Screens offers a historical and theoretical framework for understanding screen-reliant installation art and the spectatorship it evokes. Examining a range of installations created over the past fifty years, Kate Mondloch traces the construction of screen spectatorship in art from the seminal film and video installations of the 1960s and 1970s to the new media artworks of today’s digital culture.
Background image: Frank Gillette and Ira Schneider, Wipe Cycle, 1969. Courtesy of Frank Gillette and Ira Schneider.
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The open-access edition of this book has been made possible by the University of Oregon Libraries.
Parts of chapters 1 and 4 were previously published in “Be Here (and There) Now: The Spatial Dynamics of Screen-Reliant Installation Art,” Art Journal 66, no. 3 (2007): 20–33.
Copyright 2010 by the Regents of the University of Minnesota
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