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The Prettiest Woman: Series List

The Prettiest Woman
Series List
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Notes

table of contents
  1. Cover
  2. Half Title Page
  3. Series List
  4. Title Page
  5. Copyright Page
  6. Dedication
  7. Contents
  8. Like Clockwork: “Bring the Jobs Back to America”
  9. She’s a Pretty Woman
  10. Nostalgia
  11. A Hollywood Genealogy
  12. Cold Calling Is a Mug’s Game
  13. Wall Street
  14. You Are the Suit You Wear
  15. Raymond Williams: A Brief Word
  16. The Patient Is on Life Support but Is Not Yet Dead
  17. The Baseness of/in the Superstructure
  18. Working Women
  19. Late Industrial Capitalism 1: “Making Things in America”
  20. Late Industrial Capitalism 2: Nostalgia and Grievance
  21. On Morality: A Brief Žižekian Word
  22. It’s Big in Japan
  23. The Boro Aesthetic
  24. Bastard 1
  25. A New Economy of the Prostitute and Its Dangers
  26. My Fair Lady, Beverly Hills Style
  27. All a Pretty Prostitute Needs Is Her Own Dr. Henry Higgins
  28. The Upside of Not Knowing Which Fork to Use
  29. Who’s Driving Edward Lewis?
  30. Bastard 2: The Hostility of the Takeover
  31. Oedipal Drama, Pretty Woman Style
  32. Making and Unmaking in the Oedipal Family Drama
  33. To Make Something
  34. Father’s Son, Mother’s Son: The Enduring Phantasmatic Father
  35. The Žižekian Ethics of Mick Jagger
  36. “It Must Be Very Difficult to Let Go of Something So Beautiful”
  37. To Steal, to Make of Steel
  38. Acknowledgments
  39. Series List Continued (2 of 2)
  40. Author Biography

Forerunners: Ideas First

Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

From the University of Minnesota Press

  • Grant Farred

    The Prettiest Woman: Nostalgia for Late Industrial Capitalism

  • Michael Rubenstein

    Pipeline Noir: Seeing Oil through Chinatown

  • Andrea Righi

    Three Economies of Transcendence

  • Nadine Ehlers, Anthony Ryan Hatch, Amade Aouatef M’charek, and Anne Pollock

    The Racial Cage

  • Matthew J. Wolf-Meyer, Editor

    Proposals for a Caring Economy

  • Ela Przybyło

    Ungendering Menstruation

  • Laurent Dubreuil

    Humanities in the Time of AI

  • Melody Jue

    Coralations

  • Imre Szeman

    Futures of the Sun: The Struggle over Renewable Life

  • Chris Washington

    Nonbinary Jane Austen

  • Jordan S. Carroll

    Speculative Whiteness: Science Fiction and the Alt-Right

  • Shenila Khoja-Moolji

    The Impossibility of Muslim Boyhood

  • Cait McKinney

    I Know You Are, but What Am I? On Pee-wee Herman

  • Lisa Diedrich

    Illness Politics and Hashtag Activism

  • Mark Foster Gage

    On the Appearance of the World: A Future for Aesthetics in Architecture

  • Tia Trafford

    Everything Is Police

  • EL Putnam

    Livestreaming: An Aesthetics and Ethics of Technical Encounter

  • Dominic Boyer

    No More Fossils

  • Sharad Chari

    Gramsci at Sea

  • Kathryn J. Gindlesparger

    Opening Ceremony: Inviting Inclusion into University Governance

  • J. Logan Smilges

    Crip Negativity

  • Shiloh Krupar

    Health Colonialism: Urban Wastelands and Hospital Frontiers

  • Antero Garcia

    All through the Town: The School Bus as Educational Technology

  • Lydia Pyne

    Endlings: Fables for the Anthropocene

  • Margret Grebowicz

    Rescue Me: On Dogs and Their Humans

  • Sabina Vaught, Bryan McKinley Jones Brayboy, and Jeremiah Chin

    The School–Prison Trust

  • After Oil Collective; Ayesha Vemuri and Darin Barney, Editors

    Solarities: Seeking Energy Justice

  • Arnaud Gerspacher

    The Owls Are Not What They Seem: Artist as Ethologist

  • Tyson E. Lewis and Peter B. Hyland

    Studious Drift: Movements and Protocols for a Postdigital Education

  • Mick Smith and Jason Young

    Does the Earth Care? Indifference, Providence, and Provisional Ecology

  • Caterina Albano

    Out of Breath: Vulnerability of Air in Contemporary Art

  • Gregg Lambert

    The World Is Gone: Philosophy in Light of the Pandemic

(Continued on page 96)

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Excerpts from “Street Life,” words and music by Will Jennings and Joe Sample, copyright 1979 Irving Music, Inc. and BMG Rights Management (UK) Ltd.; all rights for BMG Rights Management (UK) Ltd. administered by BMG Rights Management (US) LLC.; all rights reserved; used by permission; reprinted by permission of Hal Leonard LLC.

The Prettiest Woman: Nostalgia for Late Industrial Capitalism by Grant Farred is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
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