Color Plates

Plate 1. New York Public Library’s copy of Valerie Solanas, S.C.U.M. Manifesto, defaced by Solanas. Photograph copyright Hiroko Masuike/The New York Times/Redux/eyevine.

Plate 2. Conrad Bakker, Untitled Project: Commodity [Capital], 2007. Courtesy of Conrad Bakker/www.untitledprojects.com.

Plate 3. Pamphlets by Unpopular Books, including Asger Jorn, Open Creation and Its Enemies, 1994.

Plate 4. Mao’s Little Red Book as spiritual atom bomb. “Turn philosophy into a sharp weapon in the hands of the masses,” circa 1971. Courtesy of IISH/Stefan R. Landsberger Collections, Chineseposters.net.

Plate 5. Antonin Artaud, Spell for Roger Blin, circa May 22, 1939, recto. Copyright ADAGP, Paris and DACS, London 2015.

Plate 6. Antonin Artaud, Spell for Roger Blin, circa May 22, 1939, verso. Copyright ADAGP, Paris and DACS, London 2015.

Plate 7. Inside pages from Guy-Ernest Debord, Mémoires (Copenhagen: Internationale situationniste, 1959), “supporting structures” by Asger Jorn. Photograph by Mehdi El Hajoui. Courtesy of Alice Debord.

Plate 8. Inside pages from Guy-Ernest Debord, Mémoires (Copenhagen: Internationale situationniste, 1959), “supporting structures” by Asger Jorn. Photograph by Mehdi El Hajoui. Courtesy of Alice Debord.

Plate 9. Jacqueline de Jong, pages from “Critique of the Political Practice of Détournement,” The Situationist Times no. 1 (1962).

Plate 10. “Ceci n’est pas un magazine,” artwork concept by Quim Gil, drawn by Damian Jaques, Mute 1, no. 19 (2001).

Plate 11. The Mute broadsheet, no. 2 (1995), featuring artwork from BANK’s “Zombie Golf” exhibition combined with stock golf landscape.

Plate 12. The Mute Print on Demand booklet. Cover of 2, no. 0 (2005), features Maternita, a Chainworkers’ poster by Angela Rindone. Cover of 2, no. 4 (2007), is by Pauline van Mourik Broekman.

Plate 13. Wu Ming’s portrait, 2001–2008.