Index
Page numbers in italics refer to figures and plates.
Abbott, Berenice, 224, 224, 225, 227, 228, 280n181
abstract expressionism, 29, 233
abstraction: art and, 9, 15–16, 39, 64, 65, 66, 72, 104, 111, 114, 120, 139, 144, 146, 152, 156, 159, 166, 169, 174, 217, 224–25, 228; theory of, 80, 81, 82–83, 89, 261n50
accident. See chance and accident
Adorno, Theodor: Dialectic of Enlightenment, 30, 77, 79, 85, 87–88, 163, 236; on the home, 231; on Loos, 276n76; on Simmel, 275n51; on Wagner, 87–88
Adrian-Nilsson, Gösta, 139, 141, 152
Altomare, Libero, 96–101
ambivalence, 23, 28, 84, 86, 87, 89–90, 104, 107–8, 111, 118, 123, 126, 163, 192, 200, 204, 240, 261n40
American Magazine of Art (New York), 234
Anderson, Margaret. See Little Review
Ansorge, Conrad: as Liszt’s student, 23, 31, 44, 48; as pianist, 43, 53, 59–60, 118; as teacher, 19, 23, 31, 43–44, 48, 254n25
Antliff, Mark, 94–95, 99, 107, 262n62
Archipenko, Alexander, 143, 221
Architectural Record (New York), 182–83, 223
architecture: actual, 25–26, 49–50, 118, 131–41, 131, 132, 134, 137, 138, 139, 140, 152, 156–62, 163, 201–4, 202, 203; Bauhaus, 133, 178; the body and, 201–4, 277n98, 277–78n111, 281n201; expressionist, 25, 143, 234; fictional, 200, 208–9, 278n121; metaphor, 29; representations of, 133, 152–53, 154, 154–57, 169, 170, 240; theory of, 8, 14, 25–26, 124–25, 143, 152–54, 169, 178, 182–83, 194–96, 196, 203–4, 224, 240, 266n23, 267n51, 270n119, 270n131, 270n137, 281n201. See also Loos, Adolf; Scheerbart, Paul; Schwitters, Kurt; Taut, Bruno
Arensberg, Walter and Louise, 179
Argus: A Journal of Art Criticism (San Francisco), 233–34
Armory Show (New York), 2, 249n10
Arp, Hans, 178–79, 216, 227, 228, 272n187
Art of This Century (New York), 29, 221, 223–32, 224, 225, 226, 228, 229, 233, 237. See also Guggenheim, Peggy
Atelier Elvira (Munich), 118
autonomy: of art, 7–8, 12, 77, 84, 104–6, 116, 117, 173, 196–99, 260n161, 276n76; of home, 125–26; of human subject, 77, 79, 84, 85, 87–88, 108, 116, 117, 192, 196–99
avant-garde, 2, 7, 9, 23–25, 189, 191, 211, 231, 232, 240, 250n22
Baker, Josephine, 277n98
Barr, Alfred, 72, 209–10, 272n199
Baudelaire, Charles, 9–10, 14, 22–23, 47, 86–87, 90, 92, 123
Bauhaus (Weimar-Dessau-Berlin): Bauhausbücher (Bauhaus books), 171; masters of, 16, 133, 143, 169, 266–67n36, 269n111; school, 114, 133, 169, 172, 220, 269n111; style of, 178, 221–23
Baum, Peter, 49
Baumeister, Willi, 216, 217–18, 218
Beethoven, Ludwig van, 15–16, 47–48, 51–52
Behne, Adolf, 124–26, 136, 152, 161–62, 166, 169, 182–83, 266–67n36, 269n96, 270n131, 272n170
Benjamin, Walter: on the collector, 197; family of, 250n12; on glass, 124–26, 180; on the interior, 173–74, 201–3; on metaphor, 22; on the piano, 75, 260n162; on Simmel, 275n51
Bentham, Jeremy, 123–24
Bergson, Henri, 94, 99, 100, 107, 110–11, 161, 183, 263n80
Berlin: architecture in, 49–50, 152, 174; art scene of, 1–2, 4, 6, 37, 38, 49, 66, 92–93, 118, 168; café culture, 13–14, 15; department store, 174; moving to, 27, 44, 168, 205–6; Potsdamer Platz, 2, 6, 101, 143; Secession, 4; travel to, 4–5, 4, 5, 92; utopian societies in, 48–49; Walden family in, 27. See also cabaret
Berlin Secession, 4
Berlioz, Hector, 47
Berman, Marshall, 114–16
Bernstein, Susan, 10, 25, 251n35
Beziehlichkeit (relationality). See under Döblin, Alfred
Blaue Reiter: Almanac of, 104; exhibition at Der Sturm, 63, 92, 186; as group, 258n135, 262n59; members of, 13, 63, 90, 104, 258n135
Bletter, Rosemarie Haag, 25, 142–43, 270n124
Blue Four, 233
Blümner, Rudolf, 142, 219–20, 231, Plate 3
Boccioni, Umberto, 13, 92–93, 93, 95–96, 96, 101, 162–63, 262n63, 263n94
Böcklin, Arnold, 50, 78–80, 79, 92, 255n58
Bowles, Paul, 210
Boynton, Ray, 234–35
Brennan, Marcia, 179, 273n210, 282n28
Breton, Andre, 180–81, 260n162
Buntes Theater (Berlin), 118
Burgin, Victor, 125–26
cabaret, 49–53, 118, 255n58, 256n71
Campendonk, Heinrich, 143
Carrà, Carlo, 92, 93, 94–95, 101, 102, Plate 5
Chadwick, Whitney, 151
Chagall, Marc, 24, 28, 74, 75, 231, 260n164, 270n120
chance and accident, 16, 41–42, 66, 72, 171, 235, 252n66
Chave, Anna, 235–37
Chopin, Frédéric, 51–52
Chytraeus-Auerbach, Irene, 252n72, 262n59
collaboration: by couple, 104, 151–52, 159, 178, 193; by group, 53, 141, 142, 173, 178, 199, 210, 235; by two artists, 5, 29, 35, 120, 141, 142, 152, 168, 172, 178, 210, 270n131, 271n154
collage, 65–66, 67, 144, 169, 207, 220–21, 222, 280n168. See also Schwitters, Kurt
Colomina, Beatriz, 124, 201–2, 203–4
constructivism, 5–6, 16, 169, 217–18, 218–19, 227, 231
Corbusier, Le, 123–25
Corinth, Lovis, 43
cubism, 12, 35, 72, 143, 144, 169, 207, 266–67n36, 268n74
Cubism and Abstract Art (New York), 72
Culler, Jonathan, 10–11
Dada, 7, 16, 66, 101, 114, 118–21, 119, 120, 210–11, 258–59n139, 271n154
dance, 2, 21, 34, 39, 50, 68, 81, 83, 85, 87, 100, 101–4, 103, 190, 206, 240
Decker, Kerstin, 59, 205, 257n94, 257n98, 277n108
decorative, 11, 35, 50, 143, 154, 191–92, 206–8, 214, 269n96, 269n107
Dehmel, Richard, 43, 52, 59, 60, 66, 69, 79, 256n71, 273–74n6
Delaunay, Robert, 26, 143–52, 145, 147, 148, 150, 153, 156, 157, 162–63, 166, 206–7, 227–28, 228, 229, 250n12, 268n88, 269n107, Plate 7
Delaunay, Sonia, 26, 143–44, 146–52, 147, 148, 149, 151, 153, 156, 162, 206–7, 268n87, 277–78n111; representation of, Plate 7
Demos, T. J., 29, 75–76, 212, 230–32, 260n161, 281n198
Deren, Maya, 280n181
Der Sturm. See Sturm, Der
Dickerman, Leah, 173–74
Dietrich, Dorothea, 173
Döblin, Alfred: Beziehlichkeit (relationality), 78, 81–82, 84, 90, 92, 104, 106, 111, 117, 121, 161; film and, 263n83; Futurists and, 99–100; “Gespräche mit Kalypso” (Conversations with Calypso), 14, 15–16, 17, 23, 30, 77–84, 98–99, 110, 152, 172, 173, 208, 237; the human subject and, 84, 90, 95; Jewish identity and, 90, 262n54; music and, 42, 60, 77–84, 263n83; Walden and, 21, 42, 60
domesticity: experience of, 29, 197, 204–7, 212, 223–24; interior, 173–74; modern, 116, 190–94; representation of, 29, 50, 109–11, 198–206, 209, 215, 215; sites of, 201–4, 207–8, 209–11, 212, 215, 215, 240; traditional, 95, 126, 209
Dreier, Katherine S.: art of, 249n10; Boccioni and, 263n94; Duchamp and, 4–5, 4, 5, 68–70, 71–74, 117, 179, 213, 214, 220, 259n152, 259n154, 259n155, 269n111, 273n219, 280n175; Futurism and, 101; home of, 71–74, 71, 73, 179–80, 212, 222, 280n168; Kandinsky and, 113–14, 233, 264n136; Kiesler and, 183–84, 221–23, 273n219, 280n174, 280n175; Klee and, 156–57, 233, 269n111; life of, 2, 4–5, 5, 6, 74, 113, 120, 211–12, 232; Matta and, 182; Moholy-Nagy and, 171–72; Münter and, 113, 264n135; Schwitters and, 29, 66, 178–79, 209, 220–21, 222, 259n140, 272n199; Der Sturm and, 2, 4, 66, 113, 114, 128, 157, 167, 179, 218–20, 249n11, 259n140, 269n110; writing of, 182, 214. See also Société Anonyme
Duchamp, Marcel: art of, 25, 26–27, 29, 68, 70, 71–76, 71, 73, 74, 117–18, 128, 179–84, 212, 220–21, 224, 260n161, 273n219; Freytag-Loringhoven and, 118, 121, 127–28; Guggenheim and, 29, 223, 240; installation and, 74–76, 74, 212–14; life of, 4, 4, 118–20, 120, 272–73n205, 280n181; Société Anonyme and, 2, 4, 6–7, 12, 215, 221; Der Sturm and, 4, 250n14; writing of, 76. See under Dreier, Katherine S.; Société Anonyme
Eiffel Tower, 133, 144, 146, 151–52, 178, 228
Eilshemius, Louis, 120, 215–17, 216, 217, 279n154
Einfühlung (empathy), 39, 45, 88–90, 131, 190, 193, 197, 261n50, 275n37
empathy. See Einfühlung
Endell, August, 118
Erster Deutscher Herbstsalon (Berlin). See under Sturm, Der
Essig, Hermann, 35–39, 36, 42, 65, 207, 266n30
exile, 26–29, 75, 168, 185, 212, 230, 231, 232
expressionism, 12, 25, 29, 35, 43, 55, 107, 143, 234
Fackel, Die (The torch, Vienna), 58, 205, 206. See also Kraus, Karl
Fantin-Latour, Henri, 85
Feininger, Lyonel, 133, 152, 233, 234, 266–67n36
femininity: figured by water, 90, 100, 236–37; modern, 94, 189, 190–91, 193–94, 203–4, 207, 212, 236–37, 275–76n26; traditional, 70, 85, 95, 100, 104, 181, 189, 193, 199, 207, 272–73n205, 275–76n26, 278n121. See also masculinity
Finger, Anke, 140–41
First German Autumn Salon (Berlin). See under Sturm, Der
First Papers of Surrealism (New York), 29, 74–76, 74
Follett, Danielle, 140–41, 252n66
Foster, Hal, 8, 11, 194, 195, 251n29, 281n201
Freud, Sigmund, 88, 166, 193, 228–30, 231, 236, 261n40, 261n41, 281n202
Freytag-Loringhoven, Elsa von, 25, 117, 118–21, 119, 120, 127–28, 180, 265n166
Friedländer, Salomo (pseud. Mynona), 13–14, 15, 157–58, 266n23
Futurism, 12, 13, 35, 39, 92–104, 93, 96, 102, 103, 127, 162, 169, 208, 262n59, 262n63, 262n65, 262n67
Galerie Bernheim-Jeune (Paris), 92
gender. See femininity; masculinity
George, Stefan, 118
Gesamtkunstwerk: chance and, 16, 252n66; examples of, 33, 66, 118, 138–41, 161–62, 172–73, 182–84, 194–95, 203–4, 224–32; Merz and, 66, 172–73; Teloplasma and, 50; theory of, 81, 83–86, 140, 157, 163, 171, 189–90, 193, 194, 199, 200–201, 227, 266n5; Wagnerian, 84–86, 161, 193, 228. See also under Sturm, Der
“Gespräche mit Kalypso.” See under Döblin, Alfred
Giedion, Siegfried, 117–18, 133, 146, 178, 272n187
Giordano-Bruno-Bund (Berlin), 48
Glashaus. See under Taut, Bruno
glass: actual, in architecture, 25–26, 29, 123, 124, 128, 174–75, 201, 227–28, Plate 10; actual, in art, 70, 71–74, 118, 127, 128, 172, 174, 179, 180–84, 223, 240–43, Plate 12; fictional, 123, 208–9; as metaphor, 25–27, 29, 97, 127–31, 130, 143–52, 153, 154–57, 159–60, 162–68, 159, 169–71, 170, 174, 178, Plate 7, Plate 8, Plate 9, Plate 10, Plate 12; representation of, 143–52, 153, 154–57, 159–60, 159, Plate 7, Plate 8; theory of, 124–25, 126, 158–62. See also under Taut, Bruno
Gleichnis: definition of, 12, 48, 201; modern art and, 22, 27, 29, 34, 47, 59–60, 123, 185, 232; Nietzsche and, 16–22, 27; Der Sturm and, 23, 206–7; Walden’s use of, 12–16 passim
Godé, Maurice, 206
Goethe, Johann Wolfgang von, 13, 15, 45, 47, 49, 58, 114, 251n56, 252n59, 257n94
Gothic, 138–39, 143, 162, 261n50, 267n51
Greenberg, Clement, 1, 2, 8–9, 12, 29, 100, 237
Gropius, Walter, 131–33, 134, 266–67n36
Gross, Jennifer R., 259n150, 259n152, 264n136
Guggenheim, Peggy, 29, 101, 223, 227, 233, 235, 237–40, 241, 280n177, 280n181. See also Art of This Century
Guggenheim Jeune (London), 223
Gutschow, Kai, 140–41
Haug, Wolfgang Fritz, 162
Hausmann, Raoul, 66, 168, 210–11, 259n145
Heap, Jane. See Little Review
Heemskerck, Jacoba van. See van Heemskerck, Jacoba
Hilbersheimer, Ludwig, 135
Hirsch, Sharon Latchaw, 96
Hodonyi, Robert, 17, 116, 141, 152–53, 194, 268n64
home: actual, 2, 27–28, 28, 29, 42, 48, 57, 59, 71, 72, 116–17, 126, 172–78, 180, 185, 201–4, 202, 203, 205, 207, 210, 211, 212, 222, 232, 240, Plate 10; as metaphor, 13, 19, 21–22, 27–29, 30, 48, 57, 59–60, 61, 109, 172–78, 194–95, 198–99, 204, 205–7, 208–9, 210, 211, 212–13, 214–17, 243; theory of, 125, 185, 189–94, 195–96, 214, 223, 228–31
Horace, 199
Horkheimer, Max. See Adorno, Theodor: Dialectic of Enlightenment
Huelsenbeck, Richard, 168, 211, 271n154
Hughes, Gordon, 144–51
humor and play, 7, 13, 31, 57, 59, 72, 83, 97, 126, 166, 200, 212, 231, 268n65
Huyssen, Andreas, 163
institutional critique, 7, 117
Internationale Ausstellung Neuer Theater-Technik (Vienna). See under Kiesler, Frederick
International Exhibition of Modern Art (Brooklyn). See under Société Anonyme
International Theatre Exposition (New York). See under Kiesler, Frederick
Jawlensky, Alexej von: Blue Four and, 233–34, 281n8; stepson of, 108
Jews and Jewish identity, 27, 75, 90, 205–6, 233, 253n102, 257–58n114, 262n54
Johnson, Philip, 210
jokes. See humor and play
Jones, Amelia, 120–21, 213, 265n166
Jones, Caroline, 240–41
Kandinsky, Wassily: art of, 2, 3, 6, 6, 23, 26, 33, 63, 104–7, 105, 113–14, 115, 143, 171, 225, 263n105, Plate 4; Blue Four and, 233; Münter and, 23, 104–14, 116, 263n99; piano and, 33, 61–65, 258n120; representation of, Plate 6; Société Anonyme and, 6, 29, 68, 233, 258n135, 264n136, 269n111; Der Sturm and, 23, 26, 62–65; writing of, 2, 3, 23, 33, 63–65, 104–6, 107–8
Kassák, Lajos, 168. See also MA
Kaufhaus des Westens (KadeWe, department store of the west, Berlin), 174
Kerr, Alfred, 53
Kiesler, Frederick: Art of This Century and, 29, 223–31, 224, 225, 226, 228, 229, 233, 280n181; Dreier and, 183–84, 221–23, 273n219, 280n174, 280n175; Duchamp and, 182–84, 280n175; Internationale Ausstellung Neuer Theater-Technik and, 230–31; International Theatre Exposition and, 230, 280n193; Loos and, 273n211; Walden and, 230–31; writing of, 182–84
Kiesler, Stefi, 223, 229. See also Kiesler, Frederick
Klee, Paul, 11, 26, 65, 125, 152–57, 155, 225, 233, 269n107, 269n109, 269n111, Plate 8
Knapp, Stephen, 124
Kokoschka, Oskar, 1, 7, 44–47, 44, 254n28, Plate 1
Krakauer, Siegfried, 192
Kraus, Karl, 8, 11, 58, 59, 60, 116–17, 126, 127, 195, 251n29, 254n6, 254n11, 254n28, 265n149. See also Fackel, Die
Krauss, Rosalind, 180
Kristeva, Julia, 193
Kuenzli, Katherine, 207–8, 253n105, 278n117
Künstlerhaus (Artists’ house, Berlin), 49–50, 186, 256n85
labor, 95, 116, 121, 125, 126, 181, 188, 190–92, 204, 211, 227
Lasker, Berthold, 49, 90, 256n90
Lasker-Schüler, Else: first husband and, 49, 90, 256n90; life of, 13–14, 15, 27, 48–49, 59, 84, 90, 118, 205–6, 257n98; nonfiction of, 126, 127, 204–5, 257n92; performance of, 53, 54, 277n106; poetry of, 24, 43, 52, 55–59, 91, 205–6, 256n81, 256n85, 256n86, 256n88, 256n89, 257n92, 257n94, 257n96, 262n55, 277n103; son of, 40, 41, 59, 90; Walden and, 13–14, 15, 23, 24, 27, 43, 48–49, 55–59, 60, 61, 90, 91, 256n90, 257n92, 257n96, 277n108
Lasker-Schüler, Paul, 40, 41, 59, 90. See also Lasker-Schüler, Else
Last Futurist Exhibition of Painting: 0, 10 (Petrograd), 39
Lechter, Melchior, 118
Lewin, Georg. See Walden, Herwarth
Lipps, Theodor, 89
Lissitzky, El, 214–15, 215, 231
Liszt, Franz: musical compositions of, 45, 47, 48, 59, 66, 251n56, 254n33; musical transcriptions of, 47–48; performance of, 45–47, 46, 52, 76; representations of, 44–47, 44, 46; scholarship in name of, 44, 254n27; teaching of, 23, 31, 43, 44; writing of, 10, 22, 23, 25, 27, 47–48, 52
Littérature (Paris), 180–81
Little Review (New York), 118, 127, 230
Loos, Adolf: architecture of, 8, 124, 128, 129, 201–4, 202, 203, 277n98, 281n201, Plate 10; Kraus and, 116; reception of, 8, 57, 124, 125, 126, 276n65, 276n76, 277n98; Viennese practice of, 182, 273n211; writing of, 8, 57, 116, 128, 194–96, 196, 276n65, 276n76
Lublinski, Samuel, 13–14, 15, 49, 192–93
Lukács, Georg, 192
Luke, Megan, 172, 174, 185, 259n149, 272n170
MA (Today, Vienna), 168, 169, 170
Macke, August, 26, 152, 162–66, 164, 165, 250n14, 270n134
Mahler, Gustav, 53, 60, 251n56
Mannoni, Remo. See Altomare, Libero
Mansbach, Steven, 169
Marc, Franz, 13, 63, 90, 143, 144, 162
Marchi, Riccardo, 17, 64, 104, 106
Marinetti, Filippo, 92–93, 97, 100, 101, 102, 231, 262n67
masculinity: art and, 29, 108–9, 162–66, 210, 213, 231; bias and, 100, 162–63, 231, 236, 281n202; critique of, 120, 181, 193, 274–75n26; exile and, 232; modern, 29, 77, 94, 95, 100, 108, 189–91, 193, 199, 207, 210, 274–75n26; traditional, 28, 77, 85, 86, 87, 90, 91–92, 94, 95, 189–91, 236, 278n121. See also femininity
Matta, Roberto, 182
medium, 1, 8–9, 10, 14, 17, 22, 30, 42, 61, 63, 75, 76, 156–57, 160, 243. See also modernism
Meier-Graefe, Julius, 235
Mertins, Detlef, 169, 266–67n36
Merz. See under Schwitters, Kurt
metaphor, 1, 6–7, 8–12. See also Gleichnis
Meyer, Richard, 29, 72, 212, 213, 214–15
Miller, J. Hillis, 21–22
modernism: ambivalence and, 240; domesticity and, 207; Gleichnis and, 22–30, 77, 235; Greenbergian, 1, 2, 8, 9; international, 2, 5, 6; metaphor and, 2, 6–7, 8, 11, 12, 14, 22–30, 123, 172, 228, 233; modernization and, 114, 116; multimedia, 2, 6; music and, 9, 10; play and, 7; representation in, 111; the senses and, 7, 8, 9. See also abstraction; autonomy; medium
Moholy-Nagy, László, 26–27, 143, 162, 168–72, 170, 272n170, Plate 9
Molesworth, Helen, 117, 126, 181, 272–73n205
Mombert, Alfred, 43
Mulvey, Laura, 126
Münter, Gabriele: art of, 108–13, 109, 110, 111, 112, 116, 125, 208, 264n134, 264n135, Plate 6; Kandinsky and, 23, 104–14, 116, 263n99
Museum of Modern Art (New York), 72, 209–10, 237–40
music: actual, 1, 2, 6, 17–20, 18, 20, 27, 31, 33, 42–43, 47, 48–49, 50, 52, 53–55, 54, 59, 60, 63, 66, 76, 91, 93, 142, 234, 254n6, 257n96, 259n146; as metaphor, 8–10, 12, 14, 15–16, 17, 21, 23, 29, 33, 35, 38, 55, 56, 66, 76, 90, 91–92, 138–39, 156, 194–95, 197, 234–35; writing about, 7, 9–10, 12, 14, 17, 23, 29, 31, 45, 52, 59, 60–61, 77–84, 85–86, 87–88, 195. See also piano
Mutzenbecher, Franz, 136, 267n46
Mynona. See Friedländer, Salomo
Namuth, Hans, 240–43, Plate 12
Neimann, Curt, 49
Neue Gemeinschaft (New community, Berlin), 48–49, 55
Neuer Kunstsalon (New art gallery, Munich), 108–10, 110
Neumann, Dietrich, 267n44
Niemöller, Klaus Wolfgang, 78, 79, 80, 82, 83
Nietzsche, Friedrich, 16–22, 18, 27, 42, 59, 86–88, 94, 100, 106, 117, 118, 183, 252n59, 252n70, 252n77, 252n80, 255n55, 261n40, 261n41
Nietzsche Evenings, 17–21, 18. See also Nietzsche, Friedrich
nontransparency, 26–27, 124, 128–29, 143, 160, 227, 266n30. See also translucence; transparency
nostalgia, 27, 185, 193–94, 204, 205, 212, 214, 232, 281n198
Noudelmann, François, 40–42, 87–88
Obler, Bibiana, 104, 107–9, 111–13, 178, 263n105
“oceanic feeling,” 87–88, 107, 116, 118, 123, 138, 171, 193
“oceanic regression.” See “oceanic feeling”
ornament, 8, 11, 89, 116, 143, 194, 261n50
Osthaus, Karl Ernst, 163, 208, 253n105
Owens, Craig, 8
parable, 12, 17, 19, 21, 22, 111, 113, 194, 201, 252n59. See also Gleichnis
Pater, Walter, 9
Petri, Otto, 49
Phillips, Lisa, 223–24
piano: actual, 17, 19, 23, 25, 33, 41–43, 45, 47–48, 50–51, 52, 53, 55, 57, 59, 66, 70, 71–74, 71, 73, 74, 75–76, 201, 206, 254n27, 259n146, 260n161; as metaphor, 23, 31–35, 49, 52, 60, 63–64, 127, 240; music for, 23, 40, 47–48, 51, 58–59, 67–68, 217; representation of, 31–33, 32, 34–35, 34, 38–40, 41, 57, 63, 71–74, 74, 75–76, Plate 4; writing about, 59, 61, 76. See also music
Piper, Reinhard, 90
play and wordplay. See humor and play
plumbing, 23–25, 116–18, 119, 120–21, 126, 128, 178
Podavini, Davide, 98
Pollock, Griselda, 192, 193, 211–12
Pollock, Jackson, 29–30, 233–43, 236, 239, 241, 242, Plate 12
Potsdamer Platz. See under Berlin
Pougny, Jean. See Puni, Ivan
Puni, Ivan, 23, 25, 31–33, 32, 34–35, 34, 37, 39, 76
Putzel, Howard, 29, 223, 233–35, 280n177, 281n5
Quaintance, Don, 224, 226, 227
Ray, Man, 2, 7, 120, 180–81, 180, 231
Reed, Christopher, 208
Reinhardt, Max, 49
relationality. See Döblin, Alfred: Beziehlichkeit
Richter, Hans, 101, 173, 210–11
Rifkin, Jeremy, 90
Rimbaud, Arthur, 197
Rivera, Diego, 235
Rivière, Jacques, 14
Roché, Henri-Pierre, 217
Rodin, Auguste, 186, 188, 189, 190, 191, 193, 197, 273–74n6, 274n10, 274n12, 274n20
Rolland, Romain, 88, 116, 261n40
Rowe, Colin, and Robert Slutzky, 26. See also nontransparency; translucence; transparency
Sackville Gallery (London), 92
Saint-Point, Valentine de, 100–101
Salon Cassirer (Berlin), 186
Salon d’Automne (Autumn salon, Paris) 2, 207
Schall und Rauch (Sound and smoke, Berlin), 49, 52, 255n58
Schamberg, Morton, 120, 121, 265n166
Scheerbart, Anna, 13–14, 15, 25, 158–61, 159, 160, 208, 270n120, 270n121, 270n122, 270n125. See also Scheerbart, Paul
Scheerbart, Paul: fiction of, 14, 152, 161, 200, 208–9, 278n121; nonfiction of, 25, 125, 133–35, 138, 141, 152, 157–61, 159, 160, 169, 266n23, 266–67n36, 267n51, 270n119; Taut and, 25, 136, 139, 141, 152, 267n61, 269n97; Walden and, 13–14, 15, 141, 142–43, 152, 268n64, 269n97. See also Scheerbart, Anna
Schiff, John D., 71, 73, 74, 74, 75, 222
Schlegel, August Wilhelm, 14
Schopenhauer, Arthur, 17
Schreyer, Lothar, 16, 231, 253n104
Schubert, Franz, 19, 40, 51–52
Schuetze, Andre, 133–35
Schwartz, Frederic, 196
Schwitters, Ernst, 173, 174, 210, 232, 273n1. See also Schwitters, Helma; Schwitters, Kurt
Schwitters, Helma, 28–29, 179, 210, 220, 232. See also Schwitters, Ernst; Schwitters, Kurt
Schwitters, Kurt: collaboration with, 35, 168, 211, 271n154; Gesamtkunstwerk and, 66, 171, 172–73, 231; Merz and, 16, 23, 26–27, 33, 65–68, 67, 116, 168, 171, 172, 210, 216, 219, 220–21, 222, 227, 228, 229, 231, 258–59n139, 259n140, 272n187, Plate 11; Merzbau and, 28, 68, 116–17, 172–79, 175, 176, 177, 184, 185, 209–10, 211, 232; music and, 33, 66–68, 69, 259n141, 259n146, 259n148, 259n149, 272n199, 273n1; Société Anonyme and, 23, 29, 66, 178–79, 209, 220, 259n140; Der Sturm and, 23, 28, 33, 65–68, 220, 231, 253n95, 259n140, 259n145; writings of, 16, 23, 33, 116–17, 174, 231, 258–59n139. See also Schwitters, Ernst; Schwitters, Helma
Severini, Gino, 92, 101–4, 102, 103, 262n63
Silverman, Kaja, 88–89, 231, 261n40, 281n202
Simmel, Georg: on craft, 191–92, 193, 195; on gender, 185, 189–91, 192, 193, 207, 273–74n6, 274–75n26, 275n38, 275n41; on modernity, 27–28, 185, 186–88, 190–91, 192, 193, 194, 203, 221, 274n8, 274n12; reception of, 192, 275n51; on Rodin, 186, 188–89, 193, 197, 273–74n6, 274n10; on symbols, 22
Simmons, Sherwin, 163, 270n134
Sinclair, May, 68–70
Société Anonyme (New York): caricature of, 118–20, 120; collection of, 5, 67, 115, 130, 167, 172, 217, 223, 233, 259n155, 279n157; domesticity and, 29, 193–94, 212, 214, 221–23; Futurism and, 101; gallery, 212–14, 213, 279n140; exhibitions of, 65, 66, 128, 156–57, 171–72, 179, 215, 233, 258n135, 259n140, 269n110, 269n111, 279n167; International Exhibition of Modern Art, 5–6, 6, 29, 72, 113, 179, 182, 214–21, 215, 216, 218, 219, 221–23, 259n158, 264n135, 269n110, Plate 2; loans from, 233; metaphor and, 7, 12, 22–23, 30, 84, 130–31, 185, 212; networks of, 6; planned building, 223; Der Sturm and, 2, 4, 5, 6–7, 12, 22, 23, 29, 30, 33, 65, 77, 162, 166, 193, 217–20, 269n110, 279n157. See also Dreier, Katherine S.; Duchamp, Marcel
Society for art. See Verein für Kunst
Society of Independent Artists (New York), 68, 215
Sonderbund (Cologne), 2, 249n9, 250n13
Stassen, Franz, 50
Stein, Gertrude and Leo, 2
Steinitz, Kate, 35, 40, 173, 210, 272n187
Stieglitz, Alfred, 101, 279n161
Stramm, August, 13, 92, 276n72
Strauss, Monica, 64
Strauss, Richard, 42–43, 53, 61
string, 40, 55, 61, 64, 74, 74, 75–76, 173, 242
Stuck, Franz, 50
Sturm, Der (The storm [journal], Berlin). See under Sturm, Der
Sturm, Der (Berlin): art school, 1–2, 33; Bilderbücher (Picture books), 75, 167, 253n95; bookstore, 1–2, 6; Erster Deutscher Herbstsalon (First German Autumn Salon), 2–4, 15, 22, 53, 75, 101, 102, 104–5, 143–44, 146, 150, 151, 152, 166, 206–7, 217, 249–50n11, 250n12, 250n13, 250n14, 268n74, 268n81; exhibitions, 16, 23, 25, 26, 35, 37, 63, 64, 66, 92–100, 104, 108, 112, 114, 128, 143–44, 152–57, 162, 168–69, 186, 227, 228, 233, 257n107, 259n140, 262n59; gallery, 1–2, 4, 6, 16, 23, 25, 26, 27, 31, 33, 35, 37, 39, 91, 104, 167; gender at, 91, 100, 104, 193–94, 199–200, 206–7, 237, 249n6; Gesamtkunstwerk and, 33, 195, 200, 231, 254n6; loans from, 128, 217–19, 218, 219, 220; metaphor and, 7, 12, 16, 22–23, 27, 30, 34, 77, 185, 220; network of, 6, 141, 193, 231; press, 1–2, 3, 6, 12, 23, 24, 25, 26, 35, 95, 97, 116, 124, 141, 152; promotion of, 6, 220, Plate 3; Société Anonyme and, 2, 4, 5, 6, 7, 12, 22, 23, 29, 30, 33, 65, 77, 162, 166, 193, 217–20, 269n110, 279n157; Der Sturm (journal), 1–2, 3, 6, 12, 14, 15, 16, 17, 23, 31, 35, 40, 42–43, 44, 55, 57, 60, 61, 63–64, 66, 77, 78, 80, 84, 91–92, 100–101, 107, 128, 138–39, 143, 152, 156, 158, 168, 169–71, 186, 194–201, 204–5, 206, 208, 240, 254n5, 254n6, 257n92, 257n96, 263n80, 270n120, 276n88, 281n196, Plate 9; Sturm-Bühne (journal), 116; Sturm Evenings, 1–2, 6, 27–28, 33, 53, 66; theater, 1–2, 6, 16, 116. See also Walden, Herwarth
Sturm-Bühne (Storm-stage [journal], Berlin), 116
Sucher, Rosa, 53
surrealism, 29, 74, 75, 180–81, 224, 227, 228, 230, 231, 232
Tafuri, Manfred, 221
Taifun, Der. See Essig, Hermann
Tashjian, Dickran, 114
Taut, Bruno: Glashaus building, 25–26, 131–43, 131, 132, 134, 137, 138, 139, 140, 152, 158, 160, 161–62, 163, 169, 240, 266n32, 267n62; Glashaus model, 25–26, 152–54, 154, 157; other projects, 124, 143, 152–54, 157, 163, 267n55, 267n61, 268n74, 269n96
Teloplasma (Berlin), 48–53, 51, 55, 56, 58, 59, 90, 118, 186, 191, 206, 255n57, 256n68, 256n70, 256n85, 256n88, 256n89; Gesamtkunstwerk and, 50
Theater, Das (Berlin) 57, 257n92
Thiekötter, Angelika, 139, 266n32
Titian, 50
total work of art. See Gesamtkunstwerk
transcendence, 8, 10, 120–21, 123, 128, 171, 182
translucence, 26, 124, 128, 131, 133, 135–36, 141, 144, 156, 157, 158, 160, 161–62, 169, 171, 174, 182–83, 185, 201, 227, 240. See also nontransparency; transparency
transparency, 26–27, 71, 123, 124, 126, 127–28, 131–33, 135, 141, 142, 146, 152, 156, 157–58, 161–63, 166, 169–71, 174–76, 178, 181–82, 183, 185, 201, 220, 227, 230, 240–43, 265n3, 266n30, 277n98. See also nontransparency; translucence
Troy, Nancy, 207
Tsai, Joyce, 171
Überbrettl. See cabaret
van den Berg, Hubert, 277n109
van de Velde, Henry, 17, 89, 208, 261n50
van Doesburg, Theo, 173
van Gogh, Vincent, 2, 166, 249n9
van Heemskerck, Jacoba, 26, 162, 166–68, 167, 271n145
van Poortvliet, Maria Tak, 166, 167–68, 271n145
Verein Berliner Künstler (Society of Berlin artists), 49
Verein für Kunst (Society for art, Berlin), 17–21, 18, 22, 27–28, 33, 42, 53, 57, 60, 61, 79, 84, 86, 126, 142, 186, 191, 194, 196, 205, 252n72, 256n79, 261n50, 273–74n6
Vick, John, 75
Vidler, Anthony, 123, 231, 265n3, 281n202
Vischer, Robert, 89–90
von Freytag-Loringhoven, Elsa. See Freytag-Loringhoven, Elsa von
Wagner, Richard, 9–10, 22, 47, 48, 49, 50, 52, 59, 61, 62, 65, 77, 84–88, 89, 92, 118, 141, 161, 193, 195, 199, 228–29, 254n6, 257–58n114
Walden. See Thoreau, Henry David
Walden, Herwarth: Ansorge and, 19, 77, 23, 31, 43–44, 48, 53, 59, 60, 254n25; art writing of, 1, 12–13, 15–16, 33, 42–43, 65, 251n50; Boccioni and, 13, 92–93, 101; Chagall and, 24, 28, 75; collection of, 27, 156, 207, Robert Delaunay and, 26, 143; Sonia Delaunay and, 26, 207; Döblin and, 42, 60, 79–80, 260n8; Dreier and, 4, 6; editing by, 3, 23, 26, 57, 100–101, 161, 186, 194–200, 257n92, 265n149, 273–74n6; Kandinsky and, 23, 26, 61–65, 104–5, 107; Kiesler and, 29, 231; Klee and, 26, 155–56; Kokoschka and, 1, 44–45, 254n28; Kraus and, 58, 60, 116, 254n11, 254n28, 265n149; life of, 1, 13–14, 15, 23, 27, 28, 31–35, 40, 42–44, 48–49, 52–53, 55, 57, 59, 60, 90–93, 127, 205, 206, 207, 219, 253n102, 254n27, 256n90, 277n109, Plate 1; Liszt and, 23, 31, 44–48, 49, 59, 61; Loos and, 116, 128, 194–95; Macke and, 26, 250n14; Moholy-Nagy and, 26, 168; Münter and, 23, 104, 112, 264n134; musical compositions of, 19, 20, 23, 24, 31, 33–34, 42–43, 45, 55, 58–59, 60, 66–68, 69, 257n96, 257n102; music writing of, 7, 33, 42–43, 59, 60–61, 62, 257n96; Nietzsche and, 16–22, 18, 20, 252n59, 255n55; obituaries by, 13–14; piano playing of, 17–21, 18, 31–39, 32, 34, 40, 41, 42, 44, 51–52, 53–55, 57–58, 60–61, 66, 76; representations of, 32, 34, 35, 38–39, 40, 41, 128, 130, Plate 1; Scheerbart and, 141–43, 152, 268n64, 269n97; Schwitters and, 28, 33, 65–68, 69, 172–73, 178, 258–59n139; Simmel and, 27–28, 185–86, 191, 273–74n6; van Heemskerck and, 26, 166–68; Wagner and, 61, 62. See also Lasker-Schüler, Else; Sturm, Der; Teloplasma
Walden, Nell, 27, 28, 35, 44, 92–93, 168, 207. See also Walden, Herwarth: collection of
Walker, Alan, 47–48
Ward, Martha, 207
water: actual, 23–25, 114–18, 120–21, 125, 135, 136, 159–60; as metaphor, 7, 23–25, 77–88, 89, 90–92, 94, 96–99, 100, 101–4, 103, 105–6, 105, 108–9, 110, 112–14, 116–17, 121, 136, 159–60, 159, 186, 187, 217, 217, 236, 237–40, 239, 270n124, 279n154; representation of, 78, 79, 83–85, 93, 94, 96–99, 101–4, 103, 108–9, 111, 112–14, 112, 159–60, 159, 186, 187, 217, 217, 237–40, 239, 279n154, Plate 5, Plate 6
Weber, Marianne, 192
Webster, Gwendolen, 174, 178, 179, 210, 211, 272n183
Werefkin, Marianne von, 108, Plate 6
Werkbund (Cologne), 25–26, 131, 134, 135, 138, 152, 161
Wilson, Kristina, 214
Winskell, Kate, 277n109
Wolfskehl, Karl, 107
work. See labor
Worringer, Wilhelm, 89–90, 261n50
Wünsche, Isabel, 281n1
Zech, Paul, 205–6