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Posthumanities: Series List Continued (2 of 2)

Posthumanities
Series List Continued (2 of 2)
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table of contents
  1. Cover
  2. Half Title Page
  3. Series List
  4. Title Page
  5. Copyright Page
  6. Contents
  7. Acknowledgments
  8. Introduction: Posthumanism(s)
  9. Part 1
    1. 1. From Genes to Memes: Ollivier Dyens and the Scientific Posthumanism of Darwinian Evolution
    2. 2. Dark Matters: An Eidolic Collision of Sound and Vision
  10. Part 2
    1. 3. N. Katherine Hayles and Humanist Technological Posthumanism
    2. 4. The Trace: Melancholy and Posthuman Ethics
  11. Part 3
    1. 5. From Affect to Affectivity: Mark B. N. Hansen’s Organismic Posthumanism
    2. 6. Skewed Remote Musical Performance: Sounding Deconstruction
  12. Conclusion: Registration as Intervention: Performativity and Dominant Strains of Technological Posthumanism
  13. Notes
  14. Index
  15. Series List Continued (2 of 2)
  16. Author Biography

(Continued from page ii)

  1. Human Error: Species-Being and Media Machines

    Dominic Pettman

  2. Junkware

    Thierry Bardini

  3. A Foray into the Worlds of Animals and Humans, with A Theory of Meaning

    Jakob von Uexküll

  4. Insect Media: An Archaeology of Animals and Technology

    Jussi Parikka

  5. Cosmopolitics II

    Isabelle Stengers

  6. Cosmopolitics I

    Isabelle Stengers

  7. What Is Posthumanism?

    Cary Wolfe

  8. Political Affect: Connecting the Social and the Somatic

    John Protevi

  9. Animal Capital: Rendering Life in Biopolitical Times

    Nicole Shukin

  10. Dorsality: Thinking Back through Technology and Politics

    David Wills

  11. Bíos: Biopolitics and Philosophy

    Roberto Esposito

  12. When Species Meet

    Donna J. Haraway

  13. The Poetics of DNA

    Judith Roof

  14. The Parasite

    Michel Serres

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The University of Minnesota Press gratefully acknowledges support for the open-access edition of this book from York University.

Portions of the Introduction and chapter 5 were previously published as “Deconstructing Affect: Posthumanism and Mark Hansen’s Media Theory,” Theory, Culture, and Society 28, no. 5 (2011): 3–33. Portions of chapter 2 were previously published in Eiodola: William Brent and Ellen Moffat (Victoria, B.C.: Open Space Arts Society, 2009). Portions of chapter 4 were previously published as “Melancholy and the Territory of Digital Performance,” in Collision: Interarts Practice and Research, ed. David Cecchetto, Nancy Cuthbert, Julie Lassonde, and Dylan Robinson, 77–90 (Newcastle upon Tyne, U.K.: Cambridge Scholars, 2008); published with the permission of Cambridge Scholars Publishing. A different version of chapter 6 was previously published as “Sounding the Hyperlink: Skewed Remote Musical Performance and the Virtual Subject,” Mosaic 42, no. 1 (2009): 1–18.

Copyright 2013 by the Regents of the University of Minnesota

Humanesis: Sound and Technological Posthumanism is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0).
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