“Index” in “Self-Projection”
Index
Abril, Victoria, 129
Adventures of Antoine Doinel, The, 17, 108
Aguirre: The Wrath of God, 80, 131, 133, 171
Akerman, Chantal, 27
All About My Mother, 66, 127, 130
Allen, Woody, 8, 14, 27, 29, 33, 42–50, 64, 85, 111, 117, 152–54, 159
Celebrity, 45–47
Deconstructing Harry, 47
New York Stories, 44
Play it Again, Sam, 49, 185n12
Purple Rose of Cairo, The, 159–60
Radio Days, 117
Shadows and Fog, 152–53
Stardust Memories, 85
Wild Man
Zelig, 46
Almodóvar, Pedro, 8, 12–14, 27, 29, 64–66, 104, 109, 117, 125–30, 160–62, 178, 186n23, 190n17, 190n21, 191n39, 192n7
All About My Mother, 66, 127, 130
Bad Education, 12–14, 126, 160–62, 178, 186n23, 190n21
Kika, 126
The Law of Desire, 109
Matador, 64–65
Pepi, Luci Bom, and Other Girls on
the Heap, 64–65
Tie Me Up, Tie Me Down, 126
What Have I Done to Deserve This?, 64–65, 126, 191n39
Women on the Verge of a Nervous Breakdown, 126–27, 130
Amarcord, 31
analog, 36–37, 39–40, 111, 164, 176, 185n2, 185n5
Andersson, Harriet, 88, 111, 136–37
Andersson, Roy, 189n15
Antichrist, 32
apparatus, 10–11, 37, 47, 137, 141–73, 176, 177
art-cinema, 9, 11, 18, 20, 2 7, 69, 85, 95, 101, 102, 110, 144
Arzner, Dorothy, 30
Aumont, Jean-Pierre, 86
auteur, auteurism, 2, 9, 11, 15, 17–18, 20, 23–26, 27–30, 32, 35–38, 40, 41, 42, 50, 58, 64, 66–67, 69, 70–76, 78, 79–82, 84–85, 87–88, 90–93, 95–96, 97, 99–104, 106, 107–8, 109–12, 114, 116–18, 120, 123, 127, 128, 130, 131–32, 134–35, 137–39, 141–42, 144–48, 149, 150–52, 154, 159–62, 163, 166, 169, 171, 172–73, 175–81
author, authorship, 1, 2, 3–4, 5, 7, 8–9, 10–11, 12, 16, 17, 18, 23, 27, 30, 32, 33, 35, 36, 37, 39, 40, 41, 50, 51, 57, 62, 63–64, 66, 69, 70, 82, 88, 90–93, 101–2, 105, 111, 114–15, 128, 138–39, 144, 145, 147, 149, 163, 176, 178, 183n14, 184n22
autobiography, 6–10, 12, 14, 16–17, 18, 47, 52, 73, 99–100, 104, 113, 134, 165, 183n14
Bad Education, 12–14, 126, 160–62, 178, 186n23, 190n21
Bailey, John, 79
Balázs, Béla, 136
Barthes, Roland, 3–4, 7, 8, 24–25, 138, 176, 185n5
Bazin, André, 192n13
Beaches of Agnès, The, 28
Bergman, Daniel, 121
Sunday’s Children, 121
Bergman, Henrik, 120
Bergman, Ingmar, 7, 15–23, 2 7, 33, 57–64, 69–74, 79, 84, 87, 88, 89, 90, 93, 96, 102, 103, 107, 108, 109, 111, 117, 118, 121, 123, 135–37, 138, 141–42, 143, 147, 148, 152, 156–58, 164, 165, 166–67, 168–70, 172, 175, 181, 184n20, 187n4, 187n5, 191n34, 192n19, 193n20
Cries and Whispers, 20, 29, 58–59, 61, 167, 172–73, 186n24
Fanny and Alexander, 10, 15–23, 99–100, 109, 118, 121, 155, 158, 167, 193n20
Hour of the Wolf, 20
Images, 137
Magician, The, 20, 57, 153–54, 171–72
The Magic Lantern, 16, 74–75, 121, 136, 137, 165, 166, 170
Making of Fanny and Alexander, The, 15, 16, 20–23, 71, 100
Persona, 19, 20, 29, 60, 61–64, 108, 136–37, 141–43, 145, 148–49, 155, 156–57, 158–59, 162, 165, 166–67, 169, 173, 175–76, 177, 179
Sawdust and Tinsel, 57, 59, 152–53, 192n19
Smiles of a Summer Night, 69
Summer Interlude, 58, 59, 167–68
Through a Glass Darkly, 149
Wild Strawberries, 20, 58, 59, 78, 89, 96–97, 167
Winter Light, 60, 70, 72, 74–75
Bergman, Ingrid, 49
Bergman, K. A., 71–72
Bergman, Karin, 118–20
Bier, Susanne, 2 7
Bigelow, Kathryn, 28
Birds, The, 105
Bisset, Jacqueline, 85
Bjorkman, Stig, 188n5
Blackwell, Marilyn, 29
Burden of Dreams, 75–81, 85, 87, 96
Bogart, Humphrey, 49, 101, 103
Borat, 79
Bordwell, David, 189n13
Boss of It All, The, 145–47, 178
Branagh, Kenneth, 44–45
Brando, Marlon, 103
Bruss, Elizabeth, 9, 35–36, 37, 40, 49, 100, 104, 150–51
Buber, Martin, 11
Burden of Dreams, 75–81, 85, 87, 96
Burns, Ken, 118
Butler, Judith, 30
Caballero, Francisca, 125, 191n40
Cabinet of Dr. Caligari, The, 106–7
Caouette, Jonathan, 6
Tarnation, 6
Capote, Truman, 127-28
Celebrity, 45–46
Modern Times, 143
Children, Mothers, and a General, 169
cinéma vérité, 4
Citizen Kane, 88
Cleo de 5 à 7, 28
Close Encounters of the Third Kind, 186n20
Cobra Verde, 135
Comtese, Valentine, 85
confession, 5, 57–64, 94–95, 121, 126, 186n23
constructivism, 143–44
Coppola, Francis Ford, 159
Corrigan, Timothy, 159, 179, 187n2
Couser, Thomas G., 8
Cries and Whispers, 20, 29, 58, 61, 167, 172, 186n24
Cruz, Penélope, 129
Curtiz, Michael, 101
Dafoe, William, 102
Day for Night, 50, 74, 85–89, 96, 107, 169, 186n20
Deconstructing Harry, 47
Dench, Judy, 47
Derrida, Jacques, 52
Dickens, Charles, 97
Dietrich, Marlene, 103
documentary, 5–7, 9, 15–16, 21-22, 32, 44, 70–78, 79, 83, 89–96, 104, 118, 122, 131–32, 187n2, 187n3
Dogme, 90
Doinel, Antoine, 1, 2, 6, 17, 51–52, 86, 87, 103, 104, 109, 112–16, 159, 164, 184n20
Dreyer, Carl Theodor, 87, 91, 105
The Passion of Joan of Arc, 105
Durovicová, Natasa, 114
Eakin, John Paul, 183n10
Eisner, Lotte, 171
Ekblad, Stina, 21–22
Ekerot, Bengt, 69
Electric House, 143
épitexte, 183n4
Falconetti, Maria, 105
Fanny and Alexander, 10, 15–23, 99, 109, 118, 121, 155, 158, 167, 193n20
Fassbinder, Rainer Werner, 26, 66
Fellini, Federico, 12, 29, 31, 33, 66, 84, 90, 109, 188n12
Amarcord, 31
Fitzcarraldo, 75–80, 82, 105, 132
Five Obstructions, The, 29, 74, 89–92, 95–96
Flanagan, Mary, 177
focalization, 10
Foucault, Michel, 138
400 Blows, The, 1–7, 10, 18, 54, 56, 88, 113, 115, 150, 184n20
gender, 23, 27, 29–30, 65–66, 125, 128, 130, 186n24
Godard, Jean-Luc, 26, 28, 69, 87, 114, 189n15, 190n29
Golem, The, 107
Gomez, Beatriz Oria, 185n11
Good-bye, Children, 12
Gorky, Maxim, 162
Guerra, Tonino, 73–75
Voyage in Time, 73–75, 76, 85, 95, 189n14
Gunning, Tom, 184n22
Guve, Bertil, 15–16, 21–22, 109
Hayles, N. Katherine, 35, 36–37, 39–40, 185n2
Hedren, Tippi, 105, 108, 190n16
Hemingway, Margot, 47
Hero of Our Time, A, 149
Herr Arne’s Treasure, 167
Herzog, Werner, 12, 33, 73–84, 104, 105, 109, 130–35, 138, 169, 170–71, 188n6, 188n11
Aguirre the Wrath of God, 80, 131, 133, 171
Cobra Verde, 135
Fitzcarraldo, 75–80, 82, 105, 132
Herzog in Wonderland, 79–80, 84
My Best Fiend, 29, 81–82, 131–35, 169–70, 189n14
Nosferatu, 29, 78, 105–6, 109, 133–34, 171
Werner Herzog Eats His Shoe, 82
Herzog in Wonderland, 79–80, 84
Hitchcock, Alfred, 23–24, 64, 87, 105, 106, 108, 180, 190n16
The Birds, 105
Marnie, 105
Strangers on a Train, 180
Vertigo, 24
Hoffman, E. T. A., 59
Holmes, Oliver Wendell, 163
Hour of the Wolf, 20
I Am Curious: Blue, 71
I Am Curious: Yellow, 71
Images, 137
Incident at Loch Ness, 79–82, 83, 84, 96
Ingmar Bergman Makes a Movie, 71–72, 74–76, 87, 95, 102
Insdorf, Anette, 88
intersubjectivity, 104, 109, 117, 129, 136, 149
Johnson, Andrew, 31
Jules and Jim, 111
Kawin, Bruce, 93, 110, 141, 145
Keaton, Buster, 26, 51, 143, 172
Electric House, 143
Sherlock Jr., 51
Keaton, Diane, 14, 47, 48, 111
Kidman, Nicole, 105
Kieslowski, Krzysztof, 38–39
Kika, 126
Kinski, Klaus, 81–83, 95, 105, 130–35, 138, 169, 170, 171
Klinger, Barbara, 178
Konigsberg, Alan. See Allen, Woody
Kopple, Barbara, 43
Koskinen, Maaret, 156
Krook, Margaretha, 62
Kurosawa, Akira, 26
Lagerlof, Selma, 97
Lane, Jim, 6
Lara Croft, 177
Laretei, Käbi, 118
Law of Desire, The, 109
Lax, Eric, 49
Léaud, Jean-Pierre, 1, 6, 17, 50–57, 86, 89, 95, 103, 108, 111, 113–16, 127
Lejeune, Philippe, 6–8, 9, 10, 16, 51
Lem, Stanislaw, 20
Lermentov, Mikhail, 149
A Hero of Our Time, 149
The Perfect Human, 91–95
Levinas, Émanuel, 11
Livingston, Paisley, 59
Love on the Run, 114
Magician, The, 20, 57, 153, 171
Magic Lantern, The, 75, 121, 136, 137, 165, 166, 170
Mago, 71
Magritte, René, 52
Making of Fanny and Alexander, The, 15, 20–23, 71
Malkovich, John, 102
Malle, Louis, 12
Good-bye, Children, 12
Man with a Movie Camera, 142–44
Marchand, Corinne, 28
Marnie, 105
Masina, Giulietta, 31
Matador, 64–65
Maura, Carmen, 129
Mayne, Judith, 30
McElwee, Ross, 6
Sherman’s March, 6
McLuhan, Marshall, 14
Melancholia, 31–32
Merhige, E. Elias, 102
Shadow of a Vampire, 102–3
Metz, Christian, 23
Metzinger, Thomas, 35
Michelangelo, 160
Mighty Wind, A, 79
Mirror, The, 25, 110, 117, 12 121–25, 152, 154–56, 172
mise-en-abîme, 168
mockumentary, 79–89
Modern Times, 143
Monika, 137
Moreau, Jeanne, 111
Morgan, Dan, 192n13
Mulvey, Laura, 23
Nosferatu, 78
My Best Fiend, 81, 131–35, 169
Naremore, James, 101, 103, 106
New York Stories, 44
Nissen, Clas, 95
Nosferatu (Herzog), 29, 78, 105–6, 109, 133–34, 171
Nosferatu (Murnau), 78
paratext, 5, 12, 14, 16–18, 100, 181
Passion of Joan of Arc, The, 105
Incident at Loch Ness, 79–82, 83, 84, 96
Pepi, Luci Bom, and Other Girls on the Heap, 64–65
Perfect Human, The, 91–95
péritexte, 183n4
Persona, 19, 20, 29, 60, 61–63, 108, 136–37, 141, 142, 145, 148, 155, 156–58, 159, 162, 165, 166–67, 169, 173, 175–76, 177, 179
Phantom Carriage, The, 96, 167
photography, 7–9, 25, 37, 105, 118, 137, 144, 151, 157, 161, 163–64, 166, 185n4, 192n13
Play It Again, Sam, 49, 185n12
Poster, Mark, 36
Previn, Soon Yi, 43
Private Confessions, 121
Purple Rose of Cairo, The, 159–60
Radio Days, 117
Rampling, Charlotte, 47
representation, 7, 8, 21, 23, 30, 35–37, 39, 41, 43, 52–54, 69, 80, 102–3, 110, 126, 130, 143, 145, 150–52, 160–61, 163, 167, 173
Ross, Herbert, 185n12
Rosselini, Roberto, 87
Sawdust and Tinsel, 57, 59, 152–53, 192n19
Scheitz, Clemes, 109
Schreck, Max, 103
self-formation, 8, 28–30, 33, 127, 138
self-projection, cinematic, 2, 4, 5, 8, 9–11, 20, 28, 31–32, 59, 75, 82, 85, 99, 102, 106, 110–11, 116, 138, 141, 152, 172, 176, 180–81, 187n3
self-projection, Freudian, 11, 117
self-referentiality, 147
self-representation, 4, 8–11, 14, 26, 29, 32, 81, 96, 113, 128, 177
Shadow of a Vampire, 102–3
Shadows and Fog, 152–53
Sherlock Jr., 51
Sherman, William T., 31
Sherman’s March, 6
Silverman, Kaja, 12, 14, 30, 151
Singing in the Rain, 108
I Am Curious: Blue, 71
I Am Curious: Yellow, 71
Ingmar Bergman Makes a Movie, 71–72, 74–76, 87, 95, 102
Sjöström, Victor, 78, 96–97, 167
The Phantom Carriage, 96–97, 167
Skousen, Camilla, 93
Slumdog Millionaire, 38
Small Change, 54
Smiles of a Summer Night, 69
Smith, Paul Julian, 184n17
Smith, Sidonie, 8
Sobchak, Vivian, 37–40
Solntseva, Yulya, 28
spectator, spectatorship, 2, 4, 10, 11, 18, 20–21, 23–26, 27, 32, 40, 48–49, 53, 82, 102, 112, 137, 138, 142, 145, 151–53, 159–60, 161, 177–78, 179–80
Spielberg, Steven, 186n20
Close Encounters of the Third Kind, 186n20
Stardust Memories, 85
Stewart, Garrett, 166
Stiller, Mauritz, 167
Herr Arne’s Treasure, 167
Strangers on a Train, 180
Strindberg, August, 17, 155, 171
A Dream Play, 155
A Ghost Sonata, 17
subjectivity, 9, 12, 24–25, 29, 35–37, 40, 64, 66, 102, 104, 110, 117
Sunday’s Children, 121
Tarantino, Quentin, 26
Tarkovsky, Andrei, 11, 20, 25, 29, 33, 73–75, 79, 84, 104, 106, 107, 110, 117, 121–25, 128, 129, 154–55, 160, 180
The Mirror, 25, 110, 117, 121–25, 152, 154–56, 172
Voyage in Time, 73–75, 76, 85, 95
Tarkovsky, Arsenii, 123
Tarnation, 6
technology, 18, 22, 35, 41, 101, 141–44, 163, 167–68, 169, 177–78, 181
Terekhova, Margarita, 122
This Is Spinal Tap, 79
Through a Glass Darkly, 149
Tie Me Up, Tie Me Down, 126
Treadwell, Timothy, 82–84
Trier, Lars von, 29, 31–32, 33, 38, 74, 89–96, 105, 145–46, 178, 189n16
Antichrist, 32
The Boss of It All, 145–47, 178
The Five Obstructions, 29, 74, 89–92, 95–96
Melancholia, 31–32
Trotta, Margarethe von, 27
Truffaut, François, 1–7, 17, 2 7, 28, 29, 33, 36, 37, 50–57, 62, 74, 85–89, 103, 104, 106, 107, 108, 109, 111–12, 113–16, 127, 143, 150, 164, 184n20, 186n20
The Adventures of Antoine Doinel, 17, 108, 112
Day for Night, 50, 74, 85–89, 96, 107, 169, 186n20
The 400 Blows, 1–7, 10, 18, 54, 88, 113, 115, 150, 184n20
Jules and Jim, 111
Love on the Run, 114
Small Change, 54
Two English Girls, 88;
The Wild Child, 29, 36, 50–57, 62, 115, 186n20
Turvey, Malcolm, 142
Twain, Mark, 185n9
Two English Girls, 88
Ullman, Liv, 31, 95, 104, 111, 121, 135–37, 167
Private Confessions, 121
The Beaches of Agnès, 28
Cleo de 5 à 7, 28
Vertigo, 24
Man with a Movie Camera, 142–44
voice-over, 4–5, 12, 54, 61, 62, 76, 81, 82, 93, 123, 161, 170, 186n24
Voyage in Time, 73–75, 76, 85, 95, 189n14
Walken, Christopher, 48
Welles, Orson, 88
Citizen Kane, 88
Werner Herzog Eats His Shoe, 82
What Have I Done to Deserve This?, 64–65, 126
Whitlock, Gillian, 8
Wild Child, The, 29, 36, 50–57, 62, 115, 186n20
Wild Strawberries, 20, 58, 59, 78, 89, 96–97, 167
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