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Postcolonial Biology: Postcolonial Biology

Postcolonial Biology
Postcolonial Biology

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Notes

table of contents
  1. Cover
  2. Half Title Page
  3. Title Page
  4. Copyright Page
  5. Contents
  6. Prologue: Oh! Calcutta!
  7. Introduction: Plasticity, Hybridity, and Postcolonial Biology
  8. 1. “No Escape from Form”: Saleem’s Spittoon, Padma’s Musculature, and Neoliberal Hybridity in Salman Rushdie’s Midnight’s Children
  9. 2. Shibboleth: Hybridity, Diaspora, and Passing in Hari Kunzru’s The Impressionist
  10. 3. Doyle Plays Sherlock: Julian Barnes’s Unofficial Englishmen, Arthur and George
  11. Epilogue: The Good Life
  12. Acknowledgments
  13. Notes
  14. Bibliography
  15. Index
  16. Author Biography

Postcolonial Biology

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The University of Minnesota Press gratefully acknowledges the generous support provided for this open access edition by Emory University.

Copyright 2017 by the Regents of the University of Minnesota

Postcolonial Biology: Psyche and Flesh after Empire is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0): https://creativecommons.org/licenses/by-nc-nd/4.0/. No part of this publication may be utilized for purposes of training artificial intelligence technologies.
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