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Dark Scenes from Damaged Earth: Acknowledgments

Dark Scenes from Damaged Earth
Acknowledgments
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table of contents
  1. Cover
  2. Half Title Page
  3. Title Page
  4. Copyright Page
  5. Contents
  6. Acknowledgments
  7. Introduction: Gothic in the Anthropocene
  8. Part I. Anthropocene
    1. 1. The Anthropocene
    2. 2. De-extinction: A Gothic Masternarrative for the Anthropocene
    3. 3. Lovecraft vs. VanderMeer: Posthuman Horror (and Hope?) in the Zone of Exception
    4. 4. Monstrous Megalodons of the Anthropocene: Extinction and Adaptation in Prehistoric Shark Fiction, 1974–2018
    5. 5. A Violence “Just below the Skin”: Atmospheric Terror and Racial Ecologies from the African Anthropocene
  9. Part II. Plantationocene
    1. 6. Horrors of the Horticultural: Charles Brockden Brown’s Wieland and the Landscapes of the Anthropocene
    2. 7. True Detective’s Folk Gothic
    3. 8. Beyond the Slaughterhouse: Anthropocene, Animals, and Gothic
  10. Part III. Capitalocene
    1. 9. Gothic in the Capitalocene: World-Ecological Crisis, Decolonial Horror, and the South African Postcolony
    2. 10. Overpopulation: The Human as Inhuman
    3. 11. Digging Up Dirt: Reading the Anthropocene through German Romanticism
    4. 12. Got a Light? The Dark Currents of Energy in Twin Peaks: The Return
  11. Part IV. Chthulucene
    1. 13. The Anthropocene Within: Love and Extinction in M. R. Carey’s The Girl with All the Gifts and The Boy on the Bridge
    2. 14. Rot and Recycle: Gothic Eco-burial
    3. 15. Erotics and Annihilation: Caitlín R. Kiernan, Queering the Weird, and Challenges to the “Anthropocene”
    4. 16. Monstrocene
  12. Contributors
  13. Index

Acknowledgments

A project of this scope cannot be accomplished without the support of a number of hardworking and generous friends, scholars, administrators, and family members. Among the many to whom we extend our gratitude, we need to mention, in particular, David Ellison, who helped organize the Gothic Extremities workshop where this collection got started, and the International Gothic Association for permitting us to organize conference panels on Gothic in the Anthropocene in Manchester (2018) and Romeoville (2019). At these conferences, we presented some of our early ideas on the subject, and we received valuable feedback that helped and inspired us to push forward with this book. We also want to give our warmest thanks to the Swedish foundation Riksbankens Jubileumsfond for its generous funding of the Gothic in the Anthropocene workshop held at Linnaeus University in 2019, where the first drafts of this collection were presented and discussed, and to the Linnaeus University Centre for Concurrences in Colonial and Postcolonial Studies, which funded editorial meetings along the way. We owe special thanks to Rebecca Duncan, who commented generously on the Introduction, and to the good people at the University of Minnesota Press, who gave this collection the best possible home. We are also very grateful to Linnaeus University and to the University of Southern Denmark for the funding that made it possible to make this book Open Access on the excellent Manifold system. Finally, we thank the contributors whose chapters make up its content and who helped provide essential feedback on early drafts as well as collaborator Esthie Hugo for her assistance when preparing the manuscript for publication. On a personal note, Johan Höglund thanks his colleagues in Concurrences for comments and support and David, Agnes, Edith, Hilda, and Cissi for giving his life joy and meaning outside the confines of the computer screen.

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The University of Minnesota Press gratefully acknowledges support for the open-access edition of this book from Linnaeus University, Sweden and the University of Southern Denmark.

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