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table of contents
  1. Cover
  2. Title Page
  3. Copyright Page
  4. Contents
  5. Introduction: A Sense of Urban Africa
  6. 1. Representing Bamako
  7. 2. Artistiya
  8. 3. Ethics and Aesthetics
  9. 4. A Pious Poetics of Place
  10. 5. Money Trouble
  11. 6. Afropolitan Patriotism
  12. Conclusion: An Africanist’s Query
  13. Acknowledgments
  14. Notes
  15. Bibliography
  16. Index

Quadrant, a joint initiative of the University of Minnesota Press and the Institute for Advanced Study at the University of Minnesota, provides support for interdisciplinary scholarship within a new, more collaborative model of research and publication.

http://quadrant.umn.edu.

Sponsored by the Quadrant Global Cultures group (advisory board: Evelyn Davidheiser, Michael Goldman, Helga Leitner, and Margaret Werry), and by the Institute for Global Studies at the University of Minnesota.

Quadrant is generously funded by the Andrew W. Mellon Foundation.

Publication of this book was made possible in part by a grant from the AMS 75 PAYS Endowment of the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.

For supplemental audiovisual material, chapter study guides, book reviews, and links to related online resources, visit http://z.umn.edu/bamakosounds.

Chapter 5 was originally published as “Money Trouble in an African Art World: Copyright, Piracy, and the Politics of Culture in Postcolonial Mali,” IASPM@Journal 3, no. 1 (2012): 63–79; reprinted by permission.

Copyright 2015 by the Regents of the University of Minnesota

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher.

Published by the University of Minnesota Press

111 Third Avenue South, Suite 290

Minneapolis, MN 55401-2520

http://www.upress.umn.edu

Library of Congress Cataloging-in-Publication Data

Skinner, Ryan Thomas, author.

Bamako sounds : the Afropolitan ethics of Malian music / Ryan Thomas Skinner.

Includes bibliographical references and index.

ISBN 978-1-4529-4441-8

1. Music—Moral and ethical aspects—Mali—Bamako. 2. Music—Moral and ethical aspects—Mali. 3. Musicians—Mali—Bamako—Social conditions. 4. Ethnomusicology—Mali—Bamako. 5. Group identity—Mali—Bamako. 6. Group identity in the performing arts—Mali—Bamako. 7. Mandingo (African people)—Mali—Bamako—Ethnic identity. 8. City and town life—Mali—Bamako. 9. Bamako (Mali)—Social conditions. I. Title.

ML3917.M35S55 2015

780.96623—dc23

2014025344

The University of Minnesota is an equal-opportunity educator and employer.

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Quadrant, a joint initiative of the University of Minnesota Press and the Institute for Advanced Study at the University of Minnesota, provides support for interdisciplinary scholarship within a new, more collaborative model of research and publication.

http://quadrant.umn.edu.

Sponsored by the Quadrant Global Cultures group (advisory board: Evelyn Davidheiser, Michael Goldman, Helga Leitner, and Margaret Werry), and by the Institute for Global Studies at the University of Minnesota.

Quadrant is generously funded by the Andrew W. Mellon Foundation.

Publication of this book was made possible in part by a grant from the AMS 75 PAYS Endowment of the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.

For supplemental audiovisual material, chapter study guides, book reviews, and links to related online resources, visit http://z.umn.edu/bamakosounds.

Chapter 5 was originally published as “Money Trouble in an African Art World: Copyright, Piracy, and the Politics of Culture in Postcolonial Mali,” IASPM@Journal 3, no. 1 (2012): 63–79; reprinted by permission.

Copyright 2015 by the Regents of the University of Minnesota
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