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table of contents
  1. Cover
  2. Half Title Page
  3. Title Page
  4. Copyright
  5. Contents
  6. Acknowledgments
  7. Introduction
    1. Theory and Cartography
    2. Cinematic Taxonomy and Cartography
    3. Archive and Diagram
    4. Dislocation, Distance, Discretion
    5. Mental Mapping and Mobile Topography
    6. A Map in a Movie
  8. 1. Icarian Cinema: Paris qui dort
    1. A Site of Immaculate Origin
    2. A Film in Flux
    3. Two Spatial Stories
    4. Points of Comparison
    5. Liberty: A Vanishing Point
  9. 2. Jean Renoir: Cartographies in Deep Focus
    1. Boudu cartographe
    2. Tracking a Revolution
    3. La Grande illusion: Terrae incognitae
    4. Globes In and Out of Perspective
  10. 3. Maps and Theaters of Torture: Roma, città aperta
    1. A Map Room
    2. Italy Wallpapered: A Map in an Apartment
    3. A Theater of Torture
    4. Wiped Surfaces
  11. 4. A Desperate Journey: From Casablanca to Indiana Jones
    1. Crashing In and Crashing Out
    2. A Map in a Montage
    3. Desperate Journey
    4. Camouflage
    5. A Map-Dissolve: Casablanca
    6. From Historical Geography to Melodrama
    7. A Place Named
    8. Indiana Jones
  12. 5. Juvenile Geographies: Les Mistons
    1. A Story Plotted into Film
    2. Correspondence and Rewriting
    3. Scenes of Writing
    4. As the Crow Flies
    5. Old Films and New Worlds: An Allegory
  13. 6. Michelin Tendre: Les Amants
    1. A Book and a Movie
    2. “Attention au départ”
    3. The Gleaner and the Grease Monkey
    4. Pleats and Folds
    5. The Michelin Map after La Carte du Tendre
  14. 7. Paris Underground: Les 400 coups
    1. The “Quarrel”
    2. Credits
    3. Class Room and Map Room
    4. Mother and Mother France
    5. A Child’s Map
  15. 8. A Roadmap for a Road Movie: Thelma and Louise
    1. Geography and Gentility
    2. Cinematic Diagrams
    3. A Map Room and a Baroque Motel
    4. Reflectors and Benders
    5. Orpheus Rewritten
    6. The Map in the Picture
    7. Women Plotted
  16. 9. Cronos, Cosmos, and Polis: La Haine
    1. Children of France
    2. Events Crosscut
    3. The Lower Depths
    4. The World Is Ours
    5. Graffiti and Glossolalia
  17. 10. Ptolemy, Gladiator, and Empire
    1. A Correspondence: Empire and Gladiator
    2. Ptolemy’s Italia
    3. Map Effects and Special Effects
    4. Super Bowls
    5. Aftereffects
  18. Conclusion
  19. Notes
  20. Bibliography
  21. Filmography
  22. Index
  23. Author Biography

Contents

  1. Acknowledgments
  2. Introduction
    1. Theory and Cartography
    2. Cinematic Taxonomy and Cartography
    3. Archive and Diagram
    4. Dislocation, Distance, Discretion
    5. Mental Mapping and Mobile Topography
    6. A Map in a Movie
  3. 1. Icarian Cinema: Paris qui dort
    1. A Site of Immaculate Origin
    2. A Film in Flux
    3. Two Spatial Stories
    4. Points of Comparison
    5. Liberty: A Vanishing Point
  4. 2. Jean Renoir: Cartographies in Deep Focus
    1. Boudu cartographe
    2. Tracking a Revolution
    3. La Grande illusion: Terrae incognitae
    4. Globes In and Out of Perspective
  5. 3. Maps and Theaters of Torture: Roma, città aperta
    1. A Map Room
    2. Italy Wallpapered: A Map in an Apartment
    3. A Theater of Torture
    4. Wiped Surfaces
  6. 4. A Desperate Journey: From Casablanca to Indiana Jones
    1. Crashing In and Crashing Out
    2. A Map in a Montage
    3. Desperate Journey
    4. Camouflage
    5. A Map-Dissolve: Casablanca
    6. From Historical Geography to Melodrama
    7. A Place Named
    8. Indiana Jones
  7. 5. Juvenile Geographies: Les Mistons
    1. A Story Plotted into Film
    2. Correspondence and Rewriting
    3. Scenes of Writing
    4. As the Crow Flies
    5. Old Films and New Worlds: An Allegory
  8. 6. Michelin Tendre: Les Amants
    1. A Book and a Movie
    2. “Attention au départ”
    3. The Gleaner and the Grease Monkey
    4. Pleats and Folds
    5. The Michelin Map after La Carte du Tendre
  9. 7. Paris Underground: Les 400 coups
    1. The “Quarrel”
    2. Credits
    3. Class Room and Map Room
    4. Mother and Mother France
    5. A Child’s Map
  10. 8. A Roadmap for a Road Movie: Thelma and Louise
    1. Geography and Gentility
    2. Cinematic Diagrams
    3. A Map Room and a Baroque Motel
    4. Reflectors and Benders
    5. Orpheus Rewritten
    6. The Map in the Picture
    7. Women Plotted
  11. 9. Cronos, Cosmos, and Polis: La Haine
    1. Children of France
    2. Events Crosscut
    3. The Lower Depths
    4. The World Is Ours
    5. Graffiti and Glossolalia
  12. 10. Ptolemy, Gladiator, and Empire
    1. A Correspondence: Empire and Gladiator
    2. Ptolemy’s Italia
    3. Map Effects and Special Effects
    4. Super Bowls
    5. Aftereffects
  13. Conclusion
  14. Notes
  15. Bibliography
  16. Filmography
  17. Index
  18. Author Biography

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Acknowledgments
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Sections of chapter 5 were originally published in “Les Mistons” and Undercurrents of French New Wave Cinema, The Norman and Jane Geske Lecture Series 8 (Lincoln, Neb.: Hixson-Lied College of Fine and Performing Arts, 2003); reprinted with permission from Hixson-Lied College of Fine and Performing Arts at the University of Nebraska–Lincoln. Material in chapter 9 was originally published in “A Web of Hate,” South Central Review 17, no. 3 (Fall 2000): 88–103; reprinted with permission.

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