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Notes

table of contents
  1. Cover
  2. Half Title Page
  3. Title Page
  4. Copyright Page
  5. Contents
  6. Acknowledgments
  7. Introduction: The Matrix of Photography and Cinema
  8. 1. Photosophia: Visualizing the Racialized Cosmos in the Seventeenth Century
  9. 2. Kinemorphosis: Cosmological Animation and History’s Whiteness
  10. 3. Photoimaging Hieroglyphs: Blackening, Anti-Blackness, and Proto-Photography
  11. 4. Photology: Black Light, the Wave Theory of Light, and Pre-Photography
  12. 5. Selenography: The Moon, Slavery, and the Dark Side of Photography
  13. 6. The Graphic Method: Time-Tracing, Colonial Supremacy, and Astrophotography
  14. 7. Flammarion’s Telechronoscope: The End of Natural History and the Beginning of Cinema
  15. Conclusion: The Matrix of Photocinema and the Moral Universe
  16. Notes — (1 of 2)
  17. Notes — Continued (2 of 2)
  18. Index — (1 of 2)
  19. Index — Continued (2 of 2)
  20. Author Biography

Black Light Revealing the Hidden History of Photography and Cinema

Christophe Wall-Romana

University of Minnesota Press

Minneapolis

London

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Black Light: Revealing the Hidden History of Photography and Cinema is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0).
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