Skip to main content

The New Real: Cover

The New Real
Cover

  • Show the following:

    Annotations
    Resources

  • Adjust appearance:

    Font
    Font style
    Color Scheme
    Light
    Dark
    Annotation contrast
    Low
    High
    Margins
  • Search within:
    • Notifications
    • Privacy
  • Project HomeThe New Real
  • Projects
  • Learn more about Manifold

Notes

table of contents
  1. Cover
  2. Title Page
  3. Copyright Page
  4. Contents
  5. Introduction
  6. Chapter 1. Welcome to the New Real! What Media? Which Mimesis? Why Japan?
  7. Chapter 2. Stereomimesis: Stereograph, Panoramic Parallax, and the 3D Printing of Nostalgia
  8. Chapter 3. Schizoasthenic Media: Record, Reappropriation, and Copyright
  9. Chapter 4. Copycat Rivalries: Teleplay, Mask, and Violence
  10. Chapter 5. Interpassive Ecomimesis: Gaming the Real
  11. Chapter 6. Mediated Expressions: Emoji’s E-mimesis
  12. Conclusion. The Real Renewed: Rendering Techno-orientalism
  13. Acknowledgments
  14. Notes
  15. Index
  16. About the Author

Black cover with holographic columns of Japanese pictographs depicting rabbit, rope, faces, etc. that look like emoji.

Annotate

Next Chapter
The New Real
Next
The University of Minnesota Press gratefully acknowledges support for the open-access publication of this book from the Department of Asian Studies at Penn State University, with help from the Janssen Family Fund in Asian Studies.

Portions of chapter 4 are adapted from “Masked Justice: Allegories of the Superhero in Cold War Japan,” Japan Forum 26, no. 2 (2014): 187–208; reprinted by permission of Taylor & Francis Ltd., http://www.tandfonline.com. Portions of the Conclusion are adapted from “Not Everyone 💩s; or, The Question of Emoji as ‘Universal’ Expression,” in Emoticons, Kaomoji, and Emoji: The Transformation of Communication in the Digital Age, ed. Elena Giannoulis and Lukas R. A. Wilde, 25–43 (New York: Routledge, 2019); reprinted by permission of Taylor & Francis Group, LLC, a division of Informa PLC; permission conveyed through Copyright Clearance Center Inc.

Copyright 2022 by the Regents of the University of Minnesota
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org