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Creole Medievalism: Cover

Creole Medievalism
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table of contents
  1. Cover
  2. Half Title Page
  3. Title Page
  4. Copyright Page
  5. Contents
  6. Acknowledgments
  7. Introduction: Joseph Bédier and the Imperial Nation
  8. 1. Roncevaux and Réunion
  9. 2. Medieval and Colonial Attractions
  10. 3. Between Paris and Saint-Denis
  11. 4. Island Philology
  12. 5. A Creole Epic
  13. 6. Postcolonial Itineraries
  14. Afterword: Medieval Debris
  15. Notes
  16. Bibliography
  17. Index
  18. About the Author

Sepia toned image showing a cobblestone street populated by pedestrians in nineteenth-century garb. An ornate, domed building presides in the background before other similar structures.

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The University of Minnesota Press gratefully acknowledges financial assistance provided for the publication of this book by the Office of the Dean of Faculty and the David Bloom and Leslie Chao Fellowship, Dartmouth College.

Portions of chapters 3, 4, and 5 were previously published in “Au commencement était l’île: The Colonial Formation of Joseph Bédier’s Chanson de Roland,” in Postcolonial Approaches to the European Middle Ages: Translating Cultures, ed. Ananya Jahanara Kabir and Deanne M. Williams (New York: Cambridge University Press, 2005), 205–26. Portions of chapter 5 also appeared in “The Noise of Roland,” Exemplaria 16, no. 2 (2004): 277–304. Reprinted with permission.

Copyright 2011 by the Regents of the University of Minnesota

Creole Medievalism: Colonial France and Joseph Bédier’s Middle Ages is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0): https://creativecommons.org/licenses/by-nc-nd/4.0/.
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