stephanie Gauvin, and Matthew Lee, eds. Rainbow Reflections: Body Image Comics for Queer Men. Toronto: Ad Astra Comix, 2019.

  247. Junge, Sophie. Art about AIDS: Nan Goldin’s Exhibition Witnesses: Against Our Vanishing. Translated by Laura Radosh. Berlin: De Gruyter, 2016.

  248. Kaplan, Carla. The Erotics of Talk: Women’s Writing and Feminist Paradigms. New York: Oxford University Press, 1996.

  249. Kaplan, Louis. “Photography and the Exposure of Community: Reciting Nan Goldin’s Ballad.” In American Exposures: Photography and Community in the Twentieth Century, 81–107. Minneapolis: University of Minnesota Press, 2005.

  250. Kastor, Elizabeth. “The Content: Political Paintings, Plays That Plead.” Washington Post, May 20, 1990. MSS 291, Box 33, Folder 1, Artists Space Archive, Fales Library and Special Collections, New York University Libraries.

  251. Keating, AnaLouise. “Archival Alchemy and Allure: The Gloria Evangelina Anzaldúa Papers as Case Study.” Aztlán: A Journal of Chicano Studies 35, no. 2 (Fall 2010): 159–71.

  252. Keating, Ana Louise, ed. Entre Mundos / Among Worlds: New Perspectives on Gloria Anzaldua. New York: Palgrave Macmillan, 2005.

  253. Keating, AnaLouise. “Introduction: Reading Gloria Anzaldúa, Reading Ourselves . . . Complex Intimacies, Intricate Connections.” In The Gloria Anzaldúa Reader, edited by AnaLouise Keating, 1–15. Durham, N.C.: Duke University Press, 2009.

  254. Keating, AnaLouise, and Gloria González-López, eds. Bridging: How Gloria Anzaldúa’s Life and Work Transformed Our Own. Austin: University of Texas Press, 2011.

  255. Ketelaar, Eric. “Tacit Narratives: The Meanings of Archives.” Archival Science 1, no. 2 (2001): 131–41.

  256. Kirby, Rob, ed. QU33R. Seattle: Northwest Press, 2014.

  257. Kirtley, Susan. “‘A Word to You Feminist Women’: The Parallel Legacies of Feminism and Underground Comics.” In The Cambridge History of the Graphic Novel, edited by Jan Baetens, Hugo Frey, and Stephen E. Tabachnick, 269–85. Cambridge: Cambridge University Press, 2018.

  258. Koegeler-Abdi, Martina. “Shifting Subjectivities: Mestizas, Nepantleras, and Gloria Anzaldúa’s Legacy.” MELUS 38, no. 2 (2013): 71–88.

  259. Kominsky, Aline, and Diane Noomin. Twisted Sisters. San Francisco: Last Gasp, 1976.

  260. Korinek, Valerie J. “VOICES of Gay, Lesbian, and Feminist Activists in the Prairies.” American Periodicals 28, no. 2 (2018): 123–38.

  261. Kumbier, Alana. Ephemeral Material: Queering the Archive. Sacramento: Litwin Books, 2014.

  262. Lacayo, Richard, and Lev Grossman. “10 Best Books.” Time, December 17, 2006. http://content.time.com/time/subscriber/article/0,33009,1570801,00.html.

  263. Laing, Olivia. “A Fold in Time.” Aperture, no. 239 (Spring 2020): 92–95.

  264. Lambert, Bruce. “Rockettes and Race: Barrier Slips.” New York Times, December 26, 1987. http://www.nytimes.com/1987/12/26/nyregion/rockettes-and-race-barrier-slips.html.

  265. “Lavender Menace Action at Second Congress to Unite Women.” NYC LGBT Historic Sites Project. Accessed February 1, 2021. https://www.nyclgbtsites.org/site/lavender-menace-action-at-second-congress-to-unite-women/.

  266. LeMieux, Kathryn, and Lee Binswanger, eds. Wimmen’s Comix #8. San Francisco: Last Gasp, 1983.

  267. Leng, Kirsten. “Readers Respond to Alison Bechdel: Fan Letters and the Emotional Afterlives of Dykes to Watch Out For.” Feminist Media Studies, January 30, 2023. https://doi.org/10.1080/14680777.2023.2171084.

  268. Leschen, Caryn, and Rosemary Dinegar, eds. Wimmen’s Comix #9. San Francisco: Last Gasp, 1984.

  269. Lopez, Erika. Flaming Iguanas: An Illustrated All-Girl Road Novel Thing. New York: Simon & Schuster, 1998.

  270. Lopez, Erika. The Girl Must Die: A Monster Girl Memoir. San Francisco: Monster Girl Media, 2010.

  271. Lopez, Erika. Lap Dancing for Mommy: Tender Stories of Disgust, Blame and Inspiration. Seattle: Seal Press, 1997.

  272. Love, Heather. “Diary of a Conference on Sexuality, 1982.” In “Rethinking Sex,” edited by Heather Love, special issue, GLQ: A Journal of Lesbian and Gay Studies 17, no. 1 (2011): 49–78.

  273. Love, Heather. “Introduction.” In “Rethinking Sex,” edited by Heather Love, special issue, GLQ: A Journal of Lesbian and Gay Studies 17, no. 1 (2011): 1–14.

  274. Lubow, Arthur. Diane Arbus: Portrait of a Photographer. New York: HarperCollins, 2016.

  275. “Lynn R. Hansen Underground Comics Collection, 1899–1994.” Archives West. Accessed September 9, 2021. http://archiveswest.orbiscascade.org/ark:/80444/xv17739.

  276. “MacArthur Fellows Program, Class of 2014: Alison Bechdel.” MacArthur Foundation, September 17, 2014. https://www.macfound.org/fellows/class-of-2014/alison-bechdel.

  277. Macy, Jon, and Tara Madison Avery, eds. ALPHABET. Walnut, Calif.: Stacked Deck Press, 2015.

  278. Mangels, Andy, ed. “Alison Bechdel.” Special issue, Gay Comics #19. San Francisco: Bob Ross, 1993.

  279. Mangels, Andy, ed. Gay Comix #14. San Francisco: Bob Ross, 1991.

  280. Mangels, Andy, ed. Gay Comics #21. San Francisco: Bob Ross, 1994.

  281. Mangels, Andy, ed. Gay Comics #25. San Francisco: Bob Ross, 1998.

  282. Mangels, Andy. “A History of Contributors.” In Gay Comics #25, edited by Andy Mangels, 72–82. San Francisco: Bob Ross, 1998.

  283. Mankiller, Wilma P., Gwendolyn Mink, Marysa Navarro, Gloria Steinem, and Barbara Smith, eds. The Reader’s Companion to U.S. Women’s History. New York: Houghton Mifflin Harcourt, 1999.

  284. Marcus, Greil. “Songs Left Out of Nan Goldin’s Ballad of Sexual Dependency.” Aperture, no. 197 (Winter 2009): 76–81.

  285. Marrs, Lee. The Further Fattening Adventures of Pudge, Girl Blimp #1. Berkeley, Calif.: Last Gasp Eco Funnies, 1973.

  286. Marrs, Lee. The Further Fattening Adventures of Pudge, Girl Blimp #2. Hayward, Calif.: Star*Reach, 1975.

  287. Marrs, Lee. The Further Fattening Adventures of Pudge, Girl Blimp #3. Hayward, Calif.: Star*Reach, 1977.

  288. Marrs, Lee. “Interview with Lee Marrs.” Sipapu 6, no. 2 (July 1975): 5–10.

  289. Marrs, Lee, ed. Spit in the Ocean #4: Straight from the Gut. Pleasant Hill, Ore.: Intrepid Trips Information Service, 1978.

  290. Marrs, Lee, ed. Wimmen’s Comix #2. San Francisco: Last Gasp, 1973.

  291. McChesney, Kit. “Hot Throbs: A Conversation with Alison Bechdel.” Circles 1, no. 5 (Summer 1997): 40–46.

  292. McCloud, Scott. Understanding Comics: The Invisible Art. Northampton, Mass.: Kitchen Sink Press, 1993.

  293. McHenry, Elizabeth. To Make Negro Literature: Writing, Literary Practice, and African American Authorship. Durham, N.C.: Duke University Press, 2021.

  294. McKinney, Cait. Information Activism: A Queer History of Lesbian Media Technologies. Durham, N.C.: Duke University Press, 2020.

  295. McKinney, Cait. “Newsletter Networks in the Feminist History and Archives Movement.” Feminist Theory 16, no. 3 (2015): 309–28.

  296. Meagher, Michelle. “‘Difficult, Messy, Nasty, and Sensational’: Feminist Collaboration on Heresies (1977–1993).” Feminist Media Studies 14, no. 4 (2014): 578–92.

  297. Meagher, Michelle, and Roxanne Loree Runyon. “Backward Glances: Feminism, Nostalgia and Joan Braderman’s The Heretics (2009).” Feminist Theory 18, no. 3 (2017): 343–56.

  298. Meier, Sam. “The Forgotten History of Outrageous Women-Made Comic Tits & Clits.” Bitch, October 10, 2014. https://bitchmedia.org/post/the-forgotten-history-of-outrageous-women-made-comic-tits-clits.

  299. Meier, Sam. “On Teenage Abortions and the Facts o’ Life: An Interview with Lora Fountain.” Women’s Comix (blog), March 3, 2013. https://womenscomix.wordpress.com/2013/03/03/on-teenage-abortions-and-the-facts-o-life-an-interview-with-lora-fountain/.

  300. Melia, Don, and Lionel Gracey-Whitman, eds. Strip AIDS: A Charity Project for London Lighthouse. London: Willyprods / Small Time Ink, 1987.

  301. Mendes, Willy. Illuminations. Edited by Willy Mendes. Berkeley, Calif.: Print Mint, 1971.

  302. Mendes, Willy. “Wiley Willy’s Realm of Karma Comix.” In All Girl Thrills, edited by Trina Robbins, n.p. Berkeley, Calif.: Print Mint, 1971.

  303. Mercado-López, Larissa M., Sonia Saldívar-Hull, and Antonia Castañeda, eds. El Mundo Zurdo 3: Selected Works from the 2012 Meeting of the Society for the Study of Gloria Anzaldúa. San Francisco: Aunt Lute Books, 2013.

  304. Miller, Nick. “Why Nan Goldin, Pioneer of Lo-Fi in-the-Moment Photography, Hates Insta.” Sydney Morning Herald, November 8, 2020. https://www.smh.com.au/culture/art-and-design/why-nan-goldin-pioneer-of-lo-fi-in-the-moment-photography-hates-insta-20201108-p56cjv.html.

  305. Miller, Rachel R. “When Feminism Went to Market: Issues in Feminist Anthology Comics of the 1980s and ’90s.” In The Oxford Handbook of Comic Book Studies, edited by Frederick Luis Aldama, 419–36. New York: Oxford University Press, 2019.

  306. Misemer, Leah. “Hands across the Ocean: A 1970s Network of French and American Women Cartoonists.” In Comics Studies Here and Now, edited by Frederick Luis Aldama, 191–210. New York: Routledge, 2018.

  307. Misemer, Leah. “Serial Critique: The Counterpublic of Wimmen’s Comix.” In “The Counterpublics of Underground Comics,” edited by Margaret Galvan and Leah Misemer, special issue, INKS: The Journal of the Comics Studies Society 3, no. 1 (2019): 6–26.

  308. Moraga, Cherríe. “Catching Fire: Preface to the Fourth Edition.” In This Bridge Called My Back: Writings by Radical Women of Color, edited by Cherríe Moraga and Gloria Anzaldúa, 4th ed., xv–xxvi. Albany: SUNY Press, 2015.

  309. Moraga, Cherríe, and Gloria E. Anzaldúa. “Introduction, 1981.” In This Bridge Called My Back: Writings by Radical Women of Color, edited by Cherríe Moraga and Gloria Anzaldúa, 4th ed., xliii–xlvii. Albany: SUNY Press, 2015.

  310. Moraga, Cherríe, and Gloria E. Anzaldúa, eds. This Bridge Called My Back, Fourth Edition: Writings by Radical Women of Color. 4th ed. Albany: SUNY Press, 2015.

  311. Moraga, Cherríe, and Gloria E. Anzaldúa. This Bridge Called My Back, Fortieth Anniversary Edition: Writings by Radical Women of Color. 40th anniversary ed. Albany: SUNY Press, 2021.

  312. Morgan, Robin, ed. Sisterhood Is Powerful: An Anthology of Writings from the Women’s Liberation Movement. New York: Random House, 1970.

  313. Muñoz, José Esteban. Cruising Utopia: The Then and There of Queer Futurity. New York: NYU Press, 2009.

  314. Murphy, Annie. Gay Genius. Portland, Ore.: Sparkplug Comic Books, 2011.

  315. Murphy, Michelle. “Immodest Witnessing: The Epistemology of Vaginal Self-Examination in the U.S. Feminist Self-Help Movement.” Feminist Studies 30, no. 1 (Spring 2004): 115–47.

  316. Murray, Simone. Mixed Media: Feminist Presses and Publishing Politics. Sterling, Va.: Pluto Press, 2004.

  317. Natalie, Andrea. The Night Audrey’s Vibrator Spoke: A Stonewall Riots Collection. Pittsburgh, Pa.: Cleis Press, 1992.

  318. Natalie, Andrea. Rubyfruit Mountain: A Stonewall Riots Collection. Pittsburgh, Pa.: Cleis Press, 1993.

  319. Natalie, Andrea. Stonewall Riots. Gutenberg, N.J.: Venus Press, 1990.

  320. Nelson, Marybeth, and Hannah Alderfer. “Re: Caught Looking Etc.” Email message to author, May 9, 2022.

  321. Nestle, Joan. “Who Were We to Do Such a Thing? Grassroots Necessities, Grassroots Dreaming: The LHA in Its Early Years.” Radical History Review, no. 122 (2015): 233–42.

  322. Nestle, Joan. “The Will to Remember: The Lesbian Herstory Archives of New York.” Feminist Review 34 (1990): 86–94.

  323. Nolan, Michelle. Love on the Racks: A History of American Romance Comics. Jefferson, N.C.: McFarland, 2015.

  324. Noomin, Diane. “Wimmin and Comix.” ImageTexT 1, no. 2 (2004). https://imagetextjournal.com/wimmin-and-comix/.

  325. Oksman, Tahneer. “How Come Boys Get to Keep Their Noses?”: Women and Jewish American Identity in Contemporary Graphic Memoirs. New York: Columbia University Press, 2016.

  326. Oksman, Tahneer. “Mourning the Family Album.” A/b: Auto/Biography Studies 24, no. 2 (Winter 2010): 235–48.

  327. O’Neill-Butler, Lauren. “Out of Sheer Rage.” Aperture, no. 239 (Spring 2020): 96–101.

  328. “PanelxPanel #36—Romance.” Gumroad. Accessed February 1, 2021. https://gumroad.com/l/PXPNO36.

  329. Perez, Domino Renee, Larissa M. Mercado-López, and Sonia Saldívar-Hull, eds. El Mundo Zurdo 5: Selected Works from the 2015 Meeting of the Society for the Study of Gloria Anzaldúa. San Francisco: Aunt Lute Books, 2016.

  330. Pérez, Elle, and Marvin Heiferman. “The Original Ballad.” Aperture, no. 239 (Spring 2020): 52–57.

  331. Pérez, Laura E. “Spirit Glyphs: Reimagining Art and Artist in the Work of Chicana ‘Tlamatinime.’” Modern Fiction Studies 44, no. 1 (1998): 36–76.

  332. Perlson, Hili. “Nan Goldin on the Changing Aesthetics of People with HIV.” SLEEK, August 7, 2017. https://www.sleek-mag.com/article/aids-through-nan-goldins-eyes/.

  333. Peterson, Gregory J. “The Rockettes: Out of Step with the Times? An Inquiry into the Legality of Racial Discrimination in the Performing Arts.” Columbia Journal of the Art and Law 9, no. 351 (1985): 351–78.

  334. Piepmeier, Alison. Girl Zines: Making Media, Doing Feminism. New York: NYU Press, 2009.

  335. Pinckney, Darryl. “Nan’s Manhattan.” In I’ll Be Your Mirror, edited by Nan Goldin, David Armstrong, and Hans Werner Holzwarth, 203–11. New York: Whitney Museum of Art, 1996.

  336. Pinckney, Darryl, and Nan Goldin. “The Ballad of Nan Goldin: A Conversation with Darryl Pinckney.” Aperture, no. 239 (Spring 2020): 22–33.

  337. Playbill Staff. “Fun Home Breaks Box Office Record after Five Tony Wins.” Playbill, June 8, 2015. https://www.playbill.com/article/fun-home-breaks-box-office-record-after-five-tony-wins-com-350886.

  338. Precup, Mihaela. “The Wound Which Speaks of Unremembered Time: Nan Goldin’s Cookie Portfolio and the Autobiographics of Mourning.” AMERICAN SUBURB X (blog), April 12, 2012. https://americansuburbx.com/2012/04/nan-goldin-the-wound-which-speaks-of-unremembered-time-nan-goldins-cookie-portfolio-and-the-autobiographics-of-mourning.html.

  339. Prosser, Jay. “Testimonies in Light: Nan Goldin: Devil’s Playground.” Women: A Cultural Review 13, no. 3 (2002): 339–55.

  340. Ramírez, Sara A., Larissa M. Mercado-López, and Sonia Saldívar-Hull, eds. El Mundo Zurdo 6: Selected Works from the 2016 Meeting of the Society for the Study of Gloria Anzaldúa. San Francisco: Aunt Lute Books, 2018.

  341. Ramírez, Sara A., Larissa M. Mercado-López, and Sonia Saldívar-Hull, eds. El Mundo Zurdo 7: Selected Works from the 2018 Meeting of the Society for the Study of Gloria Anzaldúa. San Francisco: Aunt Lute Books, 2019.

  342. Raymond, Claire. “Performances: Nan Goldin, Nikki Lee, Catherine Opie, and Zackary Drucker.” In Women Photographers and Feminist Aesthetics, 120–41. New York: Routledge, 2017.

  343. Reuman, Ann E., and Gloria E. Anzaldúa. “Coming into Play: An Interview with Gloria Anzaldúa.” MELUS 25, no. 2 (2000): 3–45.

  344. Rich, Adrienne. “Compulsory Heterosexuality and Lesbian Existence.” Signs: Journal of Women in Culture and Society 5, no. 4 (Summer 1980): 631–60.

  345. Rich, Adrienne. On Lies, Secrets, and Silence: Selected Prose, 1966–1978. New York: Norton, 1979.

  346. Rich, Adrienne. On Lies, Secrets, and Silence: Selected Prose, 1966–1978. Rev. ed. New York: Norton, 1995.

  347. Rich, B. Ruby. “Feminism and Sexuality in the 1980s.” Feminist Studies 12, no. 3 (Fall 1986): 525–61.

  348. Robbins, Trina. “Babes & Women.” In The Complete Wimmen’s Comix, Volume 1, vii–xiv. Seattle: Fantagraphics Books, 2016.

  349. Robbins, Trina. Babes in Arms: Women in the Comics during World War Two. Neshannock, Pa.: Hermes Press, 2017.

  350. Robbins, Trina. The Brinkley Girls: The Best of Nell Brinkley’s Cartoons from 1913–1940. Seattle: Fantagraphics Books, 2009.

  351. Robbins, Trina. A Century of Women Cartoonists. Northampton, Mass.: Kitchen Sink Press, 1993.

  352. Robbins, Trina. The Flapper Queens: Women Cartoonists of the Jazz Age. Seattle: Fantagraphics Books, 2020.

  353. Robbins, Trina. From Girls to Grrrlz: A History of ♀’s Comics from Teens to Zines. San Francisco: Chronicle Books, 1999.

  354. Robbins, Trina. The Great Women Cartoonists. New York: Watson–Guptill, 2001.

  355. Robbins, Trina. Last Girl Standing. Seattle: Fantagraphics Books, 2017.

  356. Robbins, Trina. Nell Brinkley and the New Woman in the Early 20th Century. Jefferson, N.C.: McFarland, 2001.

  357. Robbins, Trina. Pretty in Ink: North American Women Cartoonists, 1896–2013. Seattle: Fantagraphics Books, 2013.

  358. Robbins, Trina. “Wimmen’s Studies.” In Underground Classics: The Transformation of Comics into Comix, by James Philip Danky and Denis Kitchen, 31–34. New York: Abrams, 2009.

  359. Robbins, Trina, and Alison Bechdel. “Watch Out for Alison Bechdel (She Has the Secret to Superhuman Strength).” The Comics Journal, no. 237 (2001): 82–88.

  360. Robbins, Trina, and Terry Richards, eds. Wimmen’s Comix #5. San Francisco: Last Gasp, 1975.

  361. Robbins, Trina, Bill Sienkiewicz, and Robert Triptow, eds. Strip AIDS USA. San Francisco: Last Gasp, 1988.

  362. Robbins, Trina, and catherine yronwode. Women and the Comics. N.p.: Eclipse Books, 1985.

  363. Rosenkranz, Patrick. Rebel Visions: The Underground Comix Revolution, 1967–1972. Seattle: Fantagraphics Books, 2002.

  364. Rubenstein, Anne, and Alison Bechdel. “Alison Bechdel Interview.” The Comics Journal, no. 179 (1995): 114–23.

  365. Rubin, Gayle S. “Blood under the Bridge: Reflections on ‘Thinking Sex.’” In “Rethinking Sex,” edited by Heather Love, special issue, GLQ: A Journal of Lesbian and Gay Studies 17, no. 1 (2011): 15–48.

  366. Rubin, Gayle S. Deviations: A Gayle Rubin Reader. Durham, N.C.: Duke University Press, 2011.

  367. Rubin, Gayle S. “Thinking Sex: Notes for a Radical Theory of the Politics of Sexuality.” In Pleasure and Danger: Exploring Female Sexuality, edited by Carole S. Vance, 267–319. Boston: Routledge & Kegan Paul, 1984.

  368. Rudahl, Sharon, ed. Wimmen’s Comix #3. San Francisco: Last Gasp, 1973.

  369. Ruddy, Sarah. “‘A Radiant Eye Yearns from Me’: Figuring Documentary in the Photography of Nan Goldin.” Feminist Studies 35, no. 2 (Summer 2009): 347–80.

  370. Russ, Joanna. “What Can a Heroine Do? or Why Women Can’t Write.” In To Write Like a Woman: Essays in Feminism and Science Fiction, 79–93. Bloomington: Indiana University Press, 1995.

  371. Sabin, Roger. Comics, Comix and Graphic Novels: A History of Comic Art. London: Phaidon Press, 1996.

  372. Saldívar-Hull, Sonia, Norma Alarcón, Rita E. Urquijo-Ruiz, and Rita E. Urquijo-Ruiz, eds. El Mundo Zurdo 2: Selected Works from the 2010 Meeting of the Society for the Study of Gloria Anzaldúa. San Francisco: Aunt Lute Books, 2012.

  373. Sammond, Nicholas. “Comix.” In Keywords for Comics Studies, edited by Ramzi Fawaz, Shelley Streeby, and Deborah Elizabeth Whaley, 58–62. New York: NYU Press, 2021.

  374. Sammond, Nicholas. “Meeting in the Archive: Comix and Collecting as Community.” Feminist Media Histories 4, no. 3 (2018): 96–118.

  375. Sante, Lucy. “All Yesterday’s Parties.” In I’ll Be Your Mirror, edited by Nan Goldin, David Armstrong, and Hans Werner Holzwarth, 97–103. New York: Whitney Museum of Art, 1996.

  376. Scott, Darieck. Keeping It Unreal: Black Queer Fantasy and Superhero Comics. New York: NYU Press, 2022.

  377. Scott, Darieck, and Ramzi Fawaz. “Introduction: Queer about Comics.” In “Queer about Comics,” edited by Darieck Scott and Ramzi Fawaz, special issue, American Literature 90, no. 2 (2018): 197–219.

  378. Scott, Darieck, and Ramzi Fawaz, eds. “Queer about Comics.” Special issue, American Literature 90, no. 2 (2018).

  379. Scott, Linda M. “‘For the Rest of Us’: A Reader-Oriented Interpretation of Apple’s ‘1984’ Commercial.” Journal of Popular Culture 25, no. 1 (Summer 1991): 67–81.

  380. Sedgwick, Eve Kosofsky. Epistemology of the Closet. Berkeley: University of California Press, 1990.

  381. Sedgwick, Eve Kosofsky. Touching Feeling: Affect, Pedagogy, Performativity. Durham, N.C.: Duke University Press, 2003.

  382. Sellie, Alycia, Jesse Goldstein, Molly Fair, and Jennifer Hoyer. “Interference Archive: A Free Space for Social Movement Culture.” Archival Science 15, no. 4 (December 2015): 453–72.

  383. Sharpe, Susanna. “Anzaldúa across Borders: A Traveling Thought Gallery.” Portal: Web Magazine of LLILAS Benson Latin American Studies and Collections, August 27, 2017. https://llilasbensonmagazine.org/2017/08/27/anzaldua-across-borders-a-traveling-thought-gallery/.

  384. Sheffield, Rebecka Taves. Documenting Rebellions: A Study of Four Lesbian and Gay Archives in Queer Times. Sacramento: Litwin Books, 2020.

  385. Sheklow, Sally. “Letter to Alison Bechdel,” July 10, 1990. Alison Bechdel Papers, Sophia Smith Collection, SSC-MS-00633, Smith College Special Collections.

  386. Sherman, Bill. “An Interview with Trina Robbins: The First Lady of Underground Comix.” The Comics Journal, no. 53 (1980): 46–54, 56–58.

  387. Sherman, Bill. “Sex and the 60-Second Warning.” The Comics Journal, no. 77 (1982): 109–10.

  388. Smith, Barbara. Ain’t Gonna Let Nobody Turn Me Around: Forty Years of Movement Building with Barbara Smith. Edited by Alethia Jones and Virginia Eubanks. Albany: SUNY Press, 2014.

  389. Smith, Barbara, ed. Home Girls: A Black Feminist Anthology. New York: Kitchen Table: Women of Color Press, 1983.

  390. Snitow, Ann. The Feminism of Uncertainty: A Gender Diary. Durham, N.C.: Duke University Press, 2015.

  391. Sontag, Susan. On Photography. New York: Farrar, Straus and Giroux, 1977.

  392. Sousanis, Nick. “A Life in Comics: The Graphic Adventures of Karen Green.” Columbia Magazine, Summer 2017. https://magazine.columbia.edu/article/life-comics-graphic-adventures-karen-green.

  393. Springer, Kimberly. Living for the Revolution: Black Feminist Organizations, 1968–1980. Durham, N.C.: Duke University Press, 2005.

  394. Springer, Kimberly. “The Soul of Women’s Lib.” In Living for the Revolution: Black Feminist Organizations, 1968–1980, 1–44. Durham, N.C.: Duke University Press, 2005.

  395. Stein, Arlene. “Introduction to Barnard Special Issue.” In “Commemorating the Barnard Conference,” edited by Arlene Stein, special issue, Communication Review 11, no. 3 (July 2008): 199–201.

  396. Stein, Marc. Rethinking the Gay and Lesbian Movement. New York: Routledge, 2012.

  397. Stephenson, Heather. “Alison Bechdel: ‘I Would Love to Be the Lesbian Norman Rockwell.’” Vermont Sunday Magazine, June 4, 1995. Sunday Rutland Herald and the Sunday Times Argus edition. Box 10, Folder 30: n.d., Hot, Throbbing Dykes to Watch Out For: Promo Materials, Firebrand Books records, #7670, Division of Rare and Manuscript Collections, Cornell University Library.

  398. “Steve Willis Underground Comics Collection, 1966–1997.” Archives West. Accessed September 9, 2021. http://archiveswest.orbiscascade.org/ark:/80444/xv00903.

  399. Stoler, Ann Laura. Along the Archival Grain: Epistemic Anxieties and Colonial Common Sense. Princeton, N.J.: Princeton University Press, 2010.

  400. Sussman, Elisabeth. “In/of Her Time: Nan Goldin’s Photographs.” In I’ll Be Your Mirror, edited by Nan Goldin, David Armstrong, and Hans Werner Holzwarth, 25–44. New York: Whitney Museum of Art, 1996.

  401. “Third World Feminist Speakers List for Women’s Studies,” 1981. Box 43, Folder 15: This Bridge correspondence, speakers list, Collection on Gloria Evangelina Anzaldúa, Nettie Lee Benson Latin American Collection, University of Texas Libraries, University of Texas at Austin.

  402. Townsend, Chris. “Nan Goldin: Bohemian Ballads.” In Phototextualities: Intersections of Photography and Narrative, edited by Alex Hughes and Andrea Noble, 103–15. Albuquerque: University of New Mexico Press, 2003.

  403. Townsend-Bell, Erica E. “Writing the Way to Feminism.” Signs: Journal of Women in Culture and Society 38, no. 1 (2012): 127–51.

  404. Triptow, Robert. Gay Comics. New York: Plume, 1989.

  405. Vance, Carole S. “Epilogue.” In Pleasure and Danger: Exploring Female Sexuality, edited by Carole S. Vance, 431–39. Boston: Routledge & Kegan Paul, 1984.

  406. Vance, Carole S. “More Danger, More Pleasure: A Decade after the Barnard Sexuality Conference.” New York Law School Law Review 38 (1993): 289–318.

  407. Vance, Carole S., ed. Pleasure and Danger: Exploring Female Sexuality. Boston: Routledge & Kegan Paul, 1984.

  408. Village People. “Ready for the 80’s.” Live and Sleazy. New York: Casablanca Records, 1979.

  409. “Visual AIDS: Day Without Art.” Visual AIDS. Accessed October 3, 2020. https://visualaids.org/events/detail/day-without-art1.

  410. Walters, Suzanna Danuta. “Introduction: The Dangers of a Metaphor—Beyond the Battlefield in the Sex Wars.” In “Pleasure and Danger: Sexual Freedom and Feminism in the Twenty-First Century,” edited by Suzanna Danuta Walters, special issue, Signs: Journal of Women in Culture and Society 42, no. 1 (September 2016): 1–9.

  411. Warren, Roz, ed. Dyke Strippers: Lesbian Cartoonists A to Z. Pittsburgh, Pa.: Cleis Press, 1995.

  412. Warren, Shilyh. “Consciousness-Raising and Difference in The Woman’s Film (1971) and Self-Health (1974).” Jump Cut: A Review of Contemporary Media, no. 54 (Fall 2012). http://www.ejumpcut.org/archive/jc54.2012/Warren70sFemstDocs/index.html.

  413. Webster, Paula. “Pornography and Pleasure.” In Caught Looking: Feminism, Pornography and Censorship, edited by Kate Ellis, Beth Jaker, Nan D. Hunter, Barbara O’Dair, and Abby Tallmer, 30–35. East Haven, Conn.: Long River Books, 1986.

  414. Westfall, Stephen. “The Ballad of Nan Goldin.” BOMB, no. 37 (Fall 1991): 27–31.

  415. Wilshire, Mary. “More Nasty Women’s Humor.” In After/Shock: Bulletins from Ground Zero!, edited by Becky Wilson, 36–39. Berkeley, Calif.: Last Gasp Eco Funnies, 1981.

  416. Wojnarowicz, David, James Romberger, and Marguerite Van Cook. 1996. Seven Miles a Second. New York: DC Comics.

  417. WomaNews Collective. “Persephone Press Passes.” WomaNews, July/August 1983. Newsprint Collection, WomaNews, Lesbian Herstory Archives.

  418. Women’s Center. “Women’s Center Annual Report: 1981–1982,” August 1982. Box 1, Folder 12, Barnard Center for Research on Women records, 1962–2019, Barnard Archives and Special Collections, Barnard Library, Barnard College.

  419. Wyatt, Susan. “Attendance Records,” 1989. MSS 291, Box 31, Folder 6, Artists Space Archive, Fales Library and Special Collections, New York University Libraries.

  420. Wyatt, Susan, Nan Goldin, David Wojnarowicz, Linda Yablonsky, and Cookie Mueller. “Catalog: Witnesses: Against Our Vanishing,” 1989. MSS 291, Box 32, Folder 5, Artists Space Archive, Fales Library and Special Collections, New York University Libraries.

  421. Wyatt, Susan, Nan Goldin, David Wojnarowicz, Linda Yablonsky, and Cookie Mueller. “Catalogue Drafts,” 1989. MSS 291, Box 31, Folder 7, Artists Space Archive, Fales Library and Special Collections, New York University Libraries.

  422. Zaytoun, Kelli D. Shapeshifting Subjects: Gloria Anzaldúa’s Naguala and Border Arte. Urbana: University of Illinois Press, 2022.

Next Chapter
Figure Descriptions
PreviousNext
Cover design by Crisis

Cover images reprinted with permission of Hannah Alderfer and Marybeth Nelson. Copyright Hannah Alderfer, Beth Jaker, Marybeth Nelson 1982, 1983. Scan courtesy of Visual Resources Center, Stanford University.

The University of Minnesota Press gratefully acknowledges the financial assistance provided for the publication of this book by the University of Florida College of Liberal Arts and Sciences and Center for the Humanities and the Public Sphere (Rothman Endowment).

Portions of chapter 2 are adapted from “Feminism Underground: The Comics Rhetoric of Lee Marrs and Roberta Gregory,” WSQ: Women’s Studies Quarterly 43, nos. 3/4 (Fall/Winter 2015): 203–22; copyright 2015 by the Feminist Press at the City University of New York; reprinted by permission of The Permissions Company, LLC on behalf of the publishers, www.feministpress.org; all rights reserved. Portions of chapter 3 are adapted from “‘The Lesbian Norman Rockwell’: Alison Bechdel and Queer Grassroots Networks,” American Literature 90, no. 2 (2018): 407–38; copyright 2018 Duke University Press; all rights reserved; reprinted by permission of the publisher, www.dukeupress.edu.

Images in chapter 4 from the Collection on Gloria Evangelina Anzaldúa are part of the Nettie Lee Benson Latin American Collection, University of Texas Libraries, The University of Texas at Austin; copyright by the Gloria E. Anzaldúa Literary Trust, Benson Latin American Collection, University of Texas Libraries. By permission of Stuart Bernstein Representation for Artists, New York, N.Y., and protected by the Copyright Laws of the United States. All rights reserved. The printing, copying, redistribution, or retransmission of this Content without express permission is prohibited.

Copyright 2023 by Margaret Galvan
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org
Manifold uses cookies

We use cookies to analyze our traffic. Please decide if you are willing to accept cookies from our website. You can change this setting anytime in Privacy Settings.