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Figures of the Long ’68: Contents

Figures of the Long ’68
Contents
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“Contents” in “Figures of the Long ’68”

Contents

Introduction: Cinema/Politico

1. “A Dance of Figures”: For a Figural Theory of Political Cinema

2. The Worker: Subjectivity within and against Capital

3. The Housewife: Figuring Reproductive Labor

4. The Youth: The Dialectic of Enjoyment

5. The Saint: An Ethics of Autonomy

6. The Specter: Totality as Conjuration

7. Apocalypse with Figures: The Tyrant, the Intriguer, the Martyr

Epilogue: The Cinema of ’68, the ’68 of Cinema

Acknowledgments

Notes

Index

About the Author

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This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of the University of Maryland. Learn more at the TOME website, available at: openmonographs.org.

Portions of chapter 1 and a different version of chapter 2 were published as “The Worker as Figure: On Elio Petri’s The Working Class Goes to Heaven,” Diacritics 46, no. 4 (2019): 72–95; copyright 2018 Cornell University, published with permission by Johns Hopkins University Press. Portions of chapter 7 were published as “Asymmetries of Desire: Salò, or The 120 Days of Sodom,” in Unwatchable, ed. Nicolas Baer, Maggie Hennefeld, Laura Horak, and Gunnar Iversen, 160–64 (New Brunswick, N.J.: Rutgers University Press, 2019).

Copyright 2022 by Mauro Resmini
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