journals

Welcome to Cultural Critique Online, the open-access online section of Cultural Critique. This journal provides a forum for creative and provocative scholarship in the theoretical humanities and humanistic social sciences. Transnational in scope and transdisciplinary in orientation, the journal strives to spark and galvanize intellectual debates as well as to attract and foster critical investigations regarding any aspect of culture as it expresses itself in words, images, and sounds, across both time and space.

Edited by Neda Atanasoski and Christine Hong, Critical Ethnic Studies explores the guiding question of the Critical Ethnic Studies Association: how do the histories of colonialism and conquest, racial chattel slavery, and white supremacist patriarchies and heteronormativities affect, inspire, and unsettle scholarship and activism in the present? By decentering the nation-state as a unit of inquiry, focusing on scholarship that expands the identity rhetoric of ethnic studies, engaging in productive dialogue with indigenous studies, and making critical studies of gender and sexuality guiding intellectual forces, this journal appeals to scholars interested in the methodologies, philosophies, and discoveries of this new intellectual formation.

Welcome to IJS Online, the open-access online section of the International Journal of Surrealism. This journal creates a welcome space for critical ideas and debate centered on Surrealism, its international history, and its ongoing worldwide influence on contemporary culture. IJS seeks to document, celebrate, and interrogate the intellectual and aesthetic repercussions of the Surrealist movement across a wide array of fields: literature and literary theory; painting, sculpture, and photography; performance, film, and music; and philosophy, political thought, and new media. IJS upholds the mission of the International Society for the Study of Surrealism (ISSS), serving as a platform for Surrealist studies in the contemporary moment and for the digital age.

Five red parallelograms side by side with circular glyphs, suggestive of eyes, layered on top of them.