Index
Aaron, Ben, 80–81
Achterland, 148, 181. See also De Keersmaeker, Anne Theresa
advertising, 24, 73, 75, 141, 177–78
African Americans, 143–44, 147, 155, 214n28
Aguirre, Marcos, 166
Ahmed, Sara, 130
Akeno, 26
All is Not Lost (2011), 100, 105, 123, 126, 130–34. See also OK Go
appropriation, 7, 141, 145, 147–50, 160, 170; dance video games, 166; Girl Walk// All Day, 83; Rad Fag, 159; 24 Hours of Happy, 139
Arendt, Hannah, 16, 62, 76–77, 80–82, 85; space of appearance, 79, 83–84, 86, 88, 105
attribution, 140, 142, 146, 175–76, 181; Jen Harvie, 105; reciprocity, 179
Augé, Marc, 62, 78–79; non-place, 76, 86, 88
Auslander, Philip, 66
Balanchine, George, 144
ballet, 1, 3, 9, 69, 124, 137; gender, 13; Girl Walk// All Day, 57, 83
Bateson, Gregory, 164
Beach, Eric, 37
Beattie, Jon, 137
Beautiful Trouble. See Kuttner, Paul
being-with, 98, 102, 117–22, 130–31, 133–36. See also Nancy, Jean-Luc
Beller, Alexandra, 142, 171, 176–79, 184
belonging, 8, 114, 121, 123, 151, 159; corporeal common, 186; dance as expression of, 136, 142, 148; gestural belonging, 160–61, 168; as property, 148, 175–76
Bennett, Jill, 88
Berkeley, Busby, 116, 131, 211n107
Be to Want I (1998), 30
Beyoncé 75, 142, 147–48, 157, 171, 173, 181–82, 184
bin Laden, Osama, 84
Birgé, Jean-Jacques, 15, 19, 31
Bishop, Claire, 103
blackface minstrelsy, 146
Black Lives Matter, 63
Bokaer, Jonah, 22, 26, 33, 37–38
Bonachela, Raphael, 54
Bookchin, Natalie, 100, 115–17, 127, 208n53
Bourdieu, Pierre, 173
Bourriaud, Nicolas, 103
Bragin, Naomi, 61
Burt, Ramsay, 4–5, 8, 116–17, 219n138
Butler, Judith, 16, 59, 63, 68, 119
capitalism, 6, 110, 145, 155–56, 159; anticapitalism, 4, 60, 86, 94, 149; appropriation, 7, 160; structures and logics of, 95–96, 103, 180; Tiller Girls, 116
Cari Ann Shim Sham*, 100, 126–29
CD-ROM, 12–14, 20, 22, 25–26, 45, 187. See also windowsninetyeight: lo-fi kitchen sink dancing
Cheng, Karen X., 141, 151–54, 165
choreographic unworking, 49, 53, 182. See also Nancy, Jean-Luc
choreography, 2, 13–14, 17, 26, 49–55; All is Not Lost, 132; appropriation, 7; Alexandra Beller, 177–79; Beyoncé, 148, 181–82; copyright, 144, 156; credit, 175; Anne Theresa De Keersmaeker, 181–84; as embodied object, 185–86; 5th Wall, 33, 37; flash mobs, 75; globalization, 102; Globe Trot, 127; Matt Harding, 124; and hyperdance, 20–21, 27, 33, 39; Mass Ornament, 122; Bebe Miller, 113, 115; Occupy Wall Street, 69; One Day on Earth the Music Video, 134; Mitchell Rose, 113–14; “Single Ladies,” 83, 157; Somnambules, 48; Thriller, 161–63, 169; 24 Hours of Happy, 157; video games, 165–66, 168–69, 179; windowsninetyeight, 40
Christen, Kimberly, 6
cinema, 21–23, 33–34, 36, 42, 50
Clauss, Nicolas, 15, 19, 22, 31, 48
Cohen-Cruz, Jan, 68
commodity, 142, 146, 148, 151, 176
common, 6, 9, 23, 100, 159–60, 186; Ramsay Burt, 4–5; dance mobs, 86–87, 96; Anne Theresa De Keersmaeker, 171, 181, 184; digital culture, 14, 23, 65, 159; as gift, 18; globalization, 106, 120–21; history of, 4, 145; hyperdance, 55; Mass Ornament, 116, 121–22; José Muñoz, 92; public space, 60, 62–63, 68, 81, 97–98; Ranicère, 88; 24 Hours of Happy, 17; Where the Hell Is Matt? videos, 100, 106, 121–22, 133. See also corporeal common; Hardt, Michael; Negri, Antonio
Compagnie Magali et Didier Mulleras, 22, 26, 33, 36
copyright, 140, 144, 146, 156, 159, 174
corporeal common, 9, 51, 97, 156, 170, 185–86; dance as gift, 136, 141; Dance Central, 168–69; Anne Theresa De Kaeersmaeker, 142; globalization, 17; Thriller, 161, 163, 169; 24 Hours of Happy, 157, 169
corporeal generosity, 163, 165, 186. See also Diprose, Rosalyn
Countdown, 148, 171, 181–82, 184. See also Beyoncé
credit, 136, 142, 170–71, 173, 175–76, 179–81
Crow, Reyna, 91
crowdsourcing, 16, 53, 102–5, 112, 114
cultural appropriation, 7, 141, 145, 147–50, 159–60, 166
Cunningham, Merce, 9
Dance Central, 124, 141, 165–69. See also video games
Dance Like Nobody’s Watching (2011–13), 60, 65–67
dance-media, 3–4, 10, 12–15, 18, 28. See also social dance-media
dance mobs, 73–74, 76, 84, 86, 93–97, 200n49
dance studies, 7, 11, 13, 143–44
debt, 136, 142, 170–71, 175, 179–81, 184
DeFrantz, Thomas, 155, 157, 159
De Keersmaeker, Anne Theresa, 142, 148, 171, 181–82, 184
DeLanda, Manuel, 52
delegated art, 103–5, 114. See also participatory art
Deleuze, Gilles, 15, 37, 40–42, 85; creative instant, 49–50, 52; the eternal return, 23, 53; hyperdance, 22, 33–35, 51, 55
Derrida, Jacques, 46, 173–74, 184–86
Desmond, Jane, 7
Diamond, Emma, 25–26
Dillon, Elizabeth, 149; commoning practice, 8, 20–21, 160
Diprose, Rosalyn, 161, 164, 174; corporeal generosity, 155, 163, 165, 186
Douglas, Mary, 173
Doyle, John, 58
Drift (2003), 26
Eby, Mark, 114
Eshkar, Shelley, 9
Europe, 4–5, 32, 65, 106, 115, 150
fABULEUS, 182–83
Fenley, Molissa, 26, 30, 193n29
Fersing, Julie, 138, 170–72, 183
5th Wall (2013), 22, 26, 33, 37–38
Fildes, Simon, 23, 26, 50, 52–54
First Nations, 89–90
flamenco flash mobs, 60, 86–87, 94–97
flash mobs, 16, 52, 55, 58, 65, 68, 72–75, 170; protests, 73, 86, 170; Round Dance, 60, 89–92, 170; Thriller, 161–63. See also dance mobs; flamenco flash mobs; Flo6x8
Fontaine, Loïc, 138, 170–72, 183
Fosse, Bob, 148
Foster, Hal, 29
Foster, Susan Leigh, 75
Fulton, Lea, 177
Giannachi, Gabriella, 109
gift, 136, 144, 150, 165, 175, 180; choreography, 51, 181; in contradistinction to given, 140, 164, 166, 170; Jacques Derrida, 173–74, 185–86; gift economy, 141, 166, 168, 171, 176, 179, 184; gift of the common, 18, 142, 160; “gift of the new,” 23, 50, 53; Marcel Mauss, 17, 173–74, 186; reperformance, 171
Gillis, Greg (Girl Talk), 57–59, 66, 71
Girl Learns to Dance in a Year (2013), 141, 151–53
Girl Walk// All Day, 57–60, 62, 82–85, 98, 101, 169; Anne Marsen, 16, 76, 138, 142, 147, 178; Occupy Wall Street, 69–71; social media, 66–67; 24 Hours of Happy, 143, 147, 160, 178
Given, William, 155
Globe Trot (2014), 100, 104–5, 112–17, 121–22, 127–28
Goldberg, Marianne, 30
Gold Diggers of 1935, 116
Gore, Georgiana, 74
Gottschild, Brenda Dixon, 7, 143, 146–47, 151, 159, 184
Graeber, David, 179–81
Guattari, Félix, 85
Hansen, Mark B. N., 25, 27, 29
Hardin, Garrett, 159
Harding, Matt, 17, 99–100, 102, 104–15, 121–26, 135–36, 140
Hardt, Michael, 5–6, 63, 159, 185
Harlem Shake (2013), 75
Harvie, Jen, 103–5
Hay, Deborah, 54
Heidegger, Martin, 41, 110, 117
Hermans, Carolien, 22, 28, 33, 35–36
Hou, Jeffrey, 72
Huber, Hans Dieter, 28
Hyde, Lewis, 164
hyperdance, 19–21, 25–30, 32–34, 39, 41–43, 49–51, 53–55; All Is Not Lost, 105; 5th Wall, 37–38; Somnabules, 15, 22–23, 36, 48; and Triad HyperDance, 193n29; 24 Hours of Happy, 138; windowsninetyeight, 22, 26, 48
Iconocast Interactive, 138–39
Idle No More, 60, 86, 89–95, 97, 170
Igloo, 22, 26. See also Gibson, Ruth; Martelli, Bruno
interactivity, 14–16, 21–25, 27–29, 39–40, 42
internet, 3, 8, 28, 30, 64–66, 109, 150, 156; access to dance, 13, 72, 140; Beyoncé, 148; call-out commentary, 149; choreography/dance as gift, 51, 171, 176, 184; dance challenges, 10; flash mobs, 16; Jen Harvie, 105; indigenous peoples, 6; Adilyn Malcolm, 154; James Meese, 178; memes, 21, 162; 9/11, 76; Occupy Wall Street, 62; Somnambules, 47; surveillance, 79; Web 1.0, 25
Invisible (2002–5), 22, 26, 33, 36–37
Jackson, Shannon, 103
Japan, 105, 107, 112, 130–31, 133
Jefferson, Thomas, 60, 175, 185
Jenkins, Henry, 139
Jensen, Jens F., 24
Jones, Bill T., 9
Kaiser, Paul, 9
Katz, Jon, 24
Kickstarter, 66, 135, 178, 212n117
Kinoshita, Aiko, 124
Kloetzel, Melanie, 58
Konopka, Dan, 131
Koplowitz, Stephen, 59
Kourlas, Gia, 1–2
Kozel, Susan, 28–29
Kracauer, Sigfried, 116
Kraut, Anthea, 141, 144, 146, 155–56, 159
Krupnick, Jacob, 16, 57–60, 66, 71, 77, 83–84, 98, 143
Kuttner, Paul, 90
Landis, John, 162
Landow, George, 24
Latitudes (1996), 30. See also Fenley, Molissa
Lazzarato, Maurizio, 120, 175, 180
Learning to Dance in Bali, 164–65
Lemon, Ralph, 30
Locke, John, 145
Lord, Richard, 25
Los Angeles, 32, 65, 89, 99, 101, 137–39, 162
Lott, Eric, 146–47
Macromedia Flash, 15–16, 19, 192n23
Malcolm, Adilyn, 141, 153–54, 165
Mallarmé, Stéphane, 85
Manning, Susan, 7
Marks, Laura, 123
Marsen, Anne, 16, 58–59, 66–67, 76, 82–84, 98; 24 Hours of Happy, 138, 142, 147, 160, 178
Martin, Randy, 6, 62, 71–72, 141, 159, 184, 186
Marx, Karl, 179
Mass Ornament (2009), 100, 115–17, 121–22, 127–28, 134
Mauss, Marcel, 17, 166, 173–75, 179, 184, 186
McCormack, Tom, 84
McGrath, Charles, 111–12
McPherson, Katrina, 23, 26, 50, 52–54
Mead, Margaret, 164
milkdreams (2015), 176–78
Miller, Kiri, 145, 150, 165–66
modern dance, 7, 21, 130, 176, 182
Morse, Margaret, 24–25, 27, 29
Move-Me (2006–8), 23, 50, 52–55
Murphy, Jacqueline Shea, 7, 146
Nancy, Jean-Luc, 108, 115, 123, 126, 134; being-in-common; 118–21; being singular plural, 118; being-together; 85, 101, 106, 117–21, 128, 133; being-with, 102, 117–19; globalization and mondialisation, 17, 101–2, 105–6, 110, 121; unworking, 15, 23, 50, 52
Negri, Antonio, 5–6, 63, 100, 159, 185
neoliberalism, 4, 6, 140, 145, 155–56, 159–60, 185
New York City, 72, 80–81, 127, 176; Girl Walk// All Day, 57–59; 66–67, 69, 76–77, 82–84; permits for street performers, 97; Round Dances, 89; 24 Hours of Happy, 101
Nicholson, Judith, 73
Nicoladzé, Anne-Catherine, 26–27, 30–32, 40
Nietzsche, Friedrich, 15, 23, 40, 49–51, 180
9/11, 16, 59–60, 62–63, 72, 75–76, 81
96 Détails (2006–9), 26. See also Compagnie Magali et Didier Mulleras
Noland, Carrie, 119
Novack, Cynthia, 156
Oakland, 61
Oberwetter, Mary Brooke, 60–61, 79
Occupy Wall Street (OWS), 58, 61–63, 69–70, 96
One Day on Earth the Music Video (2012), 100, 104, 123, 126–30, 133–34
Ostrom, Elinor, 4
Papua New Guinea, 112, 114, 122, 124–25
participatory art, 102, 120, 133
Passe-Partout (2014), 1–3, 12–13
Pavlik, Carolyn, 58
Perez Hilton, 177
Picart, Caroline, 146
Pilobolus, 130–32
Pogue, David, 123–24
Povinelli, Elizabeth, 61
Progressive 2 (1996), 25
Psy, 157
Pyyhtinen, Olli, 174
Quentin, Josh, 37
Rancière, Jacques, 16, 62–63, 80, 84–85, 87, 92; dissensus, 86, 88, 93, 97, 121
reciprocity, 18, 140, 174, 178–79, 181, 184
relational art. See participatory art
reperformance, 16, 51–52, 76, 143; dance as gift, 171; Dance Central, 169; Move-Me, 50, 53, 55; Pharrell’s Happy, 160, 174; Single Ladies, 157; social media, 21, 23, 97, 140, 156; Thriller, 161–62, 174
Re: Rosas! (2013), 182–83
Rice, T. D., 146
Riefenstahl, Leni, 116
Robson, Christina, 177
Rosas danst Rosas, 148, 181–83. See also De Keersmaeker, Anne Theresa
Rose, Mitchell, 100, 105, 112–15
Ross, Andy, 131
Round Dance, 60, 86–87, 89–92, 94–95, 97, 170
Saltz, David, 25
Schnapp, Jeffrey, 73
Sconce, Jeffrey, 47
Scott, Marquese, 154
Selbo, Vivian, 30
Seremetakis, C. Nadia, 123
Serres, Michel, 161, 163, 174, 185
Severini, Aaron, 2
Shaviro, Steven, 123
Shephard, Patricia, 91
Silhol, Didier, 15, 19, 26–27, 30–32, 39–40, 48
Single Ladies, 83, 116, 148, 157, 182. See also Beyoncé
Skelton, Carl, 30
Sloterdijk, Peter, 32
social computing, 22, 73. See also social media
social dance-media, 21–22, 49, 51, 55
social media, 3, 14–15, 20–21, 23, 64, 71, 140, 187; dance challenges, 10; dance in public, 60, 65–66; Girl Walk// All Day, 67, 169; Move-Me, 50, 53, 55; political expression, 8; 24 Hours of Happy, 138–39, 170, 177; Where the Hell Is Matt? series, 99–100, 117, 169
Somnambules (2003), 15, 19–20, 22, 26, 28, 33, 36–37; contact improvisation, 30–31; repetition in, 39–42, 47–49
So Percussion, 38
Spatz, Ben, 144
Spence, Theresa, 89
Srinivasan, Priya, 7, 144, 146, 148, 170
St. Denis, Ruth, 7
Surowiecki, James, 102
surveillance, 77, 79–81, 84, 92; dance in public, 63, 86, 89, 91, 97; 9/11, 62, 72, 76; technologies of, 116
Tarr, Patsy, 1
Taussig, Michael, 140, 150, 168
Taylor, Diana, 160; acts of transfer, 8, 150
Tehran, 157–58
television, 10, 75, 156, 165, 178, 184
Thacker, Eugene, 29
This Amazing Girl Mastered Dubstep Dancing by Just Using YouTube (2016), 141, 153–54
Thomas-Train, Simon, 177
Thompson, Chanel, 166
Thriller (1983), 141, 161–64, 169, 174
Tiews, Matthew, 73
T-Mobile Dance, The (2009), 73–74
Tree (2000), 30
Treuting, Jason, 37
Triad HyperDance (1999), 26, 193n29
Trilogy (2003), 22, 28, 33, 35–37
Trimbur, Angela, 60, 65–67, 79
Triumph of the Will, The, 116
Troika Ranch, 30
Truth, The: The Truth (2004), 26
Turf Feinz, 61
24 Hours of Happy (2013), 17, 101, 139, 163, 177; fan responses to, 141, 157–60, 169–72, 174; hyperdance, 138; Anne Marsen, 142–43, 147, 160; release of, 137
2wice Arts Foundation, 1–2, 22, 38
Ulbricht, Daniel, 1–3
United States, 32, 113, 124, 143, 162; dance in public, 65, 97–98; flash mobs in, 89; neoliberalism, 4; 9/11, 62–63, 72; Round Dances, 91
van Mensvoort, Koert, 26
Vele, Steven, 114
video games, 9, 13, 16, 155–56, 179; Dance Central, 124, 141, 165–69; dance instruction, 10, 145, 151; Alexander Galloway, 27; gift and market economies, 18, 51; Matt Harding, 99
Virno, Paolo, 101, 104, 120, 134
Warsaw, 157–58
Washington, D.C., 60
Waterfall (2002), 25
Weber, Steven, 156
Weiss, Devin, 112
West Side Story, 124
Where the Hell Is Matt? (2005–12), 17, 101, 124, 133–35, 157; evolution of, 106, 110; Globe Trot, 100, 104–5, 116–17, 121–22, 127–28; responses to, 114; screenshots of, 108–9, 112, 125; structure of, 169
white supremacy, 148
Williams, Pharrell, 17, 137–39, 173; fan responses, 141, 157–58, 160, 170–72, 177; Girl Walk// All Day, 142, 147, 169, 178
windowsninetyeight: lo-fi kitchen sink dancing (1996–98), 22, 26, 39–43, 45–49
Wirtén, Eva Hemmungs, 145
Yearbody (1996–97), 30
YouTube, 9, 11, 16, 25, 74, 155; Baby Modern Dance, 177; Beyoncé, 181, 184; Natalie Bookchin, 115–17; Karen X. Cheng, 151–54, 165; Dance Like Nobody’s Watching videos, 65, 67; Anne Theresa De Keersmaeker, 182–84; hyperdances, 55; Thriller, 161; 24 Hours of Happy, 138, 157, 170; Where the Hell Is Matt? series, 17, 100, 108–9, 112, 125