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Dancing Indigenous Worlds: Bibliography

Dancing Indigenous Worlds
Bibliography
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table of contents
  1. Cover
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Contents
  6. Preface
  7. Introduction: Choreographing Relationality
    1. Choreographing Relationality
    2. Modern Dance and Modernity/Coloniality
    3. Recalibrations of Relational Exchange
    4. Intersections of Dance and Indigenous Studies
  8. 1. Choreographies of Relational Reciprocity
    1. Hosts and Visitors, Aotearoa, 2009
    2. Manaakitanga in Motion: Choreographies of Possibility
    3. Hashtag Mitimiti: Where You At?
  9. 2. Choreographies of Perspectival Relationality
    1. Dance Workshop, Riverside, California, 2006
    2. Expansive Relationality/Of Bodies of Elements
    3. Identities and Accountabilities, 2019
  10. Interlude/Pause/Provocation
    1. Refuge Rock: Otonabee River, Ontario, 2010
  11. 3. Choreographies of Relational Abun-dance
    1. Precarity
    2. Abundance and Abun-dance
    3. Emily Johnson/Catalyst
  12. 4. Choreographies of Relational Refusings
    1. Yirramboi, Melbourne, Australia, 2017
    2. Facing Refusal
    3. Teachings in Listening
    4. Indigenous Dance Works/Indigenous Dance Making/Indigenous Writing
  13. Conclusion: Closing and Opening
  14. Acknowledgments
  15. Notes
  16. Bibliography
  17. Index
  18. About the Author

Bibliography

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  129. Kealiinohomoku, Joann. “An Anthropologist Looks at Ballet as a Form of Ethnic Dance.” Impulse 20 (1970): 24–33.

  130. Kedhar, Anusha. “Flexibility and Its Bodily Limits: Transnational South Asian Dancers in an Age of Neoliberalism.” Dance Research Journal 46, no. 1 (2014): 23–40.

  131. Kedhar, Anusha. Flexible Bodies: British South Asian Dancers in an Age of Neoliberalism. New York: Oxford University Press, 2020.

  132. Kelly, Kerri. American Detox: The Myth of Wellness and How We Can Truly Heal. Berkeley, Calif.: North Atlantic Books, 2022.

  133. Kenny, Alexandra K., Thomas Killion, and Nancy Scheper-Hughes. “‘Ishi’s Brain, Ishi’s Ashes’: The Complex Issues of Repatriation: A Response to N. Scheper-Hughes, 17(1).” Anthropology Today 18, no. 2 (2002): 25–27.

  134. Kino-nda-niimi Collective, ed. The Winter We Danced: Voices from the Past, the Future, and the Idle No More Movement. Winnipeg, Manitoba: APR Books, 2014.

  135. Knight, Diane. Seven Fires: Teachings of Dan Musqua, Knowledge of Growth and Learning in the Saulteaux Bear Clan. Teaneck, N.J.: Many Worlds, 2001.

  136. Kraut, Anthea. Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance. Oxford: Oxford University Press, 2016.

  137. Kraut, Anthea. Choreographing the Folk: The Dance Stagings of Zora Neale Hurston. Minneapolis: University of Minnesota Press, 2008.

  138. Kwan, SanSan. “When Is Contemporary Dance?” Dance Research Journal 49, no. 3 (2017): 38–52.

  139. Lambert-Beatty, Carrie. Being Watched: Yvonne Rainer and the 1960s. Boston: MIT Press, 2011.

  140. Larsen, Soren C., and Jay T. Johnson. Being Together in Place: Indigenous Coexistence in a More than Human World. Minneapolis: University of Minnesota Press, 2017.

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  144. Leroux, Darryl. Distorted Descent: White Claims to Indigenous Identity. Winnipeg: University of Manitoba Press, 2019.

  145. Lethabo King, Tiffany. The Black Shoals: Offshore Formations of Black and Native Studies. Durham, N.C.: Duke University Press, 2019.

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  147. Lloyd, David. “‘The Goal of the Revolution Is the Elimination of Anxiety’: On the Right to Abundance in a Time of Artificial Scarcity.” In Critical Ethnic Studies: A Reader, 203–14. Durham, N.C.: Duke University Press, 2016.

  148. Lowe, Lisa. The Intimacies of Four Continents. Durham, N.C.: Duke University Press, 2015.

  149. Lugones, María. “Toward a Decolonial Feminism.” Hypatia 25, no. 4 (2010): 742–59.

  150. Lukin Linklater, Tanya. “Indigenous Objects and Performance: Toward Insistence, Repair and Repatriation Otherwise in Three Parts.” PhD thesis proposal, Queens University, 2020.

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  152. Lyons, Scott Richard. X-Marks: Native Signatures of Assent. Minneapolis: University of Minnesota Press, 2010.

  153. MacLean, Neil. “Ohlone Profiles: A Brief Report on Some Currents of Native American Dance in Northern California.” Dance Research Journal, April 2016, 153–62.

  154. Madison, D. Soyini. “The Dialogic Performative in Critical Ethnography.” Text and Performance Quarterly 26, no. 4 (2006): 320–24.

  155. Maldonado-Torres, Nelson. “On the Coloniality of Being: Contributions to the Development of a Concept.” Journal of Cultural Studies 21, no. 2–3 (2007): 240–70.

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  157. Manning, Erin. Always More than One: Individuation’s Dance. Durham, N.C.: Duke University Press, 2013.

  158. Manning, Erin. Relationscapes: Movement, Art, Philosophy. Cambridge, Mass.: MIT Press, 2009.

  159. Manning, Susan. Modern Dance, Negro Dance: Race in Motion. Minneapolis: University of Minnesota Press, 2006.

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