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Surface Encounters: Contents

Surface Encounters
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Notes

table of contents
  1. Cover
  2. Halftitle Page
  3. Series List
  4. Title Page
  5. Copyright Page
  6. Dedication
  7. Epigraph
  8. Contents
  9. Acknowledgments
  10. Introduction: Staying on the Surface
  11. 1. Meat Matters Distance in Damien Hirst
  12. 2. Body of Thought Immanence and Carolee Schneemann
  13. 3. Making Space for Animal Dwelling Worlding with Snæbjörnsdóttir/Wilson
  14. 4. Contact Zones and Living Flesh Touch after Olly and Suzi
  15. 5. A Minor Art Becoming-Animal of Marcus Coates
  16. Coda: Human, Animal, and Matthew Barney
  17. Notes
  18. Index
  19. Author Biography
  20. Plates

Contents

  1. Acknowledgments
  2. Introduction: Staying on the Surface
  3. Meat Matters: Distance in Damien Hirst
  4. Body of Thought: Immanence and Carolee Schneemann
  5. Making Space for Animal Dwelling: Worlding with Snæbjörnsdóttir/Wilson
  6. Contact Zones and Living Flesh: Touch after Olly and Suzi
  7. A Minor Art: Becoming-Animal of Marcus Coates
  8. Coda: Human, Animal, and Matthew Barney
  9. Notes
  10. Index
  11. Author Biography
  12. Plates

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Acknowledgments
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The open access edition of this book has been generously supported by Arizona State University.

Chapter 1 was previously published as “Meat Matters from Hegel to Hirst,” Antennae: Journal of Nature in Visual Culture 14 (Winter 2010): 58–71. Chapter 3 was previously published as “Making Space for Animal Dwelling,” in (a)fly (Between Nature and Culture), ed. Bryndis Snæbjörnsdóttir and Mark Wilson (Reykjavik: National Museum of Iceland, 2006), 21–27. Chapter 4 was previously published as “‘Living Flesh’: Human Animal Surfaces and Art,” Journal of Visual Culture 7, no. 1 (April 2008): 103–21, and as “‘Living Flesh’: Human Animal Surfaces and Art,” in Animals and the Human Imagination, ed. Aaron Gross and Anne Vallely (New York: Columbia University Press, 2011); copyright 2011 Columbia University Press; reprinted with permission of the publisher.

Translation of “The Eighth Elegy” in Duino Elegies (1922) by Rainer Maria Rilke reproduced courtesy of A. S. Kline.

Printed transcript from “Up to and Including Her Limits” by Carolee Schneemann reproduced courtesy of the artist.

Copyright 2011 by the Regents of the University of Minnesota

Surface Encounters: Thinking with Animals and Art is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0).
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