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The Japan of Pure Invention: Cover

The Japan of Pure Invention
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table of contents
  1. Cover
  2. Title Page
  3. Copyright
  4. Contents
  5. Introduction: Meditations on The Mikado
  6. Part 1. 1885
    1. 1. My Objects All Sublime: Racial Performance and Commodity Culture
    2. 2. “My Artless Japanese Way”: Japanese Villages and Absent Coolies
    3. 3. Magical Objects and Therapeutic Yellowface
  7. Part 2. 1938–39
    1. 4. “And Others of His Race”: Blackface and Yellowface
    2. 5. Titipu Comes to America: Hot and Cool Mikados
  8. Part 3. Contemporary Mikados
    1. 6. “The Threatened Cloud”: Production and Protest
    2. 7. Asian American Mikados
    3. 8. The Mikado in Japan
  9. Acknowledgments
  10. Notes
  11. Index
  12. About the Author

A cover of the book titled, Japan Gilbert and Sullivan’s The Mikado of Pure Invention. Three women in traditional attire stand together besides each other with postures bent a little. Their hair is tied up into a high bun and each of them are holding an object.

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This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of the College of Liberal Arts at the University of Minnesota, Twin Cities. Learn more at the TOME website, available at openmonographs.org.

Copyright 2010 by the Regents of the University of Minnesota

The Japan of Pure Invention: Gilbert and Sullivan’s The Mikado is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0)
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