Skip to main content

Four Metaphors of Modernism: Contents

Four Metaphors of Modernism
Contents
    • Notifications
    • Privacy
  • Project HomeFour Metaphors of Modernism
  • Projects
  • Learn more about Manifold

Notes

Show the following:

  • Annotations
  • Resources
Search within:

Adjust appearance:

  • font
    Font style
  • color scheme
  • Margins
table of contents
  1. Cover
  2. Half Title Page
  3. Title Page
  4. Copyright Page
  5. Contents
  6. Overture
  7. Act One. Piano
  8. Act Two. Water
  9. Act Three. Glass
  10. Act Four. Home
  11. Reprise
  12. Acknowledgments
  13. Notes
  14. Bibliography
  15. Index
  16. Color Plates
  17. Author Biography

Contents

  1. Overture
  2. Piano
  3. Water
  4. Glass
  5. Home
  6. Reprise
  7. Acknowledgments
  8. Notes
  9. Bibliography
  10. Index
  11. Color Plates
  12. Author Biography

Annotate

Next Chapter
Overture
PreviousNext
A portion of chapter 2 was previously published in a different form in German as “Alfred Döblins Gespräche mit Kalypso. Über die Musik als Modell der Modernen Kunst,” in Der Sturm: Literatur, Musik, Graphik und die Vernetzung in der Zeit des Expressionismus, ed. Henriette Herwig and Andrea von Hülsen-Esch (Berlin: DeGruyter, 2015), 229–45. A portion of chapter 3 was previously published in a different form in “The Translucent (Not Transparent) Gesamtglaswerk,” in The Total Work of Art: Foundations, Articulations, Inspirations, ed. David Imhoof, Margaret Eleanor Menninger, and Anthony J. Steinhoff (New York: Berghahn Books, 2016), 157–82.

Every effort was made to obtain permission to reproduce material in this book. If any proper acknowledgment has not been included here, we encourage copyright holders to notify the publisher.

Copyright 2018 by the Regents of the University of Minnesota
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org