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The Perversity of Things: Hugo Gernsback on Media, Tinkering, and Scientifiction: The Perversity of Things: Hugo Gernsback on Media, Tinkering, and Scientifiction

The Perversity of Things: Hugo Gernsback on Media, Tinkering, and Scientifiction
The Perversity of Things: Hugo Gernsback on Media, Tinkering, and Scientifiction
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table of contents
  1. Front Matter
    1. Cover
    2. Title Page
    3. Copyright Page
    4. Dedication
    5. Chronological Contents
    6. Thematic Contents
    7. How to Use This Book
    8. Acknowledgments
    9. Introduction
      1. “up-to-date technic”: Hugo Gernsback’s Pulp Media Theory
      2. “a perfect Babel of voices”: Communities of Inquiry and Wireless Publics
      3. “’phone and code”: Dynamophone, Radioson, and Other Emerging Media
      4. “certain future instrumentalities”: The Mineral Proficiencies of Tinkering
      5. “we exploit the future”: Scientifiction’s Debut
  2. Part I. Tinkering
    1. A New Interrupter (1905)
    2. The Dynamophone (1908)
    3. The Born and the Mechanical Inventor (1911)
    4. The Radioson Detector (1914)
    5. What to Invent (1916)
    6. The Perversity of Things (1916)
    7. Thomas A. Edison Speaks to You (1919)
    8. Human Progress (1922)
    9. Results of the $500.00 Prize Contest: Who Will Save the Radio Amateur? (1923)
    10. The Isolator (1925)
    11. The Detectorium (1926)
    12. New Radio “Things” Wanted (1927)
  3. Part II. History and Theory of Media
    1. The Aerophone Number (1908)
    2. Why “Radio Amateur News”Is Here (1919)
    3. Science and Invention (1920)
    4. Learn and Work While You Sleep (1921)
    5. The “New” Science and Invention (1923)
    6. Are We Intelligent? (1923)
  4. Part III. Broadcast Regulation
    1. The Wireless Joker (1908)
    2. The Wireless Association of America (1909)
    3. The Roberts Wireless Bill (1910)
    4. The Alexander Wireless Bill (1912)
    5. Wireless and the Amateur: A Retrospect (1913)
    6. Sayville (1915)
    7. War and the Radio Amateur (1917)
    8. Silencing America’s Wireless (1917)
    9. Amateur Radio Restored (1919)
    10. The Future of Radio (1919)
    11. Wired versus Space Radio (1927)
  5. Part IV. Wireless
    1. [Editorials] (1909)
    2. From The Wireless Telephone (1911)
    3. From A Treatise on Wireless Telegraphy (1913)
    4. The Future of Wireless (1916)
    5. From Radio for All (1922)
    6. Radio Broadcasting (1922)
    7. Is Radio at a Standstill? (1926)
    8. Edison and Radio (1926)
    9. Why the Radio Set Builder? (1927)
    10. Radio Enters into a New Phase (1927)
    11. The Short-Wave Era (1928)
  6. Part V. Television
    1. Television and the Telephot (1909)
    2. A Radio-Controlled Television Plane (1924)
    3. After Television—What? (1927)
    4. Television Technique (1931)
  7. Part VI. Sound
    1. Hearing through Your Teeth (1916)
    2. Grand Opera by Wireless (1919)
    3. The Physiophone: Music for the Deaf (1920)
    4. The “Pianorad” (1926)
  8. Part VII. Scientifiction
    1. Signaling to Mars (1909)
    2. Our Cover (1913)
    3. Phoney Patent Offizz: Bookworm’s Nurse (1915)
    4. Imagination versus Facts (1916)
    5. Interplanetarian Wireless (1920)
    6. An American Jules Verne (1920)
    7. 10,000 Years Hence (1922)
    8. Predicting Future Inventions (1923)
    9. The Dark Age of Science (1925)
    10. A New Sort of Magazine (1926)
    11. The Lure of Scientifiction (1926)
    12. Fiction versus Facts (1926)
    13. Editorially Speaking (1926)
    14. Imagination and Reality (1926)
    15. How to Write “Science” Stories (1930)
    16. Science Fiction versus Science Faction (1930)
    17. Wonders of the Machine Age (1931)
    18. Reasonableness in Science Fiction (1932)
  9. Part VIII. Selected Fiction
    1. Ralph 124C 41+, Part 3 (1911)
    2. Baron Münchhausen’s New Scientific Adventures, Part 5: “Münchhausen Departs for the Planet Mars” (1915)
    3. The Magnetic Storm (1918)
    4. The Electric Duel (1927)
    5. The Killing Flash (1929)
  10. Back Matter
    1. Index

This publication was made possible in part by the Barr Ferree Foundation Fund for Publications, Department of Art and Archaeology, Princeton University.

A portion of the Introduction was published in an earlier version as “Aerophone, Telephot, Hypnobioscope: Hugo Gernsback’s Media Theory,” Wi: Journal of Mobile Media 8, no. 2 (2014), Future Media edition.

Unless otherwise noted, all illustrations in the volume were provided courtesy of Syracuse University Libraries, Special Collections Research Center.

Copyright 2016 by the Regents of the University of Minnesota

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher.

Published by the University of Minnesota Press

111 Third Avenue South, Suite 290

Minneapolis, MN 55401-2520

http://www.upress.umn.edu

The University of Minnesota is an equal-opportunity educator and employer.

Library of Congress Cataloging-in-Publication Data

Names: Gernsback, Hugo, 1884–1967, author. | Wythoff, Grant, editor.

Title: The perversity of things : Hugo Gernsback on media, tinkering, and scientifiction / Hugo Gernsback ; edited by Grant Wythoff.

Minneapolis : University of Minnesota Press, 2016. | Series: Electronic mediations ; 52 | Includes bibliographical references and index.

Identifiers: LCCN 2016022208 | ISBN 978-1-5179-0084-7 (hc) | ISBN 978-1-5179-0085-4 (pb)

Subjects: | BISAC: Literary Criticism / Science Fiction & Fantasy. | Literary Collections / Essays. | Science / History.

Classification: LCC PS3513.E8668 A6 2016 | DDC 813/.54—dc23

LC record available at https://lccn.loc.gov/2016022208

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