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The Perversity of Things: Hugo Gernsback on Media, Tinkering, and Scientifiction: How to Use This Book

The Perversity of Things: Hugo Gernsback on Media, Tinkering, and Scientifiction
How to Use This Book
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table of contents
  1. Front Matter
    1. Cover
    2. Title Page
    3. Copyright Page
    4. Dedication
    5. Chronological Contents
    6. Thematic Contents
    7. How to Use This Book
    8. Acknowledgments
    9. Introduction
      1. “up-to-date technic”: Hugo Gernsback’s Pulp Media Theory
      2. “a perfect Babel of voices”: Communities of Inquiry and Wireless Publics
      3. “’phone and code”: Dynamophone, Radioson, and Other Emerging Media
      4. “certain future instrumentalities”: The Mineral Proficiencies of Tinkering
      5. “we exploit the future”: Scientifiction’s Debut
  2. Part I. Tinkering
    1. A New Interrupter (1905)
    2. The Dynamophone (1908)
    3. The Born and the Mechanical Inventor (1911)
    4. The Radioson Detector (1914)
    5. What to Invent (1916)
    6. The Perversity of Things (1916)
    7. Thomas A. Edison Speaks to You (1919)
    8. Human Progress (1922)
    9. Results of the $500.00 Prize Contest: Who Will Save the Radio Amateur? (1923)
    10. The Isolator (1925)
    11. The Detectorium (1926)
    12. New Radio “Things” Wanted (1927)
  3. Part II. History and Theory of Media
    1. The Aerophone Number (1908)
    2. Why “Radio Amateur News”Is Here (1919)
    3. Science and Invention (1920)
    4. Learn and Work While You Sleep (1921)
    5. The “New” Science and Invention (1923)
    6. Are We Intelligent? (1923)
  4. Part III. Broadcast Regulation
    1. The Wireless Joker (1908)
    2. The Wireless Association of America (1909)
    3. The Roberts Wireless Bill (1910)
    4. The Alexander Wireless Bill (1912)
    5. Wireless and the Amateur: A Retrospect (1913)
    6. Sayville (1915)
    7. War and the Radio Amateur (1917)
    8. Silencing America’s Wireless (1917)
    9. Amateur Radio Restored (1919)
    10. The Future of Radio (1919)
    11. Wired versus Space Radio (1927)
  5. Part IV. Wireless
    1. [Editorials] (1909)
    2. From The Wireless Telephone (1911)
    3. From A Treatise on Wireless Telegraphy (1913)
    4. The Future of Wireless (1916)
    5. From Radio for All (1922)
    6. Radio Broadcasting (1922)
    7. Is Radio at a Standstill? (1926)
    8. Edison and Radio (1926)
    9. Why the Radio Set Builder? (1927)
    10. Radio Enters into a New Phase (1927)
    11. The Short-Wave Era (1928)
  6. Part V. Television
    1. Television and the Telephot (1909)
    2. A Radio-Controlled Television Plane (1924)
    3. After Television—What? (1927)
    4. Television Technique (1931)
  7. Part VI. Sound
    1. Hearing through Your Teeth (1916)
    2. Grand Opera by Wireless (1919)
    3. The Physiophone: Music for the Deaf (1920)
    4. The “Pianorad” (1926)
  8. Part VII. Scientifiction
    1. Signaling to Mars (1909)
    2. Our Cover (1913)
    3. Phoney Patent Offizz: Bookworm’s Nurse (1915)
    4. Imagination versus Facts (1916)
    5. Interplanetarian Wireless (1920)
    6. An American Jules Verne (1920)
    7. 10,000 Years Hence (1922)
    8. Predicting Future Inventions (1923)
    9. The Dark Age of Science (1925)
    10. A New Sort of Magazine (1926)
    11. The Lure of Scientifiction (1926)
    12. Fiction versus Facts (1926)
    13. Editorially Speaking (1926)
    14. Imagination and Reality (1926)
    15. How to Write “Science” Stories (1930)
    16. Science Fiction versus Science Faction (1930)
    17. Wonders of the Machine Age (1931)
    18. Reasonableness in Science Fiction (1932)
  9. Part VIII. Selected Fiction
    1. Ralph 124C 41+, Part 3 (1911)
    2. Baron Münchhausen’s New Scientific Adventures, Part 5: “Münchhausen Departs for the Planet Mars” (1915)
    3. The Magnetic Storm (1918)
    4. The Electric Duel (1927)
    5. The Killing Flash (1929)
  10. Back Matter
    1. Index

How to Use This Book

This collection contains writings that are representative of Hugo Gernsback’s thinking across an incredibly prolific and varied career, as well as pieces that are uniquely interesting documents in the history of science fiction and media technology. The book has been designed to invite several different points of entry for different kinds of readers. In order to preserve a sense of how the Gernsback magazines seamlessly toggled between fantastic futures and hard technical detail, the book is arranged chronologically. Much like the way in which each issue of a Gernsback title contained an impressive variety of topics from one page to the next, this book read chronologically encourages a similarly kaleidoscopic reading experience. As a navigational aid, the reader will find an additional table of contents that is arranged thematically. These categories in fact bleed into one another, with articles rarely touching solely on regulation or solely on television, for instance. Nevertheless, this thematic table of contents allows readers interested in particular aspects of Gernsback’s career to drop in at those points. Finally, the book’s electronic Manifold edition, which will be available early in 2017 at manifold.umn.edu, makes available the complete magazine issues in which each of these pieces first appeared and will serve as a resource for those interested in digging further.

A few notes on the text: pieces that are included in this collection are referenced throughout the book with their titles in bold and can be found alphabetically using the index. Any footnotes included in the original magazines are prefaced by “Gernsback: . . . ,” followed by the note. Finally, Gernsback experimented with many idiosyncratic spellings throughout his career as a magazine editor, including words like publisht, diafram, altho, and slipt. I have chosen to retain these spellings. The writings are reproduced as closely as possible to their original versions, including odd capitalizations, punctuation, omitted words, and the like.

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