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table of contents
  1. Cover
  2. Half Title Page
  3. Title Page
  4. Copyright Page
  5. Contents
  6. Introduction: Reading the Air
  7. 1. Background Music of the Avant-Garde: The Quiet Boom of Erik Satie
  8. 2. The Sound of Embodied Security: Imaginary Landscapes of Ambient Music
  9. 3. Moving with the Rhythms of the City: Ambient Video Attunements
  10. 4. Soft Fascinations in Shallow Depth: Compositing Ambient Space
  11. 5. Subtractivism: Low-Affect Living with Ambient Cinema
  12. 6. Healing Style: Ambient Literature and the Aesthetics of Calm
  13. Conclusion
  14. Acknowledgments
  15. Notes
  16. Bibliography
  17. Film and Videography
  18. Discography
  19. Index
  20. About the Author

Contents

  1. Introduction: Reading the Air
    1. Background Music of the Avant-Garde: The Quiet Boom of Erik Satie
    2. The Sound of Embodied Security: Imaginary Landscapes of Ambient Music
    3. Moving with the Rhythms of the City: Ambient Video Attunements
    4. Soft Fascinations in Shallow Depth: Compositing Ambient Space
    5. Subtractivism: Low-Affect Living with Ambient Cinema
    6. Healing Style: Ambient Literature and the Aesthetics of Calm
  2. Conclusion
  3. Acknowledgments
  4. Notes
  5. Bibliography
  6. Film and Videography
  7. Discography
  8. Index
  9. About the Author

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The University of Minnesota Press gratefully acknowledges support for the open-access edition of this book from the MIT Libraries.

An earlier version of chapter 2 was published as “Ambient Landscapes from Brian Eno to Tetsu Inoue,” Journal of Popular Music Studies 21, no. 4 (2009): 364–83. Portions of chapters 5 and 6 were previously published as “Ambient Literature and the Aesthetics of Calm: Mood Regulation in Contemporary Japanese Fiction,” Journal of Japanese Studies 35, no. 1 (Winter 2009): 87–111.

Copyright 2016 by the Regents of the University of Minnesota

Ambient Media: Japanese Atmospheres of Self is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0).
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