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Native Intelligence: Acknowledgments

Native Intelligence
Acknowledgments
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table of contents
  1. Cover
  2. Half Title Page
  3. Title Page
  4. Copyright Page
  5. Contents
  6. Acknowledgments
  7. Introduction. The End of Literature
  8. 1. The Practical Discipline
  9. 2. Uncommon Grounds: Postcolonialism and the Irish Case
  10. 3. The Aesthetic Dimension of Representation
  11. 4. The Economy of Postcolonial Literature: Rohinton Mistry’s Such a Long Journey
  12. 5. Before and after Midnight: Salman Rushdie and the Subaltern Standard
  13. 6. Geography Is Not History: The Storyteller in the Age of Globalization
  14. Notes
  15. Works Cited
  16. Index
  17. Author Biography

Acknowledgments

Without the suggestions and critical insights of well-wishers, this book would have been written in half the time. But it would not have been half as satisfying to write. Among those who infused it with their thoughtful input are the University of Minnesota Press’s anonymous reviewers of an early draft of this manuscript; my intellectual colleagues Chris Lane at Northwestern University and Sangeeta Ray at the University of Maryland; my inimitable editor at the University of Minnesota Press, Richard Morrison; and my worst critic and best friend, my husband Joseph. I gratefully acknowledge the support of Gary Wihl and the Graduate School. Though words are but meager thanks, thanks also to the following individuals: my friend and colleague Geraldine Higgins at Emory University, for indescribable (and unfailing) support; Eavan Boland, who engaged me in a vigorous debate about subaltern studies and South Asian postcolonial feminism; Edna Longley, whose passion and clarity reinforced my interest in pursuing a comparative study; Karen Steele at Texas Christian University, whose patient and thoughtful criticism of the chapter on Ireland and postcolonialism led me to painstaking revision; my mentors, Margot Finn at the University of Warwick and Ivan Karp, Cory Kratz, and Laurie Patton at Emory University, for coaching and guidance; my surrogate parents, Charles and Patricia Rossi, for their unquestioning faith in my abilities; and my mother, Sudarshan Bahri, who always hoped I would write a “real” book some day. I’m not sure if this is it. There are others, dead and alive, whose names may not appear here, but to whom I remain deeply grateful for myriad sorts of intellectual inspiration. For them I can say—in borrowed and therefore better words than my own—relata refero. I tell what I have been told.

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This book is freely available in an open access edition thanks to the generous support of Emory University and the Andrew W. Mellon Foundation.

Excerpts from “Journey of the Magi,” in Collected Poems 1909–1962 by T. S. Eliot, copyright 1936 by Harcourt, Inc., copyright 1964, 1963 by T. S. Eliot, are reprinted by permission of Harcourt, Inc., and Faber and Faber Ltd.

Excerpts from “Belderg,” “Come to the Bower,” and “The Digging Skeleton,” from Poems 1965–1975 by Seamus Heaney, copyright 1980 by Seamus Heaney, and excerpts from “Antaeus,” “Exposure,” “Funeral Rites,” “Hercules and Antaeus,” and “Viking Dublin: Trial Pieces,” from Opened Ground: Selected Poems 1966–1996 by Seamus Heaney, copyright 1998 by Seamus Heaney, and from North by Seamus Heaney, copyright 1995 by Seamus Heaney, are reprinted by permission of Farrar, Straus and Giroux, LLC, and Faber and Faber Ltd.

Copyright 2003 by the Regents of the University of Minnesota

Native Intelligence: Aesthetics, Politics, and Postcolonial Literature is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0).
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