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table of contents
Contents
- Prologue: Oh! Calcutta!
- Introduction: Plasticity, Hybridity, and Postcolonial Biology
- “No Escape from Form”: Saleem’s Spittoon, Padma’s Musculature, and Neoliberal Hybridity in Salman Rushdie’s Midnight’s Children
- Shibboleth: Hybridity, Diaspora, and Passing in Hari Kunzru’s The Impressionist
- Doyle Plays Sherlock: Julian Barnes’s Unofficial Englishmen, Arthur and George
- Epilogue: The Good Life
- Acknowledgments
- Notes
- Bibliography
- Index
- Author Biography