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Bamako Sounds: Bamako Sounds

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table of contents
  1. Cover
  2. Title Page
  3. Copyright Page
  4. Contents
  5. Introduction: A Sense of Urban Africa
  6. 1. Representing Bamako
  7. 2. Artistiya
  8. 3. Ethics and Aesthetics
  9. 4. A Pious Poetics of Place
  10. 5. Money Trouble
  11. 6. Afropolitan Patriotism
  12. Conclusion: An Africanist’s Query
  13. Acknowledgments
  14. Notes
  15. Bibliography
  16. Index

Ryan Thomas Skinner is assistant professor of ethnomusicology in the School of Music and Department of African American and African Studies at The Ohio State University.

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Quadrant, a joint initiative of the University of Minnesota Press and the Institute for Advanced Study at the University of Minnesota, provides support for interdisciplinary scholarship within a new, more collaborative model of research and publication.

http://quadrant.umn.edu.

Sponsored by the Quadrant Global Cultures group (advisory board: Evelyn Davidheiser, Michael Goldman, Helga Leitner, and Margaret Werry), and by the Institute for Global Studies at the University of Minnesota.

Quadrant is generously funded by the Andrew W. Mellon Foundation.

Publication of this book was made possible in part by a grant from the AMS 75 PAYS Endowment of the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.

For supplemental audiovisual material, chapter study guides, book reviews, and links to related online resources, visit http://z.umn.edu/bamakosounds.

Chapter 5 was originally published as “Money Trouble in an African Art World: Copyright, Piracy, and the Politics of Culture in Postcolonial Mali,” IASPM@Journal 3, no. 1 (2012): 63–79; reprinted by permission.

Copyright 2015 by the Regents of the University of Minnesota
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