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Notes

table of contents
  1. Cover
  2. Half Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Contents
  7. Introduction: Find Something New in the Old
  8. 1. Cut: Little Gidding’s Feminist Printing
  9. 2. Copy: Edward Benlowes’s Queer Books
  10. 3. Paste: John Bagford’s History of the Book
  11. Epilogue: Goodbye to Much That Is Familiar
  12. Acknowledgments
  13. Notes
  14. Index
  15. About the Author
  16. Color Plates

Three rectangular paper cutouts placed on the backside of a yellowed typeset page; each shows a word of the title in large black print.

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Portions of chapter 1 are adapted from “Media, Materiality, and Time in the History of Reading: The Case of the Little Gidding Harmonies,” PMLA 133, no. 5 (2018): 1135–51; reprinted by permission of the copyright owner, The Modern Language Association of America (mla.org). Portions of chapter 1 are also adapted from “Women’s Labor and the Little Gidding Harmonies,” in The Routledge Companion to Women, Sex, and Gender in the Early British Colonial World, ed. Kimberly Anne Coles and Eve Keller (2019), 120–35; reprinted with permission of Informa UK Limited through PLSclear. Portions of chapter 3 are adapted from “Creative Destruction and the Digital Humanities,” in The Routledge Research Companion to Digital Medieval Literature, ed. Jennifer E. Boyle and Helen J. Burgess (2018), 47–60; reprinted with permission of Informa UK Limited through PLSclear.

Open access edition funded by the National Endowment for the Humanities. Support for this project provided by the National Endowment for the Humanities, the Mellon Foundation, the Price Lab for Digital Humanities at the University of Pennsylvania, and the Digital Innovation Lab at the University of North Carolina at Chapel Hill.

Copyright 2021 by the Regents of the University of Minnesota

Cut/Copy/Paste: Fragments from the History of Bookwork is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0).
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