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table of contents
  1. Cover
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Contents
  6. Introduction: The Toporovski Affair
  7. 1. Aesthetic and Political Exceptionalism
  8. 2. Democratic Exceptionalisms (On Sam Durant’s Scaffold)
  9. 3. Against Monarchical Art: Alex Robbins’s “Complements”
  10. 4. The Democratic Anarchy of Unexceptional Art
  11. 5. Complement: Naked Painting (On the Work of Becky Kolsrud)
  12. Conclusion: Unexceptional Rubens
  13. Notes
  14. Acknowledgments

Excerpt from “Pedestrian at Best,” performed by Courtney Barnett, written and composed by Courtney Barnett, published by Third Side Music, used by permission.

Portions of chapters 2 and 4 previously appeared in a different form in “Art and Exceptionalism: A Critique,” boundary 2 45, no. 4: 161–81; used by permission of Duke University Press.

Copyright 2019 by Arne De Boever

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher.

Published by the University of Minnesota Press, 2019

111 Third Avenue South, Suite 290

Minneapolis, MN 55401–2520

http://www.upress.umn.edu

The University of Minnesota is an equal-opportunity educator and employer.

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