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Futures of Digital Scholarly Editing: Acknowledgments

Futures of Digital Scholarly Editing
Acknowledgments
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table of contents
  1. Cover
  2. Half Title Page
  3. Title Page
  4. Copyright Page
  5. Contents
  6. Acknowledgments
  7. Introduction
  8. Part 1. Transformations of Textual Scholarship
    1. 1. Distant Editing: The Challenges of Computational Methods to the Theory and Practice of Textual Scholarship
    2. 2. Beyond Social Editing: Peer-to-Peer Systems for Digital Editions
    3. 3. Creative Ecologies: The Complete-Works Edition in a Digital Paradigm
    4. 4. Charles W. Chesnutt and the Generous Edition: Collations, Annotations, and Genetic Histories
    5. 5. Computational Literary Studies and Scholarly Editing
    6. 6. The Walt Whitman Archive at a Quarter of a Century
  9. Part 2. The Convergence of Digital Archiving and Scholarly Editing
    1. 7. Digital Archival Ethics: Representation, Access, and Care in Digital Environments
    2. 8. Categories of Freedom: Colored Conventions, End-Movement Discourse, and the Nineteenth-Century Black Protest Tradition
    3. 9. Not Reading the Edition
    4. 10. Indigenous Publishing, Scholarly Editing, and the Digital Future
    5. 11. Preserving the Walt Whitman Archive
    6. 12. Unsilent Springs: Dearchivizing the Data Choirs of Dickinson’s Time-Shifted Birds
    7. Afterword
  10. Contributors
  11. Index

Acknowledgments

This book emerged from an in-person event that took a small village to make happen. Thank you to Erin Chambers, Marco Abel, Claire Parfait, William G. Thomas III, Bob Wilhelm, Kevin McMullen, Brett Barney, and the staff of The Oven. Attendees of the symposium and the faculty and staff of the University of Nebraska–Lincoln’s Center for Digital Research in the Humanities also influenced the essays that follow: thanks to Steve Ramsay, Melissa Homestead, Karin Dalziel, Greg Tunink, Laura Weakly, Brian Pytlik Zillig, Carrie Heitman, Andy Jewell, Liz Lorang, and Emily Rau.

We are grateful to the staff of the University of Minnesota Press for their vision, guidance, support, and talent. Thank you, Doug Armato, Zenyse Miller, Terence Smyre, Mike Stoffel, Carla Valadez, and Eric Lundgren. We are grateful to Daniel Fielding for an insightful index. Thank you to Trevor Owens and an anonymous external reader for suggestions that improved the collection.

The publication of this book and its Manifold version was supported by a University of Nebraska–Lincoln College of Arts and Sciences research development grant. The symposium at UNL that preceded it, “The Walt Whitman Archive and the Futures of Digital Scholarly Editing,” was supported by the College of Arts and Sciences, the Office of Research and Economic Development, the university libraries, the Department of English, and the Hillegass University Professorship.

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The University of Minnesota Press gratefully acknowledges the financial assistance provided for the publication of this book by the University of Nebraska–Lincoln.

Portions of chapter 12 are adapted from “Sparrow Data: Dickinson’s Birds in the Skies of the Anthropocene,” The Emily Dickinson Journal 30, no. 1 (2021): 45–84.

Copyright 2024 by the Regents of the University of Minnesota

Futures of Digital Scholarly Editing is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0): https://creativecommons.org/licenses/by-nc-nd/4.0/.
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