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table of contents
  1. Cover
  2. Half Title Page
  3. Title Page
  4. Copyright
  5. Dedication
  6. Epigraph
  7. Contents
  8. Acknowledgments
  9. Introduction: Without a You, No I: Cinematic Self-Projection
  10. 1. The Director’s Body
  11. 2. The Director Plays Director
  12. 3. Actor, Avatar
  13. 4. Self-Projection and the Cinematic Apparatus
  14. Conclusion: The Eye/I of the Auteur
  15. Notes
  16. Bibliography
  17. Filmography
  18. Index
  19. Author Biography

Index

Abril, Victoria, 129

Adventures of Antoine Doinel, The, 17, 108

Aguirre: The Wrath of God, 80, 131, 133, 171

Akerman, Chantal, 27

All About My Mother, 66, 127, 130

Allen, Woody, 8, 14, 27, 29, 33, 42–50, 64, 85, 111, 117, 152–54, 159

Annie Hall, 14, 47–48, 117

Celebrity, 45–47

Deconstructing Harry, 47

New York Stories, 44

Play it Again, Sam, 49, 185n12

Purple Rose of Cairo, The, 159–60

Radio Days, 117

Shadows and Fog, 152–53

Stardust Memories, 85

Wild Man

Blues, 43–44, 47

Zelig, 46

Almodóvar, Pedro, 8, 12–14, 27, 29, 64–66, 104, 109, 117, 125–30, 160–62, 178, 186n23, 190n17, 190n21, 191n39, 192n7

All About My Mother, 66, 127, 130

Bad Education, 12–14, 126, 160–62, 178, 186n23, 190n21

Kika, 126

The Law of Desire, 109

Matador, 64–65

Pepi, Luci Bom, and Other Girls on

the Heap, 64–65

Talk to Her, 126, 192n7

Tie Me Up, Tie Me Down, 126

What Have I Done to Deserve This?, 64–65, 126, 191n39

Women on the Verge of a Nervous Breakdown, 126–27, 130

Amarcord, 31

analog, 36–37, 39–40, 111, 164, 176, 185n2, 185n5

Andersson, Bibi, 111, 137

Andersson, Harriet, 88, 111, 136–37

Andersson, Roy, 189n15

Annie Hall, 14, 47–48, 117

Antichrist, 32

apparatus, 10–11, 37, 47, 137, 141–73, 176, 177

art-cinema, 9, 11, 18, 20, 2 7, 69, 85, 95, 101, 102, 110, 144

art-cinema movement, 3, 4, 70

Arzner, Dorothy, 30

Aumont, Jean-Pierre, 86

auteur, auteurism, 2, 9, 11, 15, 17–18, 20, 23–26, 27–30, 32, 35–38, 40, 41, 42, 50, 58, 64, 66–67, 69, 70–76, 78, 79–82, 84–85, 87–88, 90–93, 95–96, 97, 99–104, 106, 107–8, 109–12, 114, 116–18, 120, 123, 127, 128, 130, 131–32, 134–35, 137–39, 141–42, 144–48, 149, 150–52, 154, 159–62, 163, 166, 169, 171, 172–73, 175–81

author, authorship, 1, 2, 3–4, 5, 7, 8–9, 10–11, 12, 16, 17, 18, 23, 27, 30, 32, 33, 35, 36, 37, 39, 40, 41, 50, 51, 57, 62, 63–64, 66, 69, 70, 82, 88, 90–93, 101–2, 105, 111, 114–15, 128, 138–39, 144, 145, 147, 149, 163, 176, 178, 183n14, 184n22

autobiography, 6–10, 12, 14, 16–17, 18, 47, 52, 73, 99–100, 104, 113, 134, 165, 183n14

Avedon, Richard, 114, 191n32

Bad Education, 12–14, 126, 160–62, 178, 186n23, 190n21

Bailey, John, 79

Balázs, Béla, 136

Barthes, Roland, 3–4, 7, 8, 24–25, 138, 176, 185n5

Bazin, André, 192n13

Beaches of Agnès, The, 28

Bed and Board, 108–9, 114

Benjamin, Walter, 37, 166

Bergman, Daniel, 121

Sunday’s Children, 121

Bergman, Henrik, 120

Bergman, Ingmar, 7, 15–23, 2 7, 33, 57–64, 69–74, 79, 84, 87, 88, 89, 90, 93, 96, 102, 103, 107, 108, 109, 111, 117, 118, 121, 123, 135–37, 138, 141–42, 143, 147, 148, 152, 156–58, 164, 165, 166–67, 168–70, 172, 175, 181, 184n20, 187n4, 187n5, 191n34, 192n19, 193n20

Best Intentions, 12–13, 158

Cries and Whispers, 20, 29, 58–59, 61, 167, 172–73, 186n24

Fanny and Alexander, 10, 15–23, 99–100, 109, 118, 121, 155, 158, 167, 193n20

Hour of the Wolf, 20

Images, 137

Karin’s Face, 118–21, 123

Magician, The, 20, 57, 153–54, 171–72

The Magic Lantern, 16, 74–75, 121, 136, 137, 165, 166, 170

Making of Fanny and Alexander, The, 15, 16, 20–23, 71, 100

Monika, 88, 137, 149

Persona, 19, 20, 29, 60, 61–64, 108, 136–37, 141–43, 145, 148–49, 155, 156–57, 158–59, 162, 165, 166–67, 169, 173, 175–76, 177, 179

The Rite, 57, 60–62

Sawdust and Tinsel, 57, 59, 152–53, 192n19

The Seventh Seal, 57, 58, 69

The Silence, 149, 158

Smiles of a Summer Night, 69

Summer Interlude, 58, 59, 167–68

Through a Glass Darkly, 149

Wild Strawberries, 20, 58, 59, 78, 89, 96–97, 167

Winter Light, 60, 70, 72, 74–75

Bergman, Ingrid, 49

Bergman, K. A., 71–72

Bergman, Karin, 118–20

Best Intentions, 121, 158

Bier, Susanne, 2 7

Bigelow, Kathryn, 28

Bird, Robert, 110, 122

Birds, The, 105

Bisset, Jacqueline, 85

Bjorkman, Stig, 188n5

Bjornstrand, Gunnar, 60, 71

Blackwell, Marilyn, 29

Blank, Les, 75–78, 81

Burden of Dreams, 75–81, 85, 87, 96

Bloom, Harold, 90, 94

Bogart, Humphrey, 49, 101, 103

Borat, 79

Bordwell, David, 189n13

Boss of It All, The, 145–47, 178

Branagh, Kenneth, 44–45

Brando, Marlon, 103

Breaking the Waves, 29, 32

Bresson, Robert, 87, 106, 109

Bruss, Elizabeth, 9, 35–36, 37, 40, 49, 100, 104, 150–51

Buber, Martin, 11

Burden of Dreams, 75–81, 85, 87, 96

Burns, Ken, 118

Butler, Judith, 30

Caballero, Francisca, 125, 191n40

Cabinet of Dr. Caligari, The, 106–7

cameo, 23–24, 57, 64–65

Campion, Jane, 26, 27, 37

The Piano, 37, 40

Caouette, Jonathan, 6

Tarnation, 6

Capote, Truman, 127-28

Cargol, Jean-Pierre, 56, 116

caricature, 42–47, 185n9

Casablanca, 49, 101

Celebrity, 45–46

Chaplin, Charlie, 26, 143

Modern Times, 143

Children, Mothers, and a General, 169

cinéma vérité, 4

Citizen Kane, 88

Cleo de 5 à 7, 28

Close Encounters of the Third Kind, 186n20

Cobra Verde, 135

Codell, Julie, 50–52, 54

Comtese, Valentine, 85

confession, 5, 57–64, 94–95, 121, 126, 186n23

constructivism, 143–44

Coppola, Francis Ford, 159

Corrigan, Timothy, 159, 179, 187n2

Couser, Thomas G., 8

Cries and Whispers, 20, 29, 58, 61, 167, 172, 186n24

Cruz, Penélope, 129

Curtiz, Michael, 101

Casablanca, 49, 101

Dafoe, William, 102

Dancer in the Dark, 29, 32

Day for Night, 50, 74, 85–89, 96, 107, 169, 186n20

death of the author, 3, 4

Deconstructing Harry, 47

Delerue, Georges, 86, 88

Dench, Judy, 47

Denis, Claire, 27, 28

Derrida, Jacques, 52

Dickens, Charles, 97

diegetic, 20, 55, 90

Dietrich, Marlene, 103

documentary, 5–7, 9, 15–16, 21-22, 32, 44, 70–78, 79, 83, 89–96, 104, 118, 122, 131–32, 187n2, 187n3

Dogme, 90

Doinel, Antoine, 1, 2, 6, 17, 51–52, 86, 87, 103, 104, 109, 112–16, 159, 164, 184n20

Dreyer, Carl Theodor, 87, 91, 105

The Passion of Joan of Arc, 105

Durovicová, Natasa, 114

Eakin, John Paul, 183n10

Egan, Susanna, 8, 194, 183n14

8½, 66, 90, 109, 188n12

Eisner, Lotte, 171

Ekblad, Stina, 21–22

Ekerot, Bengt, 69

Electric House, 143

El Deseo, 13, 117

épitexte, 183n4

Falconetti, Maria, 105

Fanny and Alexander, 10, 15–23, 99, 109, 118, 121, 155, 158, 167, 193n20

Farrow, Mia, 31, 47, 48, 111

Fassbinder, Rainer Werner, 26, 66

Fellini, Federico, 12, 29, 31, 33, 66, 84, 90, 109, 188n12

8½, 66, 90, 109, 188n12

Amarcord, 31

Intervista, 84, 96, 189n14

female auteurs, 27, 29–30

figuration, 23, 151, 177

Fitzcarraldo, 75–80, 82, 105, 132

Five Obstructions, The, 29, 74, 89–92, 95–96

Flanagan, Mary, 177

focalization, 10

Foucault, Michel, 138

400 Blows, The, 1–7, 10, 18, 54, 56, 88, 113, 115, 150, 184n20

Freud, Sigmund, 11, 117

gender, 23, 27, 29–30, 65–66, 125, 128, 130, 186n24

Genette, Gerard, 5, 183n4

Godard, Jean-Luc, 26, 28, 69, 87, 114, 189n15, 190n29

Golem, The, 107

Gomez, Beatriz Oria, 185n11

Good-bye, Children, 12

Gorky, Maxim, 162

Grant, Catherine, 30, 179

Green Room, The, 50, 186n20

Grizzly Man, 29, 82–83

Grodal, Torben, 38, 39

Guerra, Tonino, 73–75

Voyage in Time, 73–75, 76, 85, 95, 189n14

Gunning, Tom, 184n22

Guve, Bertil, 15–16, 21–22, 109

Hayles, N. Katherine, 35, 36–37, 39–40, 185n2

Hedren, Tippi, 105, 108, 190n16

Hemingway, Margot, 47

Hero of Our Time, A, 149

Herr Arne’s Treasure, 167

Herzog, Werner, 12, 33, 73–84, 104, 105, 109, 130–35, 138, 169, 170–71, 188n6, 188n11

Aguirre the Wrath of God, 80, 131, 133, 171

Cobra Verde, 135

Fitzcarraldo, 75–80, 82, 105, 132

Grizzly Man, 29, 82–83

Herzog in Wonderland, 79–80, 84

My Best Fiend, 29, 81–82, 131–35, 169–70, 189n14

Nosferatu, 29, 78, 105–6, 109, 133–34, 171

Of Walking in Ice, 82, 171

Werner Herzog Eats His Shoe, 82

Woyzeck, 132, 171

Herzog in Wonderland, 79–80, 84

Hitchcock, Alfred, 23–24, 64, 87, 105, 106, 108, 180, 190n16

The Birds, 105

Marnie, 105

Strangers on a Train, 180

Vertigo, 24

Hoffman, E. T. A., 59

Holmes, Oliver Wendell, 163

Hour of the Wolf, 20

I Am Curious: Blue, 71

I Am Curious: Yellow, 71

Images, 137

Incident at Loch Ness, 79–82, 83, 84, 96

Ingmar Bergman Makes a Movie, 71–72, 74–76, 87, 95, 102

Insdorf, Anette, 88

intersubjectivity, 104, 109, 117, 129, 136, 149

Intervista, 84, 96, 189n14

Johnson, Andrew, 31

Jules and Jim, 111

Karin’s Face, 118–21, 123

Kawin, Bruce, 93, 110, 141, 145

Keaton, Buster, 26, 51, 143, 172

Electric House, 143

Sherlock Jr., 51

Keaton, Diane, 14, 47, 48, 111

Kidman, Nicole, 105

Kieslowski, Krzysztof, 38–39

Kika, 126

Kinski, Klaus, 81–83, 95, 105, 130–35, 138, 169, 170, 171

Klinger, Barbara, 178

Konigsberg, Alan. See Allen, Woody

Kopple, Barbara, 43

Koskinen, Maaret, 156

Kracauer, Siegfried, 39, 40

Krook, Margaretha, 62

Kuleshov, Lev, 101, 145

Kurosawa, Akira, 26

Lacan, Jacques, 11, 151

Lagerlof, Selma, 97

Lampraeve, Chus, 130, 191n39

Lane, Jim, 6

Lang, Fritz, 66, 143

Metropolis, 107, 143

Lara Croft, 177

Laretei, Käbi, 118

Lasser, Louise, 48, 111

Law of Desire, The, 109

Lax, Eric, 49

Léaud, Jean-Pierre, 1, 6, 17, 50–57, 86, 89, 95, 103, 108, 111, 113–16, 127

Lee, Spike, 30, 31

Lejeune, Philippe, 6–8, 9, 10, 16, 51

Lem, Stanislaw, 20

Lermentov, Mikhail, 149

A Hero of Our Time, 149

Leth, Jørgen, 58, 89–96

The Perfect Human, 91–95

Levinas, Émanuel, 11

Livingston, Paisley, 59

Love on the Run, 114

Lumière brothers, 148, 162–63

Magician, The, 20, 57, 153, 171

Magic Lantern, The, 75, 121, 136, 137, 165, 166, 170

Mago, 71

Magritte, René, 52

Making of Fanny and Alexander, The, 15, 20–23, 71

Malkovich, John, 102

Malle, Louis, 12

Good-bye, Children, 12

Man with a Movie Camera, 142–44

Marchand, Corinne, 28

Marks, Laura, 152, 159, 160

Marnie, 105

Masina, Giulietta, 31

Matador, 64–65

Maura, Carmen, 129

Mayne, Judith, 30

McElwee, Ross, 6

Sherman’s March, 6

McLuhan, Marshall, 14

Melancholia, 31–32

Merhige, E. Elias, 102

Shadow of a Vampire, 102–3

metanarrative, 10, 167

Metropolis, 107, 143

Metz, Christian, 23

Metzinger, Thomas, 35

Michelangelo, 160

Mighty Wind, A, 79

Miller, D. A., 23–24, 25, 180

mimesis, 6, 36, 163

mindscreen, 93, 110

Mirror, The, 25, 110, 117, 12 121–25, 152, 154–56, 172

mise-en-abîme, 168

mockumentary, 79–89

Modern Times, 143

Monika, 137

Moreau, Jeanne, 111

Morgan, Dan, 192n13

Mulvey, Laura, 23

Murnau, F. W., 78, 102, 171

Nosferatu, 78

My Best Fiend, 81, 131–35, 169

Naremore, James, 101, 103, 106

New York Stories, 44

Nissen, Clas, 95

Nosferatu (Herzog), 29, 78, 105–6, 109, 133–34, 171

Nosferatu (Murnau), 78

Nostalghia, 73–75, 78

Nykvist, Sven, 22, 63, 71

Of Walking in Ice, 82, 171

paratext, 5, 12, 14, 16–18, 100, 181

Passion of Joan of Arc, The, 105

Penn, Zak, 79–81, 188n11

Incident at Loch Ness, 79–82, 83, 84, 96

Pepi, Luci Bom, and Other Girls on the Heap, 64–65

Perfect Human, The, 91–95

péritexte, 183n4

Persona, 19, 20, 29, 60, 61–63, 108, 136–37, 141, 142, 145, 148, 155, 156–58, 159, 162, 165, 166–67, 169, 173, 175–76, 177, 179

Phantom Carriage, The, 96, 167

photography, 7–9, 25, 37, 105, 118, 137, 144, 151, 157, 161, 163–64, 166, 185n4, 192n13

Piano, The, 37, 40

Play It Again, Sam, 49, 185n12

Poster, Mark, 36

Potter, Sally, 27, 28

Prager, Brad, 78, 188n8

Previn, Soon Yi, 43

Private Confessions, 121

Purple Rose of Cairo, The, 159–60

Radio Days, 117

Rampling, Charlotte, 47

representation, 7, 8, 21, 23, 30, 35–37, 39, 41, 43, 52–54, 69, 80, 102–3, 110, 126, 130, 143, 145, 150–52, 160–61, 163, 167, 173

Rite, The, 57, 60, 61

Ross, Herbert, 185n12

Rosselini, Roberto, 87

Rugg, Linda Haverty, 7, 185n4

Sawdust and Tinsel, 57, 59, 152–53, 192n19

Scheitz, Clemes, 109

Schreck, Max, 103

Seguin, Jean-Claude, 125, 126

self-formation, 8, 28–30, 33, 127, 138

self-projection, cinematic, 2, 4, 5, 8, 9–11, 20, 28, 31–32, 59, 75, 82, 85, 99, 102, 106, 110–11, 116, 138, 141, 152, 172, 176, 180–81, 187n3

self-projection, Freudian, 11, 117

self-referentiality, 147

self-representation, 4, 8–11, 14, 26, 29, 32, 81, 96, 113, 128, 177

Seventh Seal, The, 57, 58, 69

Shadow of a Vampire, 102–3

Shadows and Fog, 152–53

Sherlock Jr., 51

Sherman, William T., 31

Sherman’s March, 6

Silence, The, 149, 158

Silverman, Kaja, 12, 14, 30, 151

Singing in the Rain, 108

Sjöman, Vilgot, 71–73, 84, 85

I Am Curious: Blue, 71

I Am Curious: Yellow, 71

Ingmar Bergman Makes a Movie, 71–72, 74–76, 87, 95, 102

Sjöström, Victor, 78, 96–97, 167

The Phantom Carriage, 96–97, 167

Skousen, Camilla, 93

Slumdog Millionaire, 38

Small Change, 54

Smiles of a Summer Night, 69

Smith, Paul Julian, 184n17

Smith, Sidonie, 8

Sobchak, Vivian, 37–40

Solaris, 11, 20

Solntseva, Yulya, 28

spectator, spectatorship, 2, 4, 10, 11, 18, 20–21, 23–26, 27, 32, 40, 48–49, 53, 82, 102, 112, 137, 138, 142, 145, 151–53, 159–60, 161, 177–78, 179–80

Spielberg, Steven, 186n20

Close Encounters of the Third Kind, 186n20

Stardust Memories, 85

Stewart, Garrett, 166

Stiller, Mauritz, 167

Herr Arne’s Treasure, 167

Strangers on a Train, 180

Strindberg, August, 17, 155, 171

A Dream Play, 155

A Ghost Sonata, 17

subjectivity, 9, 12, 24–25, 29, 35–37, 40, 64, 66, 102, 104, 110, 117

Summer Interlude, 58, 59, 167

Summer with Monika, 88, 149

Sunday’s Children, 121

Synessios, Natasha, 25, 123

Talk to Her, 126, 192n7

Tarantino, Quentin, 26

Tarkovskaya, Larisa, 122, 124

Tarkovsky, Andrei, 11, 20, 25, 29, 33, 73–75, 79, 84, 104, 106, 107, 110, 117, 121–25, 128, 129, 154–55, 160, 180

The Mirror, 25, 110, 117, 121–25, 152, 154–56, 172

Nostalghia, 73–75, 78

Solaris, 11, 20

Voyage in Time, 73–75, 76, 85, 95

Tarkovsky, Arsenii, 123

Tarnation, 6

technology, 18, 22, 35, 41, 101, 141–44, 163, 167–68, 169, 177–78, 181

Terekhova, Margarita, 122

This Is Spinal Tap, 79

Through a Glass Darkly, 149

Tie Me Up, Tie Me Down, 126

Trachtenberg, Alan, 8, 25

Treadwell, Timothy, 82–84

Trier, Lars von, 29, 31–32, 33, 38, 74, 89–96, 105, 145–46, 178, 189n16

Antichrist, 32

The Boss of It All, 145–47, 178

Breaking the Waves, 29, 32

Dancer in the Dark, 29, 32

The Five Obstructions, 29, 74, 89–92, 95–96

Melancholia, 31–32

Trotta, Margarethe von, 27

Truffaut, François, 1–7, 17, 2 7, 28, 29, 33, 36, 37, 50–57, 62, 74, 85–89, 103, 104, 106, 107, 108, 109, 111–12, 113–16, 127, 143, 150, 164, 184n20, 186n20

The Adventures of Antoine Doinel, 17, 108, 112

Bed and Board, 108–10, 114

Day for Night, 50, 74, 85–89, 96, 107, 169, 186n20

The 400 Blows, 1–7, 10, 18, 54, 88, 113, 115, 150, 184n20

The Green Room, 50, 186n20

Jules and Jim, 111

Love on the Run, 114

Small Change, 54

Two English Girls, 88;

The Wild Child, 29, 36, 50–57, 62, 115, 186n20

Turvey, Malcolm, 142

Twain, Mark, 185n9

Two English Girls, 88

Ullman, Liv, 31, 95, 104, 111, 121, 135–37, 167

Private Confessions, 121

uncanny, 45–46, 95, 166–67

Varda, Agnès, 27, 28

The Beaches of Agnès, 28

Cleo de 5 à 7, 28

Vertigo, 24

Vertov, Dziga, 142–44, 150

Man with a Movie Camera, 142–44

voice-over, 4–5, 12, 54, 61, 62, 76, 81, 82, 93, 123, 161, 170, 186n24

Voyage in Time, 73–75, 76, 85, 95, 189n14

Walken, Christopher, 48

Welles, Orson, 88

Citizen Kane, 88

Werner Herzog Eats His Shoe, 82

What Have I Done to Deserve This?, 64–65, 126

Whitlock, Gillian, 8

Wild Child, The, 29, 36, 50–57, 62, 115, 186n20

Wild Man Blues, 43–44, 47

Wild Strawberries, 20, 58, 59, 78, 89, 96–97, 167

Winter Light, 60, 70, 72, 74

Wollen, Peter, 101, 103

Women on the Verge of a Nervous Breakdown, 126–27, 130

Woyzeck, 132, 171

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