Cover design by Frances Baca
Cover photograph: Taiaroa Royal in Mitimiti. Photograph by John McDermott for Atamira Dance Company, Auckland, New Zealand.
Frontispiece: Emily Johnson in SHORE, “PERFORMANCE,” Minneapolis, Minnesota, June 2014. Photograph by Erin Celeste Duffy.
Portions of chapter 1 are adapted from “Manaakitanga in Motion: Indigenous Choreographies of Possibility” by Jacqueline Shea Murphy and Jack Gray, in Biography: An Interdisciplinary Quarterly, ed. David Álvarez and Salah D. Hassan, 36, no. 1 (2013): 242–78; reprinted with permission of University of Hawai‘i Press Journals; permission conveyed through Copyright Clearance Center, Inc. Portions of chapter 1 are adapted from “Eredità haka,” in RicorDANZE: Memoria in movimento e coreografie della storia, ed. Susanne Franco and Marina Nordera (Torino, Italy: Utet Libreria, 2010). Portions of chapters 2 and 3 are adapted from “Dancing in the Here and Now: Indigenous Presence and the Choreography of Emily Johnson and DANCING EARTH,” in The Oxford Handbook of Dance and Politics, ed. Rebekah Kowal and Gerald Siegmund (Oxford: Oxford Publishing Limited, 2017); reprinted with permission of the Licensor through PLSclear.
Excerpts from Andrew and Diane Kendall, Tia Reihana-Morunga, Toni Temehana Pasion, Deborah Cocker, Rulan Tangen, Tanya Lukin Linklater, Merindah Donnelly, Mishuana Goeman, Rosy Simas, and Daystar/Rosalie Jones are reprinted with permission. Excerpts from “A Conversation with Tanya Lukin Linklater” were originally published in Movement Research Performance Journal #52/53: Sovereign Movements: Native Dance and Performance (Fall 2019).
An appendix, “Dreaming the River: Contemporary Dance Practice and Creating Cultural Identity,” by Michelle Olson, Raven Spirit Dance Company, is available online at https://manifold.umn.edu/projects/dancing-indigenous-worlds.
Copyright 2022 by Jacqueline Shea Murphy
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Available as a Manifold edition at manifold.umn.edu
ISBN 978-1-4529-6795-0 (ebook)
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