“Copyright Page” in “Figures of the Long ’68”
Cover design: Laura Shaw Design
Cover screenshots from The Working Class Goes to Heaven; A Special Day; Teorema; Fists in the Pocket; Illustrious Corpses; Salò, or the 120 Days of Sodom; La Grande Bouffe; and Todo Modo.
This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of the University of Maryland. Learn more at the TOME website, available at: openmonographs.org.
Portions of chapter 1 and a different version of chapter 2 were published as “The Worker as Figure: On Elio Petri’s The Working Class Goes to Heaven,” Diacritics 46, no. 4 (2019): 72–95; copyright 2018 Cornell University, published with permission by Johns Hopkins University Press. Portions of chapter 7 were published as “Asymmetries of Desire: Salò, or The 120 Days of Sodom,” in Unwatchable, ed. Nicolas Baer, Maggie Hennefeld, Laura Horak, and Gunnar Iversen, 160–64 (New Brunswick, N.J.: Rutgers University Press, 2019).
Copyright 2022 by Mauro Resmini
Italian Political Cinema: Figures of the Long ’68 is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0): https://creativecommons.org/licenses/by-nc-nd/4.0/.
Published by the University of Minnesota Press
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Available as a Manifold edition at manifold.umn.edu
ISBN 978-1-4529-6786-8 (ebook)
A Cataloging-in-Publication record for this book is available from the Library of Congress.
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