The University of Minnesota Press gratefully acknowledges support for the open-access edition of this book from York University.
Portions of the Introduction and chapter 5 were previously published as “Deconstructing Affect: Posthumanism and Mark Hansen’s Media Theory,” Theory, Culture, and Society 28, no. 5 (2011): 3–33. Portions of chapter 2 were previously published in Eiodola: William Brent and Ellen Moffat (Victoria, B.C.: Open Space Arts Society, 2009). Portions of chapter 4 were previously published as “Melancholy and the Territory of Digital Performance,” in Collision: Interarts Practice and Research, ed. David Cecchetto, Nancy Cuthbert, Julie Lassonde, and Dylan Robinson, 77–90 (Newcastle upon Tyne, U.K.: Cambridge Scholars, 2008); published with the permission of Cambridge Scholars Publishing. A different version of chapter 6 was previously published as “Sounding the Hyperlink: Skewed Remote Musical Performance and the Virtual Subject,” Mosaic 42, no. 1 (2009): 1–18.
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Humanesis: Sound and Technological Posthumanism is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0).
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