A portion of chapter 2 was previously published in a different form in German as “Alfred Döblins Gespräche mit Kalypso. Über die Musik als Modell der Modernen Kunst,” in Der Sturm: Literatur, Musik, Graphik und die Vernetzung in der Zeit des Expressionismus, ed. Henriette Herwig and Andrea von Hülsen-Esch (Berlin: DeGruyter, 2015), 229–45. A portion of chapter 3 was previously published in a different form in “The Translucent (Not Transparent) Gesamtglaswerk,” in The Total Work of Art: Foundations, Articulations, Inspirations, ed. David Imhoof, Margaret Eleanor Menninger, and Anthony J. Steinhoff (New York: Berghahn Books, 2016), 157–82.

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