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table of contents
  1. Cover
  2. Half Title Page
  3. Series List
  4. Title Page
  5. Copyright Page
  6. Contents
  7. Prologue: (Re)Turning
  8. Introduction: Researching
  9. Part 1. Ancestor
    1. 1. The California Indian Bone Game
    2. 2. The Postapocalyptic Imaginary
    3. 3. Refusing Genocide
  10. Interlude: How Death Came into This World
  11. Part 2. The Destruction
    1. 4. Bad Indians and the Destruction of Writing
    2. 5. Atlas for a Destroyed World
  12. Conclusion: Bad Writing, Bad Art
  13. Acknowledgments
  14. Notes
  15. Index
  16. Series List — Continued (2 of 2)
  17. Author Biography

Contents

  1. Prologue: (Re)Turning
  2. Introduction: Researching
  3. Part 1. Ancestor
    1. The California Indian Bone Game
    2. The Postapocalyptic Imaginary
    3. Refusing Genocide
  4. Interlude: How Death Came into This World
  5. Part 2. The Destruction
    1. Bad Indians and the Destruction of Writing
    2. Atlas for a Destroyed World
  6. Conclusion: Bad Writing, Bad Art
  7. Acknowledgments
  8. Notes
  9. Index
  10. Author Biography

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The University of Minnesota Press gratefully acknowledges support for the open-access edition of this book from the University of California, Riverside.

Excerpt from Dead Pioneers, “Bad Indian,” copyright 2023 Dead Pioneers; permission courtesy of Gregg Deal. Excerpts from Deborah Miranda’s “Correspondence,” in Indian Cartography, copyright 1999; “Old Territory. New Maps,” in Zen of La Llorona, copyright 2005; “San Francisco Bulletin, May 12, 1859” and “Los Pájaros,” in Bad Indians: A Tribal Memoir; copyright 2013; used with permission from Deborah Miranda. Excerpts from Janice M. Gould’s “Blood Sisters,” in Earthquake Weather, copyright The University of Arizona Press, 1996; “Six Sonnets: Crossing the West,” in Doubters and Dreamers, copyright The University of Arizona Press, 2011; “Ancestors,” in This Music: A Poetic Prose Memoir (forthcoming); used with permission from the Literary Estate of Janice M. Gould.

Portions of chapter 5 are adapted from “Atlas for a Destroyed World: Frank Day’s Painting as Work of Nonvital Revitalization,” in Native American and Indigenous Studies Journal 8, no. 1 (Spring 2021).

Copyright 2025 by the Regents of the University of Minnesota

Indigenous Inhumanities: California Indian Studies after the Apocalypse is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0): https://creativecommons.org/licenses/by-nc-nd/4.0/.
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