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table of contents
  1. Cover
  2. Half Title Page
  3. Series List
  4. Title Page
  5. Copyright Page
  6. Contents
  7. Acknowledgments
  8. Introduction: Posthumanism(s)
  9. Part 1
    1. 1. From Genes to Memes: Ollivier Dyens and the Scientific Posthumanism of Darwinian Evolution
    2. 2. Dark Matters: An Eidolic Collision of Sound and Vision
  10. Part 2
    1. 3. N. Katherine Hayles and Humanist Technological Posthumanism
    2. 4. The Trace: Melancholy and Posthuman Ethics
  11. Part 3
    1. 5. From Affect to Affectivity: Mark B. N. Hansen’s Organismic Posthumanism
    2. 6. Skewed Remote Musical Performance: Sounding Deconstruction
  12. Conclusion: Registration as Intervention: Performativity and Dominant Strains of Technological Posthumanism
  13. Notes
  14. Index
  15. Series List Continued (2 of 2)
  16. Author Biography

Index

  • abjection, 93, 141
  • acoustic: instruments and performance, 126–27, 148–49, 196n77; space, 155, 157–58, 170n39, 196n75
  • actuality. See virtuality
  • Adorno, Theodor, 186n119
  • advertising: clones and, 44; need creation in, 77–78
  • affect (and affectivity), 15–6, 111, 121, 124–26, 128–30, 135, 140, 142–43
  • Agamben, Giorgio: apparatuses in, 6; praxis in, 168n26; subjectivity in, 167n10
  • agency: in Butler, Judith, 101, 104, 106; contingent, distributed, embodied, and machinic, 11, 26, 54, 78–83, 89, 135–36, 172n18; genetic determinism and, 11, 29–30; in Hansen, Mark B. N., 138, 141–42; in SRMP, 156–57, and technoculture, 164–65, in The Trace, 97–99, 103
  • Ambassadors, The (artwork), 194n58
  • anamorphosis, 124, 194n58
  • Anderson, Pamela, 34
  • Antigone’s Claim (Butler), 15, 101
  • any-space-whatever, 194n68
  • apparatuses, 6, 14, 167n10; sensory and perceptual, 4, 9, 38, 66, 133
  • appearance, 2, 55, 124, 177n74, 186n119, 194n58, 196n74, 202n24
  • arche-trace, 118, 175n50
  • Arendt, Hannah, 21, 181n28, 190n26
  • art, new media, 8–10, 162–64
  • Asimov, Isaac, 113
  • assemblage, Deleuzian, 162
  • ASW, 194n68
  • aurality, 2–3, 9
  • auresis, 154
  • autism, 86, 187n126
  • autopoiesis, 66–67, 135, 138–39, 180n12, 199n119
  • Badmington, Neil, 7, 203n5
  • Barad, Karen, 111, 114, 121
  • Baron in the Trees, The (Calvino), 47
  • Barthes, Roland, 183n65
  • Basement Suite (artwork), 48–52, 54–57, 179n6
  • Baudrillard, Jean, 45, 86, 170n5, 173n31, 186n119, 202nn23–24
  • Bauer, Will, 95
  • Beauvoir, Simone de, 212, 159, 174n48
  • Benjamin, Walter, 120, 184n91
  • Bergson, Henri, 175n57
  • Bergsonism (Deleuze), 175n57
  • Blanchot, Maurice, 163
  • Bodies in Code (Hansen), 111–12, 119, 121, 132–43
  • bodily spacing (interval), 125
  • Bostrom, 174n43
  • Bott, E. A., 155
  • Bourdieu, 118–19, 192n37
  • Brecht, Bertold, 111
  • Brent, William, 11–12, 16, 48–56, 200n3
  • Bryson, Mary, 189n14
  • Butler, Judith, 34, 36, 58, 93, 107, 130–31, 141, 189n20, 190n22, 190nn28–29; and melancholy, 11, 15, 100–106
  • Callus, Ivan, 7
  • Calvino, Italo, 47
  • capitalism, 90, 164
  • chaos, 176n62
  • Chung, Wendy Hui Krong, 185n105
  • cloning. See advertising
  • code, worldview of, 70–76, 80, 83, 86–87, 182n45, 189n9
  • cognition: autopoiesis and, 135; cognisphere and, 67; cognitive ecology and, 41; computational, 85; conceptual integration and, 135, 198n108; distributed, 14, 76–87, 119, 129; reason and, 104, 190n26
  • complexity, 23, 27, 40, 68, 72, 138, 176n62, 182n40, 199n119
  • computation, 73, 75, 80, 87, 99, 107, 138, 181n34, 181n36; regime of (RoC), 67–71, 81, 86, 164, 180n28
  • constructivism, 84–85; anti-, 35–36
  • convergence, media, 102–3
  • Cronin, Helena, 174n46
  • cultural bodies (Dyens), 13, 21, 23, 25–27, 30–41, 44–47, 57–58, 89, 169n30, 198n108
  • cybernetics, 63–67, 80, 89, 91, 185n98, 191n17
  • cyberspace, 125, 140
  • cyborg, 13, 64, 67, 80, 169n30
  • data. See information
  • database, 5, 73–74, 84, 183n59, 183n61
  • Davies, Char, 32, 163, 187n2
  • Dawkins, Richard, 11, 13–14, 21–30, 34–36, 38, 40–43, 57–59, 87, 170n8, 178n80, 183n61, 183n72, 186n114
  • Dean, Jodi, 199n138
  • deconstruction, 8, 11, 14, 16, 70, 72, 75, 102, 111, 115, 117, 130, 132, 135–37, 143, 145, 149–51, 158, 162, 181n37, 182n38, 193n48, 201n10
  • Deleuze, Gilles, 2, 40, 80, 89, 114, 138, 142, 157, 162, 175n57, 186n114, 187n131, 194n68
  • Derrida, Jacques, 10–11, 70, 72, 75, 82, 102, 115–18, 120, 129–30, 136–37, 143, 145, 149, 163, 175, 181n37, 182n38, 192n28, 193n44
  • desire, 13, 34, 86, 98–106, 142–43
  • determinism: genetic, 11, 23, 29, 33–34, 42, 174n47; linguistic, 117; technological, 74–75, 81, 89
  • différance, 85, 116, 132, 149
  • digital humanities, 9
  • digitality, 125, 129, 140–41, 157, 159
  • disappearance, 33–34, 51, 54–55, 59, 93, 96, 116
  • disembodiment, 65, 70, 89–90, 97–98, 103, 134, 140, 164
  • Doris, John, 23–24, 28
  • Drucker, Johanna, 9
  • dualism, 185n104
  • Duchamp, Marcel, 47
  • duration, 154
  • Dutton, Dennis, 170n8
  • Dyens, Ollivier, 11, 13–14, 21–45, 47, 57, 59, 68, 131, 133–34, 138, 159, 161–62, 169nn29–30, 169n33, 172n22, 172n26, 174n46, 176n62, 177nn74–74, 178n77, 198n108, 203n5
  • écart, 127
  • Eidola (art exhibition), 11–12, 14, 48–53, 56–60
  • Embodying Technesis (Hansen), 111, 112, 115, 120, 136
  • empiricism, 29, 38, 47, 177n71
  • Enlightenment, Dialectic of (Adorno and Horheimer), 186n119
  • Éphémère (artwork), 187n2
  • epiphylogenesis, 171n15
  • ethics: in Hayles, 81–83, 86–90, 185n107; posthuman, in The Trace, 93, 98–107, 189n13
  • Euclidean geometry, 70, 170n39
  • Evens, Aden, 2
  • evolution, Darwinian, 22–23, 25, 28, 33, 36–37, 43–45, 59, 68, 170n8
  • extension: technological, 121, 132, 158, 169n31, 174n43; technology as, 5–6, 97–98
  • False Ruminations (artwork), 48–49, 51–54, 56–57
  • Farmer, Doyne, 172n26
  • feminism, 88, 114
  • fieldness, 16, 145, 170n39
  • file sharing, 31
  • Fodor, Jerry, 28
  • Foucault, Michel, 180n5
  • Freed, Janet, 88, 187n130
  • Freud, Sigmund, 100, 105
  • Gane, Nicholas, 195n98
  • Gonzalez, Jennifer, 140, 193n43, 199n138
  • Gould, Stephen, 177n72
  • grammatology, 115–20, 128, 137, 142, 152, 158, 161
  • Grigar, Dene, 185n95
  • Grosz, Elizabeth, 170n8
  • Guattari, Félix, 2, 40, 78–80, 138, 142, 186n114, 187n131
  • gynesis, 114–15
  • Hansen, Mark B. N., 5, 11–12, 15–16, 77, 111–43, 145, 151, 153–58, 159, 161–62, 164, 168n22, 171n15, 177n73, 188n7, 190n1, 191n12, 193n48, 194n68, 197n80, 197n83, 197nn86–87, 197n97, 198n101, 198n112, 199n125, 203n29; and Internet passing, 140–43
  • Haraway, Donna, 63–64, 171n15
  • Harnad, Stevan, 28
  • Harpold, 194n58
  • hauntology, 14, 182n38
  • Hayles, N. Katherine, 6, 8–9, 11, 26, 36, 42, 57–58, 63–91, 93–94, 97, 99, 101, 107–8, 113, 120, 130, 138–39, 151, 161, 164, 172n18, 173n33, 175n50, 176n61, 177n67, 180n5, 180n18, 180n21, 180n28, 181n34, 181n37, 182n53, 183n76, 184n78, 184n91, 185n105, 185n107, 186n114, 186n116, 187n126, 187n131, 189n9, 189n17, 193n48, 197n86, 201n10, 203n3, 203n5; and intermediation, 14–16, 63, 71–74, 76, 79, 81–82, 84, 86, 90, 99, 131, 133, 145, 159, 162, 182n40, 183n58
  • Hegarty, Paul, 9
  • Herbrechter, Stefan, 7
  • Hiebert, Ted, 50–51, 179n14, 196n74
  • hoax, 126–27, 195n72
  • Holbein, Hans, 194n58
  • homeostasis, 65
  • Horkheimer, Max, 186n119
  • Hrdy, Sarah, 178n84
  • humachine, 7
  • humanesis, 8, 10, 161
  • humanism, liberal, 65, 75, 81–82, 88, 91, 161, 189n12
  • hyperhuman, 39, 89
  • hyperreal, 77
  • ideological fantasy 37, 175n54
  • illogic, 154–55
  • illusion, 37, 98, 124, 127, 188n5, 196n75, 202n24; teleological, 69, 85
  • imagination, 38, 53, 59, 85, 127, 194n58, 196n74
  • immersion, 48, 52, 55, 96, 103, 134
  • incommensurability (of sound and vision), 48, 56
  • individualism, possessive, 75, 78, 81, 88–89
  • information, 8, 13–15, 21, 23, 25–26, 32–33, 64–89, 97, 102, 120–21, 130–33, 164, 180n7, 185n98, 201n13; and data, 21, 26, 29, 31, 34, 39, 42–43, 47, 65, 86–7, 90, 93–94, 96–98, 103, 152, 164–65, 187n126; and noise, 66, 72, 85, 182n53, 201n16; technologies, 75, 89, 187n131
  • infratactility, 155
  • injunction: to mean, 37, 85, 106, 130; to measure, 34
  • instrumentality, 54, 126–28
  • intention, 23–24, 59, 80, 119–20
  • interface culture, 5
  • intermediation. See Hayles, N. Katherine
  • Internet passing, 140–43
  • interval (bodily spacing), 125
  • Jameson, Fredric, 15
  • Jardine, Alice, 114
  • Jarry, Alfred, 194n74
  • Johnson, Stephen, 5
  • Johnston, John, 182n45
  • Jones, Steven, 153
  • Kahn, Douglas, 1, 9, 47
  • Kroker, Arthur, 27, 33, 172n20
  • Kruegers, Mylon, 188n7
  • Kurzweil, Ray, 45, 178n83
  • Lacan, Jacques, 7, 34, 64, 78, 80, 82, 88, 89, 91, 100–102, 105, 114, 184n85, 185n98, 187n131, 189n12, 193n46, 194n58
  • Langton, Christopher, 171n15
  • Latour, Bruno, 176n58, 181n37
  • law, 31, 125, 176n62; and file sharing, 77; of media (tetrad), 6, 162, 167n12, 169n33, 178n1; of nature, 66, 173n34, 186n119; and normative subjectivity, 101, 105–6, 142, 190n29; of reproduction, 22, 44
  • Lazzarini, Robert, 16, 112, 121–22, 125
  • Legible City, The (artwork), 187n3
  • Lenoir, Tim, 121
  • Leroi-Gourhan, André, 171n15
  • locative, 94, 187n2
  • logocentrism, 116, 118
  • Lozano-Hemmer, Rafael, 11, 15, 93, 95–96, 98, 198n101
  • Ludbots, 49, 51, 53–54
  • Luhmann, Niklas, 137, 159, 177n74
  • Luper, Stephen, 172n26
  • Macy conferences, 65, 187n130
  • Manovich, Lev, 5, 73–75, 84
  • Massumi, Brian, 64, 179n4
  • Maturana, Humberto, 66
  • MaxMSP, 127–28, 196n76, 200n1
  • Maxwell, Nicholas, 177n71
  • McCulloch, Warren, 65
  • McLuhan, Marshall, 6–7, 16, 30, 37–38, 44, 47, 107, 145, 155, 157–58, 162, 167n12, 170n39; phonetic alphabet in, 152, 181n36, 201n13; and the tetrad, 6–7, 167n12
  • mean, injunction to. See injunction
  • mediality, 9–10, 32, 38, 49, 51–52, 96–97, 107, 155, 168n22, 202n21
  • mediascape, 30, 73
  • melancholy. See Butler, Judith
  • meme, 25–27, 29–30, 33, 38, 41, 45, 47, 159, 171n12, 173n39
  • Merleau-Ponty, Maurice, 119, 138, 197n97
  • mimesis, 118–19
  • Mirowski, Philip, 41–43, 177n67
  • Moffat, Ellen, 11, 48, 50, 52, 54–56
  • Moravec, Hans, 65
  • morphological resemblance, 84–85
  • Mudede, Charles, 9
  • narrative, 5, 12, 15; and alibi, 35; and evolution, 22, 29–30, 35, 37, 58; and intermediation, 71, 73–74, 83–87, 90, 181n34, 183n58; and subjectivity, 101–2
  • Neumann, John von, 65
  • New Philosophy for New Media (Hansen), 111, 125, 190n1, 199n125
  • Nisbitt, Richard, 174n47
  • noise, information and. See information
  • Noise, Water, Meat (Kahn), 1, 47
  • normativity, 93, 98–99, 101–2, 105–6
  • organism, 27, 66, 80, 125, 135, 172n26; -ic (posthumanism), 15, 16, 111–12, 130, 135, 137, 139, 140, 142, 145, 153
  • Osmose (artwork), 187n2
  • overtones, 3
  • Parables for the Virtual (Massumi), 179n4
  • parallax, 69
  • Parasite, The (Serres), 178n2, 201n16
  • parasitism, sound and, 1, 47, 156, 161
  • Paroxysm (Baudrillard), 170n5, 172n20, 186n119
  • pataphysics, 127–28, 195n69, 196n74
  • pattern, dialectic of randomness and, 63, 67, 79, 151, 175n50, 180n7, 182n53, 201n10; informational, 74, 80, 165
  • performativity, 11, 70, 72, 132, 141–42, 158; and deconstruction, 8
  • possessive individualism, 75, 78, 81, 88–89
  • Poster, Mark, 7, 31, 173n33
  • posthumanism, technological, 7–8, 11
  • Postman, Neil, 172n22
  • praxis, 11, 168n26
  • Precarious Life (Butler), 189n18, 190n22
  • presensory, 56–57, 128, 130
  • procedure, 7, 10
  • Psychic Life of Power, The (Butler), 190n29
  • psychoanalysis, 78, 91, 185n98
  • randomness. See pattern, dialectic of randomness and
  • regime of computation (RoC). See computation, regime of
  • relationality, 4–5, 10, 63, 68, 73, 81, 97, 106–7, 183n59, 189n14; of desire, 99–100, 105, 158; of sound, 2, 16, 58, 128, 145, 152–54
  • replication, replicators and, 23–28, 30, 34–35, 38, 44–45, 47, 178n80
  • representationalism, 16, 112, 114–15, 127, 132, 141, 153, 191n12
  • RFID, 184n78
  • RoC. See computation, regime of
  • Rushton, P. J., 174n47
  • Sartre, Jean-Paul, 3
  • Saussure, Ferdinand de, 72, 183n75
  • schema, body, 138–39, 188n7, 197n97
  • Schwanitz, Dietrich, 137, 191n17
  • science: conditions of, 11, 167n12, 169n33, 170n1; and progressivism, 22, 39, 176n58; and truth claims, 14, 21–23, 33–39, 41–46, 175nn56–57, 177n74
  • Seduction (Baudrillard), 202n24
  • Selfish Gene, The (Dawkins), 25, 29, 57, 178n80
  • selfish gene (theory), 11, 13, 21, 23, 25, 29–30, 43, 57–58, 183n61
  • Serres, Michel, 47, 54, 57, 154, 178n2, 185n104, 201n16
  • Shaw, Jeffrey, 187n3
  • Shepherd, John, 157, 202n27
  • simulation, 30, 39–40, 68, 74, 89, 127, 132, 134, 138, 159, 173n31, 188n6, 202n24
  • singularity, 45, 178n83
  • skeuomorph, 67, 180n21
  • Skewed Remote Musical Performance (SRMP; artwork), 12, 16, 145–58
  • skulls (artwork), 16, 112, 121–25, 128–29, 134, 194n58
  • software, 6, 128; ideology, 81, 185n105
  • sound, 1–4, 9–10, 16, 47–60, 96–98, 126–29, 167n3, 178n2, 188n5, 201n6, 202nn20–21; versus literal sounds, 2, 53–54, 145, 150–58, 196n77
  • Sound (artwork), 16, 112, 126–29, 195nn69–72, 196n77, 196nn81–82
  • Spivak, Gayatri Chakravorty, 118
  • Spooky, DJ, 9
  • Stengers, Isabelle, 175n56
  • Stiegler, Bernard, 171n15
  • Sublime Object of Ideology, The (Žižek), 175n54, 181n33, 193n46
  • SuperCollider, 146, 200n1
  • survival machines, 24
  • symbiotic relation, 84; and symbionts, 74, 80, 83, 90
  • symptom, Žižekian, 69–70
  • tautology, 13, 28–30, 36, 40, 57, 68, 172n26
  • technesis, 16, 112, 114–15, 120, 131, 142
  • technics, technicity and, 11, 55, 77, 117, 129, 131, 132–36, 138–39, 162, 171n15, 192n28, 197n80
  • technogenesis, 111, 129, 133
  • tele-embodiment, 98–99
  • teleological illusion, 69, 85
  • telepresence, 11–12, 15, 93–94, 97–99, 106–7, 188n6, 198n101
  • tetrad (laws of media), 6, 162, 167n12, 169n33, 178n1
  • Théberge, Paul, 128
  • timbre, 3, 126
  • Trace, The (artwork), 11–12, 15, 93–100, 102–7
  • trace, arche-, 118, 175n50
  • transhumanism, 13, 34, 65, 169n29, 169n31, 174n43
  • trompe l’oeil, 157, 202n24
  • unconscious, the, 24, 78, 80, 184n85
  • undecidability, 72, 107, 158, 160, 193n44
  • unknowability, 53, 100, 112
  • value-form, 105, 190n28
  • Varela, Francisco, 66, 135, 139, 180n18
  • Videoplace (artwork), 188n7
  • Viola, Bill, 76
  • Virilio, Paul, 106–7
  • virtual: -ity, 67, 93, 128–29, 170n39; and the actual, 78, 107, 134; architectures and spaces, 84, 96, 188n6; lebensraum, 98; music and sounds, 128, 157; reality, 27, 32, 102–3, 132–33
  • vision, visibility and, 3, 9, 14, 47–49, 51, 53, 56–59, 93, 111, 121, 124–26, 128–29, 140–41, 157–58, 173n35, 182n45, 202n24
  • visual space, 47–48, 152, 178n1
  • vitality, 45
  • vulnerability, 101–2, 190nn22–23
  • wetware, 121
  • What Is Posthumanism? (Wolfe), 137, 145, 159, 174n43, 177n74, 199n119, 203n3
  • Whitney Museum of Modern Art, 121–22
  • Wicke, Peter, 157
  • Wiener, Norbert, 65, 185n98
  • Winner, Langdon, 27
  • Wolfe, Cary, 82, 137, 145, 159, 174n43, 179n5, 179n1, 190n24, 199n119, 203n3
  • Wolfram, Steven, 68–69, 75
  • Žižek, Slavoj, 37, 69, 78–79, 101, 184n85, 193n46

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The University of Minnesota Press gratefully acknowledges support for the open-access edition of this book from York University.

Portions of the Introduction and chapter 5 were previously published as “Deconstructing Affect: Posthumanism and Mark Hansen’s Media Theory,” Theory, Culture, and Society 28, no. 5 (2011): 3–33. Portions of chapter 2 were previously published in Eiodola: William Brent and Ellen Moffat (Victoria, B.C.: Open Space Arts Society, 2009). Portions of chapter 4 were previously published as “Melancholy and the Territory of Digital Performance,” in Collision: Interarts Practice and Research, ed. David Cecchetto, Nancy Cuthbert, Julie Lassonde, and Dylan Robinson, 77–90 (Newcastle upon Tyne, U.K.: Cambridge Scholars, 2008); published with the permission of Cambridge Scholars Publishing. A different version of chapter 6 was previously published as “Sounding the Hyperlink: Skewed Remote Musical Performance and the Virtual Subject,” Mosaic 42, no. 1 (2009): 1–18.

Copyright 2013 by the Regents of the University of Minnesota

Humanesis: Sound and Technological Posthumanism is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0).
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