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Cartographic Cinema: Filmography

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Filmography
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table of contents
  1. Cover
  2. Half Title Page
  3. Title Page
  4. Copyright
  5. Contents
  6. Acknowledgments
  7. Introduction
    1. Theory and Cartography
    2. Cinematic Taxonomy and Cartography
    3. Archive and Diagram
    4. Dislocation, Distance, Discretion
    5. Mental Mapping and Mobile Topography
    6. A Map in a Movie
  8. 1. Icarian Cinema: Paris qui dort
    1. A Site of Immaculate Origin
    2. A Film in Flux
    3. Two Spatial Stories
    4. Points of Comparison
    5. Liberty: A Vanishing Point
  9. 2. Jean Renoir: Cartographies in Deep Focus
    1. Boudu cartographe
    2. Tracking a Revolution
    3. La Grande illusion: Terrae incognitae
    4. Globes In and Out of Perspective
  10. 3. Maps and Theaters of Torture: Roma, città aperta
    1. A Map Room
    2. Italy Wallpapered: A Map in an Apartment
    3. A Theater of Torture
    4. Wiped Surfaces
  11. 4. A Desperate Journey: From Casablanca to Indiana Jones
    1. Crashing In and Crashing Out
    2. A Map in a Montage
    3. Desperate Journey
    4. Camouflage
    5. A Map-Dissolve: Casablanca
    6. From Historical Geography to Melodrama
    7. A Place Named
    8. Indiana Jones
  12. 5. Juvenile Geographies: Les Mistons
    1. A Story Plotted into Film
    2. Correspondence and Rewriting
    3. Scenes of Writing
    4. As the Crow Flies
    5. Old Films and New Worlds: An Allegory
  13. 6. Michelin Tendre: Les Amants
    1. A Book and a Movie
    2. “Attention au départ”
    3. The Gleaner and the Grease Monkey
    4. Pleats and Folds
    5. The Michelin Map after La Carte du Tendre
  14. 7. Paris Underground: Les 400 coups
    1. The “Quarrel”
    2. Credits
    3. Class Room and Map Room
    4. Mother and Mother France
    5. A Child’s Map
  15. 8. A Roadmap for a Road Movie: Thelma and Louise
    1. Geography and Gentility
    2. Cinematic Diagrams
    3. A Map Room and a Baroque Motel
    4. Reflectors and Benders
    5. Orpheus Rewritten
    6. The Map in the Picture
    7. Women Plotted
  16. 9. Cronos, Cosmos, and Polis: La Haine
    1. Children of France
    2. Events Crosscut
    3. The Lower Depths
    4. The World Is Ours
    5. Graffiti and Glossolalia
  17. 10. Ptolemy, Gladiator, and Empire
    1. A Correspondence: Empire and Gladiator
    2. Ptolemy’s Italia
    3. Map Effects and Special Effects
    4. Super Bowls
    5. Aftereffects
  18. Conclusion
  19. Notes
  20. Bibliography
  21. Filmography
  22. Index
  23. Author Biography

Filmography

A bout de souffle [Breathless] (Jean-Luc Godard, 1960)

Les Amants (Louis Malle, 1958)

A nous la liberté (René Clair, 1931)

L’Atalante (Jean Vigo, 1934)

Ben-Hur (William Wyler, 1959)

La Bête humaine [The Human Beast] (Jean Renoir, 1938)

The Big Heat (Fritz Lang, 1953)

The Big Trail (Raoul Walsh, 1930)

Birth of a Nation (D. W. Griffith, 1915)

Black Hawk Down (Ridley Scott, 2001)

Bob le flambeur [Bob the Gambler] (Jean-Pierre Melville, 1955)

Bonnie and Clyde (Arthur Penn, 1967)

Boudu sauvé des eaux [Boudu Saved from Drowning] (Jean Renoir, 1932)

The Bowery (Raoul Walsh, 1933)

Bright Leaves (Ross McElwee, 2003)

Caged Heat (Jonathan Demme, 1974)

Le Carrosse d’or [The Golden Coach] (Jean Renoir, 1953)

Casablanca (Michael Curtiz, 1942)

La Chienne (Jean Renoir, 1931)

Chiens perdus sans collier (Jean Delannoy, 1955)

Le Ciel est à vous (Jean Grémillon, 1943)

Citizen Kane (Orson Welles, 1941)

The Cock-Eyed World (Raoul Walsh, 1929)

Colorado Territory (Raoul Walsh, 1949)

Conte d’automne [Autumn Tale] (Eric Rohmer, 1998)

Le Corbeau [The Crow] (Henri-Georges Clouzot, 1943)

Le Crime de Monsieur Lange [The Crime of M. Lange] (Jean Renoir, 1936)

Criss Cross (Robert Siodmak, 1949)

D.O.A. (Rudolph Maté, 1949)

The Deer Hunter (Michael Cimino, 1978)

Demetrius and the Gladiators (Delmer Daves, 1954)

Desperate Journey (Raoul Walsh, 1942)

Detour (Edgar G. Ulmer, 1946)

Distant Drums (Raoul Walsh, 1951)

E.T. (Steven Spielberg, 1982)

The Fall of the Roman Empire (Anthony Mann, 1964)

Les 400 coups [The 400 Blows] (François Truffaut, 1959)

Gangs of New York (Martin Scorcese, 2002)

Germany, Year Zero (Roberto Rossellini, 1947)

Gladiator (Ridley Scott, 2000)

La Grande Illusion (Jean Renoir, 1937)

Gun Crazy (Joseph H. Lewis, 1949)

La Haine (Mathieu Kassovitz, 1995)

Hallelujah! (King Vidor, 1929)

Hell’s Hinges (William S. Hart, 1915)

High Sierra (Raoul Walsh, 1941)

Hiroshima, mon amour (Alain Resnais and Marguerite Duras, 1959)

The Hitchhiker (Ida Lupino, 1953)

In Old Arizona (Raoul Walsh, 1929)

In the Mood for Love (Wong Kar Wai, 2000)

India-Song (Marguerite Duras, 1975)

Indiana Jones and the Raiders of the Lost Ark (Steven Spielberg, 1981)

Irma Vep (Olivier Assayas, 1996)

Ivanhoe (Richard Thorpe, 1952)

Journal d’un curé de campagne [Diary of a Country Priest] (Robert Bresson, 1950)

Jurassic Park (Steven Spielberg, 1993)

The Killers (Robert Siodmak, 1946)

Ladri di biciclette [The Bicycle Thief] (Vittorio de Sica, 1948)

The Lady from Shanghai (Orson Welles, 1947)

M (Fritz Lang, 1931)

Les Maîtres fous (Jean Rouch, 1955)

The Man from Laramie (Anthony Mann, 1955)

La Maternelle (Marie Epstein, 1933)

Les Mistons [The Rascals] (François Truffaut, 1957)

Moonfleet (Fritz Lang, 1955)

Mystic River (Clint Eastwood, 2003)

Napoléon (Abel Gance, 1927)

North by Northwest (Alfred Hitchcock, 1959)

Northern Pursuit (Raoul Walsh, 1943)

Objective, Burma! (Raoul Walsh, 1945)

Onésime horloger (Jean Durand, 1912)

Orphée [Orpheus] (Jean Cocteau, 1950)

Païsa [Paisan] (Roberto Rossellini, 1946)

The Palm Beach Story (Preston Sturges, 1942)

Panique (Julien Duvivier, 1946)

Paris qui dort [The Crazy Ray] (René Clair, 1924)

Pépé le Moko (Julien Duvivier, 1937)

Le Plaisir (Max Ophuls, 1952)

Rancho Notorious (Fritz Lang, 1952)

Regeneration (Raoul Walsh, 1915)

La Règle du jeu [Ruler of the Game] (Jean Renoir, 1939)

Roma, città aperta (Roberto Rossellini, 1945)

Saskatchewan (Raoul Walsh, 1954)

Saving Private Ryan (Steven Spielberg, 1998)

Scarface (Howard Hawks, 1932)

Schindler’s List (Steven Spielberg, 1993)

The Searchers (John Ford, 1956)

Sous les toits de Paris [Under the Roofs of Paris] (René Clair, 2002)

Spartacus (Stanley Kubrick, 1960)

Stagecoach (John Ford, 1939)

Stromboli (Roberto Rossellini, 1950)

Sullivan’s Travels (Preston Sturges, 1941)

Tarzan’s Secret Treasure (Richard Thorpe, 1941)

Taxi Driver (Martin Scorcese, 1976)

La Terra Trëma (Luchino Visconti, 1948)

Thelma and Louise (Ridley Scott, 1991)

Them! (Gordon Douglas, 1954)

They Drive by Night (Raoul Walsh, 1940)

The 39 Steps (Alfred Hitchcock, 1935)

Tirez sur le pianiste [Shoot the Piano Player] (François Truffaut, 1960)

To Be or Not to Be (Ernst Lubitsch, 1942)

Toni (Jean Renoir, 1934)

Trade Winds (Tay Garnett, 1938)

Triumph of the Will (Leni Riefenstahl, 1935)

Un condamné à mort s’est échappé [A Man Escaped] (Robert Bresson, 1956)

Une partie de campagne [A Day in the Country] (Jean Renoir, 1936)

Une visite (François Truffaut, 1954)

Vertigo (Alfred Hitchcock, 1958)

La Vie est à nous (Jean Renoir, 1936)

Viva l’Italia! (Roberto Rossellini, 1961)

Le Voyage imaginaire (René Clair, 1925)

Voyage to Italy (Roberto Rossellini, 1954)

What Price Glory (Raoul Walsh, 1926)

When the Clouds Roll By (Douglas Fairbanks Sr., 1919)

White Heat (Raoul Walsh, 1949)

Women of All Nations (Raoul Walsh, 1931)

You Only Live Once (Fritz Lang, 1937)

Zéro de conduite [Zero for Conduct] (Jean Vigo, 1933)

Annotate

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Sections of chapter 5 were originally published in “Les Mistons” and Undercurrents of French New Wave Cinema, The Norman and Jane Geske Lecture Series 8 (Lincoln, Neb.: Hixson-Lied College of Fine and Performing Arts, 2003); reprinted with permission from Hixson-Lied College of Fine and Performing Arts at the University of Nebraska–Lincoln. Material in chapter 9 was originally published in “A Web of Hate,” South Central Review 17, no. 3 (Fall 2000): 88–103; reprinted with permission.

Copyright 2007 by the Regents of the University of Minnesota
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