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Perpetual Motion: Index

Perpetual Motion

Index

Index

Aaron, Ben, 80–81

Achterland, 148, 181. See also De Keersmaeker, Anne Theresa

Adbusters, 69–70, 200n43

advertising, 24, 73, 75, 141, 177–78

African Americans, 143–44, 147, 155, 214n28

Aguirre, Marcos, 166

Ahmed, Sara, 130

Akeno, 26

All is Not Lost (2011), 100, 105, 123, 126, 130–34. See also OK Go

Amazon, 76, 102, 105

appropriation, 7, 141, 145, 147–50, 160, 170; dance video games, 166; Girl Walk// All Day, 83; Rad Fag, 159; 24 Hours of Happy, 139

Arab Spring, 61, 126

Arendt, Hannah, 16, 62, 76–77, 80–82, 85; space of appearance, 79, 83–84, 86, 88, 105

attribution, 140, 142, 146, 175–76, 181; Jen Harvie, 105; reciprocity, 179

Augé, Marc, 62, 78–79; non-place, 76, 86, 88

Auslander, Philip, 66

Austin, J. L., 118, 151

Baby Modern Dance, 171, 177

Balanchine, George, 144

ballet, 1, 3, 9, 69, 124, 137; gender, 13; Girl Walk// All Day, 57, 83

Barthes, Roland, 24, 66

Bateson, Gregory, 164

Beach, Eric, 37

Beattie, Jon, 137

Beautiful Trouble. See Kuttner, Paul

being-with, 98, 102, 117–22, 130–31, 133–36. See also Nancy, Jean-Luc

Belk, Russell, 140, 176

Beller, Alexandra, 142, 171, 176–79, 184

belonging, 8, 114, 121, 123, 151, 159; corporeal common, 186; dance as expression of, 136, 142, 148; gestural belonging, 160–61, 168; as property, 148, 175–76

Bennett, Jill, 88

Berkeley, Busby, 116, 131, 211n107

Be to Want I (1998), 30

Beyoncé 75, 142, 147–48, 157, 171, 173, 181–82, 184

bin Laden, Osama, 84

Birgé, Jean-Jacques, 15, 19, 31

Bishop, Claire, 103

blackface minstrelsy, 146

Black Lives Matter, 63

Bokaer, Jonah, 22, 26, 33, 37–38

Bollywood, 122–23, 125

Bonachela, Raphael, 54

Bookchin, Natalie, 100, 115–17, 127, 208n53

Bourdieu, Pierre, 173

Bourriaud, Nicolas, 103

Bragin, Naomi, 61

Brown, Trisha, 9, 34

Burt, Ramsay, 4–5, 8, 116–17, 219n138

Butler, Judith, 16, 59, 63, 68, 119

capitalism, 6, 110, 145, 155–56, 159; anticapitalism, 4, 60, 86, 94, 149; appropriation, 7, 160; structures and logics of, 95–96, 103, 180; Tiller Girls, 116

Cari Ann Shim Sham*, 100, 126–29

CD-ROM, 12–14, 20, 22, 25–26, 45, 187. See also windowsninetyeight: lo-fi kitchen sink dancing

Cheng, Karen X., 141, 151–54, 165

choreographic unworking, 49, 53, 182. See also Nancy, Jean-Luc

choreography, 2, 13–14, 17, 26, 49–55; All is Not Lost, 132; appropriation, 7; Alexandra Beller, 177–79; Beyoncé, 148, 181–82; copyright, 144, 156; credit, 175; Anne Theresa De Keersmaeker, 181–84; as embodied object, 185–86; 5th Wall, 33, 37; flash mobs, 75; globalization, 102; Globe Trot, 127; Matt Harding, 124; and hyperdance, 20–21, 27, 33, 39; Mass Ornament, 122; Bebe Miller, 113, 115; Occupy Wall Street, 69; One Day on Earth the Music Video, 134; Mitchell Rose, 113–14; “Single Ladies,” 83, 157; Somnambules, 48; Thriller, 161–63, 169; 24 Hours of Happy, 157; video games, 165–66, 168–69, 179; windowsninetyeight, 40

Christen, Kimberly, 6

Chun, Wendy Hui Kyong, 12, 23

cinema, 21–23, 33–34, 36, 42, 50

Clauss, Nicolas, 15, 19, 22, 31, 48

Cohen-Cruz, Jan, 68

Colorado College, 75, 79

commodity, 142, 146, 148, 151, 176

common, 6, 9, 23, 100, 159–60, 186; Ramsay Burt, 4–5; dance mobs, 86–87, 96; Anne Theresa De Keersmaeker, 171, 181, 184; digital culture, 14, 23, 65, 159; as gift, 18; globalization, 106, 120–21; history of, 4, 145; hyperdance, 55; Mass Ornament, 116, 121–22; José Muñoz, 92; public space, 60, 62–63, 68, 81, 97–98; Ranicère, 88; 24 Hours of Happy, 17; Where the Hell Is Matt? videos, 100, 106, 121–22, 133. See also corporeal common; Hardt, Michael; Negri, Antonio

Compagnie Magali et Didier Mulleras, 22, 26, 33, 36

copyright, 140, 144, 146, 156, 159, 174

corporeal common, 9, 51, 97, 156, 170, 185–86; dance as gift, 136, 141; Dance Central, 168–69; Anne Theresa De Kaeersmaeker, 142; globalization, 17; Thriller, 161, 163, 169; 24 Hours of Happy, 157, 169

corporeal generosity, 163, 165, 186. See also Diprose, Rosalyn

Countdown, 148, 171, 181–82, 184. See also Beyoncé

credit, 136, 142, 170–71, 173, 175–76, 179–81

Crow, Reyna, 91

crowdsourcing, 16, 53, 102–5, 112, 114

cultural appropriation, 7, 141, 145, 147–50, 159–60, 166

Cunningham, Merce, 9

Dance Central, 124, 141, 165–69. See also video games

Dance Like Nobody’s Watching (2011–13), 60, 65–67

dance-media, 3–4, 10, 12–15, 18, 28. See also social dance-media

dance mobs, 73–74, 76, 84, 86, 93–97, 200n49

dance studies, 7, 11, 13, 143–44

debt, 136, 142, 170–71, 175, 179–81, 184

DeFrantz, Thomas, 155, 157, 159

De Keersmaeker, Anne Theresa, 142, 148, 171, 181–82, 184

DeLanda, Manuel, 52

delegated art, 103–5, 114. See also participatory art

Deleuze, Gilles, 15, 37, 40–42, 85; creative instant, 49–50, 52; the eternal return, 23, 53; hyperdance, 22, 33–35, 51, 55

de Mey, Thierry, 148, 181

Derrida, Jacques, 46, 173–74, 184–86

Desmond, Jane, 7

Diamond, Emma, 25–26

Dienst, Richard, 175, 180–81

Dillon, Elizabeth, 149; commoning practice, 8, 20–21, 160

Diprose, Rosalyn, 161, 164, 174; corporeal generosity, 155, 163, 165, 186

DJ Cut Chemist, 100, 126–29

Douglas, Mary, 173

Doyle, John, 58

Drift (2003), 26

Eby, Mark, 114

Eco, Umberto, 28, 53

Eshkar, Shelley, 9

Europe, 4–5, 32, 65, 106, 115, 150

fABULEUS, 182–83

Facebook, 140, 170

Fenley, Molissa, 26, 30, 193n29

Fersing, Julie, 138, 170–72, 183

5th Wall (2013), 22, 26, 33, 37–38

Fildes, Simon, 23, 26, 50, 52–54

First Nations, 89–90

flamenco flash mobs, 60, 86–87, 94–97

flash mobs, 16, 52, 55, 58, 65, 68, 72–75, 170; protests, 73, 86, 170; Round Dance, 60, 89–92, 170; Thriller, 161–63. See also dance mobs; flamenco flash mobs; Flo6x8

flocking, 176, 178

Flo6x8, 60, 86, 93–97

Fontaine, Loïc, 138, 170–72, 183

Fosse, Bob, 148

Foster, Hal, 29

Foster, Susan Leigh, 75

Foucault, Michel, 80, 180

Franko, Mark, 51–52, 67, 164

Fukushima, 105, 130, 133

Fulton, Lea, 177

Galloway, Alexander, 27, 29

Giannachi, Gabriella, 109

Gibson, Ruth, 22, 43, 45

gift, 136, 144, 150, 165, 175, 180; choreography, 51, 181; in contradistinction to given, 140, 164, 166, 170; Jacques Derrida, 173–74, 185–86; gift economy, 141, 166, 168, 171, 176, 179, 184; gift of the common, 18, 142, 160; “gift of the new,” 23, 50, 53; Marcel Mauss, 17, 173–74, 186; reperformance, 171

Gillis, Greg (Girl Talk), 57–59, 66, 71

Girl Learns to Dance in a Year (2013), 141, 151–53

Girl Walk// All Day, 57–60, 62, 82–85, 98, 101, 169; Anne Marsen, 16, 76, 138, 142, 147, 178; Occupy Wall Street, 69–71; social media, 66–67; 24 Hours of Happy, 143, 147, 160, 178

Given, William, 155

Globe Trot (2014), 100, 104–5, 112–17, 121–22, 127–28

Goldberg, Marianne, 30

Gold Diggers of 1935, 116

Google, 130, 132, 140

Gore, Georgiana, 74

Gottschild, Brenda Dixon, 7, 143, 146–47, 151, 159, 184

Graeber, David, 179–81

Greece, 77, 81, 107–8

Guattari, Félix, 85

Hansen, Mark B. N., 25, 27, 29

Hardin, Garrett, 159

Harding, Matt, 17, 99–100, 102, 104–15, 121–26, 135–36, 140

Hardt, Michael, 5–6, 63, 159, 185

Harlem Shake (2013), 75

Harmonix, 124, 165

Harvie, Jen, 103–5

Hay, Deborah, 54

Heidegger, Martin, 41, 110, 117

Hermans, Carolien, 22, 28, 33, 35–36

Hollywood, 10, 58

Hou, Jeffrey, 72

HTML, 22, 30, 34, 131

Huber, Hans Dieter, 28

Hyde, Lewis, 164

hyperdance, 19–21, 25–30, 32–34, 39, 41–43, 49–51, 53–55; All Is Not Lost, 105; 5th Wall, 37–38; Somnabules, 15, 22–23, 36, 48; and Triad HyperDance, 193n29; 24 Hours of Happy, 138; windowsninetyeight, 22, 26, 48

Iconocast Interactive, 138–39

Idle No More, 60, 86, 89–95, 97, 170

Igloo, 22, 26. See also Gibson, Ruth; Martelli, Bruno

India, 99, 122, 125

interactivity, 14–16, 21–25, 27–29, 39–40, 42

internet, 3, 8, 28, 30, 64–66, 109, 150, 156; access to dance, 13, 72, 140; Beyoncé, 148; call-out commentary, 149; choreography/dance as gift, 51, 171, 176, 184; dance challenges, 10; flash mobs, 16; Jen Harvie, 105; indigenous peoples, 6; Adilyn Malcolm, 154; James Meese, 178; memes, 21, 162; 9/11, 76; Occupy Wall Street, 62; Somnambules, 47; surveillance, 79; Web 1.0, 25

Internet Archive, 12, 36

Invisible (2002–5), 22, 26, 33, 36–37

Jackson, Michael, 141, 161–62

Jackson, Shannon, 103

Japan, 105, 107, 112, 130–31, 133

Jefferson, Thomas, 60, 175, 185

Jenkins, Henry, 139

Jensen, Jens F., 24

Jones, Bill T., 9

Kaiser, Paul, 9

Katz, Jon, 24

Kickstarter, 66, 135, 178, 212n117

Kinoshita, Aiko, 124

Kloetzel, Melanie, 58

Konopka, Dan, 131

Koplowitz, Stephen, 59

Kourlas, Gia, 1–2

Kozel, Susan, 28–29

Kracauer, Sigfried, 116

Kraut, Anthea, 141, 144, 146, 155–56, 159

Krupnick, Jacob, 16, 57–60, 66, 71, 77, 83–84, 98, 143

Kuttner, Paul, 90

Landis, John, 162

Landow, George, 24

Latitudes (1996), 30. See also Fenley, Molissa

Lazzarato, Maurizio, 120, 175, 180

Learning to Dance in Bali, 164–65

Lemon, Ralph, 30

Lepecki, André, 32, 51–52

Liverpool, 73–74, 79

Locke, John, 145

London, 22, 54, 115

Lord, Richard, 25

Los Angeles, 32, 65, 89, 99, 101, 137–39, 162

Lott, Eric, 146–47

Macromedia Flash, 15–16, 19, 192n23

Malcolm, Adilyn, 141, 153–54, 165

Mallarmé, Stéphane, 85

Manning, Susan, 7

Manovich, Lev, 23, 39

Marks, Laura, 123

Marsen, Anne, 16, 58–59, 66–67, 76, 82–84, 98; 24 Hours of Happy, 138, 142, 147, 160, 178

Martelli, Bruno, 22, 43, 45

Martin, Randy, 6, 62, 71–72, 141, 159, 184, 186

Marx, Karl, 179

Mass Ornament (2009), 100, 115–17, 121–22, 127–28, 134

Mauss, Marcel, 17, 166, 173–75, 179, 184, 186

McCormack, Tom, 84

McGrath, Charles, 111–12

McPherson, Katrina, 23, 26, 50, 52–54

Mead, Margaret, 164

Meese, James, 176, 178

milkdreams (2015), 176–78

Miller, Abbott, 2, 38

Miller, Bebe, 100, 112–15

Miller, Kiri, 145, 150, 165–66

modern dance, 7, 21, 130, 176, 182

Morse, Margaret, 24–25, 27, 29

Move-Me (2006–8), 23, 50, 52–55

Muñoz, José, 86, 92

Murphy, Jacqueline Shea, 7, 146

Nakamura, Lisa, 147, 149

Nancy, Jean-Luc, 108, 115, 123, 126, 134; being-in-common; 118–21; being singular plural, 118; being-together; 85, 101, 106, 117–21, 128, 133; being-with, 102, 117–19; globalization and mondialisation, 17, 101–2, 105–6, 110, 121; unworking, 15, 23, 50, 52

Native Americans, 7, 89–92

Negri, Antonio, 5–6, 63, 100, 159, 185

neoliberalism, 4, 6, 140, 145, 155–56, 159–60, 185

New York City, 72, 80–81, 127, 176; Girl Walk// All Day, 57–59; 66–67, 69, 76–77, 82–84; permits for street performers, 97; Round Dances, 89; 24 Hours of Happy, 101

Nicholas, Ben Louis, 2, 38

Nicholson, Judith, 73

Nicoladzé, Anne-Catherine, 26–27, 30–32, 40

Nietzsche, Friedrich, 15, 23, 40, 49–51, 180

9/11, 16, 59–60, 62–63, 72, 75–76, 81

96 Détails (2006–9), 26. See also Compagnie Magali et Didier Mulleras

Noë, Alva, 142, 157

Noland, Carrie, 119

North Korea, 124, 127

Novack, Cynthia, 156

Oakland, 61

Oberwetter, Mary Brooke, 60–61, 79

Occupy Wall Street (OWS), 58, 61–63, 69–70, 96

OK Go, 100, 105, 124, 130–32

Omiya, Daisuke, 58, 69, 71

One Day on Earth the Music Video (2012), 100, 104, 123, 126–30, 133–34

Ostrom, Elinor, 4

Papua New Guinea, 112, 114, 122, 124–25

participatory art, 102, 120, 133

Passe-Partout (2014), 1–3, 12–13

Pavlik, Carolyn, 58

Peck, Justin, 1–3, 13

Perez Hilton, 177

Picart, Caroline, 146

Pilobolus, 130–32

Pogue, David, 123–24

Povinelli, Elizabeth, 61

Progressive 2 (1996), 25

Psy, 157

Pyyhtinen, Olli, 174

Quentin, Josh, 37

Radical Faggot, 149, 159

Raley, Rita, 28, 30, 33, 39

Rancière, Jacques, 16, 62–63, 80, 84–85, 87, 92; dissensus, 86, 88, 93, 97, 121

reciprocity, 18, 140, 174, 178–79, 181, 184

relational art. See participatory art

reperformance, 16, 51–52, 76, 143; dance as gift, 171; Dance Central, 169; Move-Me, 50, 53, 55; Pharrell’s Happy, 160, 174; Single Ladies, 157; social media, 21, 23, 97, 140, 156; Thriller, 161–62, 174

Re: Rosas! (2013), 182–83

Rice, T. D., 146

Riefenstahl, Leni, 116

Robson, Christina, 177

Rosas danst Rosas, 148, 181–83. See also De Keersmaeker, Anne Theresa

Rose, Mitchell, 100, 105, 112–15

Ross, Andy, 131

Round Dance, 60, 86–87, 89–92, 94–95, 97, 170

Ruddick, Kyle, 100, 126, 129

Rwanda, 32, 106, 11, 124

Saltz, David, 25

San Francisco, 89, 111, 153

Schnapp, Jeffrey, 73

Sconce, Jeffrey, 47

Scott, Marquese, 154

screendance, 9, 26, 37, 126

Seattle, 89, 98, 111, 124

Selbo, Vivian, 30

Seremetakis, C. Nadia, 123

Serres, Michel, 161, 163, 174, 185

Severini, Aaron, 2

Shaviro, Steven, 123

Shephard, Patricia, 91

Sie, Trish, 124, 130, 132

Silhol, Didier, 15, 19, 26–27, 30–32, 39–40, 48

Single Ladies, 83, 116, 148, 157, 182. See also Beyoncé

Skelton, Carl, 30

Sloterdijk, Peter, 32

social computing, 22, 73. See also social media

social dance-media, 21–22, 49, 51, 55

social media, 3, 14–15, 20–21, 23, 64, 71, 140, 187; dance challenges, 10; dance in public, 60, 65–66; Girl Walk// All Day, 67, 169; Move-Me, 50, 53, 55; political expression, 8; 24 Hours of Happy, 138–39, 170, 177; Where the Hell Is Matt? series, 99–100, 117, 169

Somnambules (2003), 15, 19–20, 22, 26, 28, 33, 36–37; contact improvisation, 30–31; repetition in, 39–42, 47–49

So Percussion, 38

South Africa, 122, 124

Spain, 94–95, 112, 124

Spatz, Ben, 144

Spence, Theresa, 89

Srinivasan, Priya, 7, 144, 146, 148, 170

St. Denis, Ruth, 7

Stride, 99, 106

Surowiecki, James, 102

surveillance, 77, 79–81, 84, 92; dance in public, 63, 86, 89, 91, 97; 9/11, 62, 72, 76; technologies of, 116

Tarr, Patsy, 1

Taussig, Michael, 140, 150, 168

Taylor, Diana, 160; acts of transfer, 8, 150

Tehran, 157–58

television, 10, 75, 156, 165, 178, 184

Thacker, Eugene, 29

This Amazing Girl Mastered Dubstep Dancing by Just Using YouTube (2016), 141, 153–54

Thomas-Train, Simon, 177

Thompson, Chanel, 166

Thriller (1983), 141, 161–64, 169, 174

Tiews, Matthew, 73

T-Mobile Dance, The (2009), 73–74

Tree (2000), 30

Treuting, Jason, 37

Triad HyperDance (1999), 26, 193n29

Trilogy (2003), 22, 28, 33, 35–37

Trimbur, Angela, 60, 65–67, 79

Triumph of the Will, The, 116

Troika Ranch, 30

Truth, The: The Truth (2004), 26

Turf Feinz, 61

24 Hours of Happy (2013), 17, 101, 139, 163, 177; fan responses to, 141, 157–60, 169–72, 174; hyperdance, 138; Anne Marsen, 142–43, 147, 160; release of, 137

2wice Arts Foundation, 1–2, 22, 38

Ulbricht, Daniel, 1–3

United States, 32, 113, 124, 143, 162; dance in public, 65, 97–98; flash mobs in, 89; neoliberalism, 4; 9/11, 62–63, 72; Round Dances, 91

van Mensvoort, Koert, 26

Vele, Steven, 114

video games, 9, 13, 16, 155–56, 179; Dance Central, 124, 141, 165–69; dance instruction, 10, 145, 151; Alexander Galloway, 27; gift and market economies, 18, 51; Matt Harding, 99

Vimeo, 9, 25

Virno, Paolo, 101, 104, 120, 134

Warsaw, 157–58

Washington, D.C., 60

Waterfall (2002), 25

We Are from LA, 138–39, 143

We Are Happy From, 172, 183

Weber, Steven, 156

Weiss, Devin, 112

West Side Story, 124

Where the Hell Is Matt? (2005–12), 17, 101, 124, 133–35, 157; evolution of, 106, 110; Globe Trot, 100, 104–5, 116–17, 121–22, 127–28; responses to, 114; screenshots of, 108–9, 112, 125; structure of, 169

white supremacy, 148

Williams, Pharrell, 17, 137–39, 173; fan responses, 141, 157–58, 160, 170–72, 177; Girl Walk// All Day, 142, 147, 169, 178

windowsninetyeight: lo-fi kitchen sink dancing (1996–98), 22, 26, 39–43, 45–49

Wirtén, Eva Hemmungs, 145

Yearbody (1996–97), 30

YouTube, 9, 11, 16, 25, 74, 155; Baby Modern Dance, 177; Beyoncé, 181, 184; Natalie Bookchin, 115–17; Karen X. Cheng, 151–54, 165; Dance Like Nobody’s Watching videos, 65, 67; Anne Theresa De Keersmaeker, 182–84; hyperdances, 55; Thriller, 161; 24 Hours of Happy, 138, 157, 170; Where the Hell Is Matt? series, 17, 100, 108–9, 112, 125

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Copyright 2020 by Harmony Bench

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