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A portion of chapter 2 was previously published in a different form in German as “Alfred Döblins Gespräche mit Kalypso. Über die Musik als Modell der Modernen Kunst,” in Der Sturm: Literatur, Musik, Graphik und die Vernetzung in der Zeit des Expressionismus, ed. Henriette Herwig and Andrea von Hülsen-Esch (Berlin: DeGruyter, 2015), 229–45. A portion of chapter 3 was previously published in a different form in “The Translucent (Not Transparent) Gesamtglaswerk,” in The Total Work of Art: Foundations, Articulations, Inspirations, ed. David Imhoof, Margaret Eleanor Menninger, and Anthony J. Steinhoff (New York: Berghahn Books, 2016), 157–82.

Every effort was made to obtain permission to reproduce material in this book. If any proper acknowledgment has not been included here, we encourage copyright holders to notify the publisher.

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